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Guitar Classes
7 String
Jazz Phrasing Part 1 (For All Instruments)
Going For Baroque, Part Two (Three-Voice Counterpoint)
Modern Jazz Guitar – Part II
Going for Baroque
7-String Jazz Guitar for All Levels
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Chord Melody
Art of Solo Guitar – Part I
How to Play Solo Jazz Guitar:from Simple to Complex
“It Could Happen to You” Masterclass
Art of Solo Guitar – Part II
Lenny Breau Style: How to Comp While Soloing
Exploring Original Compositions, pt 2
Art of Solo Guitar – Part III
Playing Lines and Chords at the Same Time
Chord-Melody 101/201
Artful Intros
Reharmonization – Part I – “Exploring Stella”
Christmas Tunes Vol. II & The Beatles
Chord Voicings
8 Sets of Jazz Blues Changes
Blues – A Two Speed Approach
Diminished Sounds with Major Triads
Hybrids – A New Approach to Reharmonization – Lesson II
Modern Jazz Guitar – Part II
Rhythm, Comping and How to Play Chords Like a Pro!
The Inner Line
Walking Chords for Jazz Guitar
A Guide to Practical Comping – Part 1
Blues Guitar
Double Stops for Jazz Guitar
Interpretation and Musicality for Guitarists
Comping
A Guide to Practical Comping – Part II
Fundamentals Checkpoint
Modern Jazz Guitar – Part V
Thinking Outside the Box
Auto-Comping
Getting Creative With Standard Tunes
Odd Meters
Thinking Outside the Box – Part II
Bass and Guitar – A Balance of Forces
Green Dolphin Street – Changes, Voicings and Lines
Playing Lines and Chords at the Same Time
Thinking Outside the Box – Part III
Harmony
A New World of Sounds
Blues: A Modern Jazz Guitar Approach – Part I
Dodecafonismo en la Improvisacion: Parte II
Triads and Seventh Chords of the Melodic Minor Scale
Making the Changes – Jamie Taylor’s approach
Modern Jazz Guitar – Part I
Quintal Arpeggios
The Art of Playing Jazz Blues
Exploring Modern Ideas for Jazz Standards: Pt. 1
Advanced Jazz Guitar Harmony: 4-Part-4ths
Bottomlands Architecture
Double Stops for Jazz Guitar
Jazz Blues
Blues and Pentatonics – Part II
Blues Basics – Developing a Linear Approach
Blues: A Modern Jazz Guitar Approach – Part I
Comping on Blues and Rhythm Changes
Gettin’ Greasy – Blues Lines and Phrases
Guide Tones for Jazz Lines, Comping and Chord Melody
Jazz Blues
Jazz Blues – Part II – Minor Blues
Swing and Big Band Chordal Riffs and Shout Choruses
The Art of Playing Jazz Blues
Blues-Part I – Call and Response
8 Sets of Jazz Blues Changes
Mindfulness
Psychology, Philosophy & Methodology for the Jazz Guitarist – 3
Psychology, Philosophy & Methodology for the Jazz Guitarist – I
Quality Practicing Jazz – Part II
Quality Practicing Jazz – Part I
Orchestral Repertoire – Methodology, Philosophy, Auditions
The Importance of Scat
The Joy of Practicing
Time and Space
Time, Tone and Technique
Andy’s Comprehensive Approach – Part 1
Andy’s Comprehensive Approach – Part 2
Developing A Personal Practice Routine
Modern Jazz Guitar
All About Harmonics
Modern Jazz Guitar – Part I
Rhythm Workshop
Jazz Phrasing Part 2 (For All Instruments)
Augmented Tonality I – The Whole Tone Scale
Modern Jazz Guitar – Part II
The Harmonic Major Scale
Soloing Using Chord Shapes – “Speak Low”
Fun With 10ths
Modern Jazz Guitar – Part III
Solo Guitar Concepts
“Have You Met Miss Jones?” – Masterclass
Practicing
Getting the Most Out of Practicing
How To Practice
Practicing and Memorizing Tunes
Quality Practicing Jazz – Part I
Quality Practicing Jazz – Part II
Andy’s Comprehensive Approach – Part 1
“Have You Met Miss Jones?” – Masterclass
Jazz Phrasing Part 3 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Exploring Modern Ideas for Jazz Standards: Pt. 2
Andy’s Comprehensive Approach – Part 2
The Joy of Practicing
Recently Enhanced Class
Clusters! Sounds of B. Evans/H. Hancock in Your Hands
The Joy of Practicing
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
A Guitarist’s Approach to the Harmony of Bill Evans
Counterpoint Concepts
Guide Tones for Jazz Lines, Comping and Chord Melody
Soloing and Comping in a Pianistic Style
Rhythm
Blues Guitar
Rhythmic Techniques for Guitar
Blues: A Modern Jazz Guitar Approach – Part I
The Art of the Duo
Comping Concepts Part One: 4/4 swing
Time and Space
Concepts & Ideas for Guitar Duo Playing
“Have You Met Miss Jones?” – Masterclass
Concert/Clinic
Jazz Phrasing Part 4: Articulation & Rhythmic Variety (For All Instruments)
Further Phrasing Concepts
Jazz Phrasing Part 5: “Quoting” Bebop Heads and Standard Tunes (For All Instruments)
Rhythm Changes
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Single Note Soloing Concepts on Rhythm Changes
