Insights, tips, and techniques to elevate your jazz guitar playing.
vc_rowvc_columnvc_column_textThis is Part Two of a two-part series on using triad pairs contrapuntally consisting of: Volume One: focuses on contrapuntally...
Michael Bryant
vc_rowvc_columnvc_column_textSteve Herberman offers a tremendous amount of information on the use of creating counterpoint lines using triad pairs that he...
Michael Bryantvc_rowvc_columnvc_column_textFrom the beginning, Sid demystifies what counterpoint is by beautifully improvising on Wayne Shorter?s ballad ?Infant Eyes?. You...
Michael Bryant
vc_rowvc_columnvc_column_textIn this latest masterclass by Sid Jacobs, we get to see his take on the Gershwin classic, “It Ain’t Necessarily...
Az Samad
vc_rowvc_columnvc_column_textI?ve been fascinated with contrapuntal playing for years. I started out playing classical guitar working on Bach pieces...
Az Samad
vc_rowvc_columnvc_column_textAndy Fite is a musician?s musician! He is the person you would want to study with if you?ve already been …
Az Samad
vc_rowvc_columnvc_column_text Speed can be an impressive form of musical expression when executed well on guitar. Paul Bollenback commences this video …
Michael Bryant
vc_rowvc_columnvc_column_textJohn Stowell?s new master class is very straight to the point. He addresses one interesting aspect – modulation in relation...
Az Samadvc_rowvc_columnvc_custom_heading text=”Into Tonal Beauty 2: Escaping Chord Grips”...
Az Samad
vc_rowvc_columnvc_custom_heading text=”Expanding Guitar’s Harmonic Vocabulary with Artificial Harmonics Part I by Genil Castro”...
Az Samad
vc_rowvc_columnvc_custom_heading text=”Expanding Guitar’s Harmonic Vocabulary with Artificial Harmonics Part II by Genil Castro”...
Az Samad
vc_rowvc_columnvc_custom_heading text=”“Andy’s Comprehensive Approach Part 1 & 2“ by Andy Fite”...
Az Samad