Comping on Blues and Rhythm Changes
Making The Changes II – Connecting Tones Through Rhythm Changes
Rhythm Changes – A Two Speed Approach
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Segment Enhanced
Christmas Tunes Vol. II & The Beatles
8 Christmas Tunes Improvised by Sid
“White Christmas” Howard’s Rendition
Exploring Original Compositions, pt 2
Counterpoint Concepts
A Guitarist’s Approach to the Harmony of Bill Evans
Guide Tones for Jazz Lines, Comping and Chord Melody
Clusters! Sounds of B. Evans/H. Hancock in Your Hands
Soloing and Comping in a Pianistic Style
The Joy of Practicing
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
Jazz Phrasing Part 5: “Quoting” Bebop Heads and Standard Tunes (For All Instruments)
Soloing
A New Model In Viewing Improvisation – Lesson V
Concepts & Ideas for Guitar Duo Playing
Going for Baroque
Jazz Time Feel
Melodic Minor Modes
Post Be-Bop Improv
The Harmonic Major Scale
The Art of Walking Bass Lines
Thinking Outside the Box – Part III
Exploring Original Creations [Non-Diatonic]
A New Model In Viewing the Art of Improvisation – 2-1/2 Hours
Concert/Clinic
Soundsliced
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
Going For Baroque, Part Two (Three-Voice Counterpoint)
Intervallic Soloing Using 4ths
“Georgia” Melody Support by 4/4 Rhythm
Guide Tone Lines
A Guitarist’s Approach to the Harmony of Bill Evans
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Anatomy of a Standard – “Giant Steps”
“White Christmas” Howard’s Rendition
Standards
Green Dolphin Street – Changes, Voicings and Lines
Anatomy of a Standard – “Giant Steps”
Heads, You Win!
Art of Solo Guitar – Part I
Art of Solo Guitar – Part II
Art of Solo Guitar – Part III
“Naima” – Exploring Modern Dominant 7ths
Practicing and Memorizing Tunes
Stella by Starllight – Changes, Voicings and Lines
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Anatomy of a Standard – “I’ve Never Been in Love Before”
“Have You Met Miss Jones?” – Masterclass
Technique
All About Harmonics
Pedal Points Part 3: Inner-Voice Fretted Pedals
All About Technique: How to get Speed and Accuracy
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Applications of Triad Motion Studies Inspired by George Van Eps
Exploring Modern Ideas for Jazz Standards: Pt. 1
Arco Techniques for Jazz Bass
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
Auto-Comping
Exploring Modern Ideas for Jazz Standards: Pt. 2
Bass Technique
Andy’s Comprehensive Approach – Part 1
Theory
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Confirmation
Jazz Blues
Modern Jazz Guitar – Part III
The Diminished Scale: A Modern Jazz Guitar Approach – Part 2
Jazz Phrasing Part 5: “Quoting” Bebop Heads and Standard Tunes (For All Instruments)
Advanced Jazz Guitar Harmony: 4-Part-4ths
Counterpoint Concepts
Jazz Blues – Part II – Minor Blues
Modern Jazz Guitar – Part IV
The Diminished Scale: A Modern Jazz Guitar Approach – Part 3
Andy’s Comprehensive Approach – Part 1
Upcoming Release
Jimmy Wyble’s Etude #2
Expanding Guitar’s Harmonic Vocabulary with Artificial Harmonics p. II
Expanding Guitar’s Harmonic Vocabulary with Artificial Harmonics p. I
Gypsy Style Arpeggio Picking
Into Tonal Beauty: Escaping Chord Grips
Jimmy Wyble’s Etude #1
eBooks
Jazz Improvisation Uncovered [eBook]
Jazz Guitar Licks and Etudes [eBook]
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
Bass Classes
Masters
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Howard Alden
Jazz Guitar Master
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Gypsy Style Arpeggio Picking
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9.95
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7
Guide Tone Lines
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9.95
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46
"Georgia" Melody Support by 4/4 Rhythm
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9.95
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38
“White Christmas” Howard’s Rendition
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9.95
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$
19.95
16
The String Trio Approach for Chord Melody & Accompaniment
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9.95
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$
19.95
48
3
Howard Alden's Techniques for Harmonizing Melodies with Thirds
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29.95
37
Howard Alden Live Q&A April 2018 [FREE WITH MEMBERSHIP]
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129
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