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Guitar Classes
7 String
Modern Jazz Guitar – Part II
Going for Baroque
7-String Jazz Guitar for All Levels
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Jazz Phrasing Part 1 (For All Instruments)
Chord Melody
Chord Melody Playing – Part II
Thinking Outside the Box – Part III
Chord Solos
Tonal Centers Applied to Chord Melody
Double Stops for Jazz Guitar
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Chordal Solo Choruses
Electric Fingerstyle Guitar
“Have You Met Miss Jones?” – Masterclass
“Naima” – Exploring Modern Dominant 7ths
Green Dolphin Street – Changes, Voicings and Lines
The String Trio Approach for Chord Melody & Accompaniment
Chord Voicings
Applications of Triad Motion Studies Inspired by George Van Eps
Chord Solos
Gettin’ Greasy – Blues Lines and Phrases
Jazz Guitar Harmony Part III
Open String Concepts for Chords and Single Note Lines
The Altered Dominant Matrix System
Useful Voicings
Art of Solo Guitar – Part I
Chord Voicings Primer
Getting Creative With Standard Tunes
Jazz Guitar Harmony Part IV
Open String Voicings for Guitar
Comping
Comping on Blues and Rhythm Changes
Lenny Breau Style: How to Comp While Soloing
Soloing and Comping in a Pianistic Style
Composing and Improvising Strong Melodies
Lenny Breau-Style Comping/Soloing (Part 2)
Stella by Starllight – Changes, Voicings and Lines
Concepts & Ideas for Guitar Duo Playing
Melodic Comping
The Art of Playing Jazz Blues
Comping Concepts Part 3: Rootless Voicings & Chord Substitutions
Concert/Clinic
Modern Jazz Guitar – Part I
Harmony
Bailey’s Boot Camp Basics – Part III
Comping on Blues and Rhythm Changes
Getting Creative With Standard Tunes
Interpretation and Musicality for Guitarists – II
Mastering Chord Movement
Polyphonic Improvisation
The Harmonic Major Scale
Tonal Centers for Jazz Improv Part II
Bass and Guitar – A Balance of Forces
Composition Techniques
Giant Steps
Jazz Blues
Jazz Blues
The Art of Playing Jazz Blues
Blues-Part I – Call and Response
8 Sets of Jazz Blues Changes
Blues – A Two Speed Approach
Blues and Pentatonics – Part I
Blues and Pentatonics – Part II
Blues Basics – Developing a Linear Approach
Blues: A Modern Jazz Guitar Approach – Part I
Comping on Blues and Rhythm Changes
Gettin’ Greasy – Blues Lines and Phrases
Guide Tones for Jazz Lines, Comping and Chord Melody
Jazz Blues
Mindfulness
Time, Tone and Technique
Connecting Deeply, Seeing Clearly
Developing A Personal Practice Routine
Discover, Develop, Integrate: Techniques Unveiled
Jazz Guitar Recording Concepts and Philosophy
Psychology, Philosophy & Methodology for the Jazz Guitarist – 2
Psychology, Philosophy & Methodology for the Jazz Guitarist – 3
Psychology, Philosophy & Methodology for the Jazz Guitarist – I
Quality Practicing Jazz – Part II
Quality Practicing Jazz – Part I
Orchestral Repertoire – Methodology, Philosophy, Auditions
The Importance of Scat
Modern Jazz Guitar
How to Comp: Modern Comping and Beyond
Polyphonic Improvisation
The Diminished Scale: Theory and Practice
Jazz Phrasing Part 5: “Quoting” Bebop Heads and Standard Tunes (For All Instruments)
How to Improvise with Major Triads
Post Be-Bop Improv
The Half Diminished Sound
Exploring Original Compositions, pt 2
Jazz Guitar Harmony Part II
Post Bebop Comping: Contemporary Sound with Clusters and 4ths
The Symmetrical Augmented Scale
Jazz Phrasing Part 3 (For All Instruments)
Practicing
The Joy of Practicing
All About Technique: How to get Speed and Accuracy
Developing A Personal Practice Routine
Fundamentals Checkpoint
Getting the Most Out of Practicing
How To Practice
Practicing and Memorizing Tunes
Quality Practicing Jazz – Part I
Quality Practicing Jazz – Part II
“Have You Met Miss Jones?” – Masterclass
Jazz Phrasing Part 3 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Rhythm
Modern Jazz Guitar – Part I
Modern Jazz Guitar – Part III
Modern Jazz Guitar – Part IV
Jazz Phrasing Part 3 (For All Instruments)
Modern Jazz Guitar – Part V
Jazz Phrasing Part 2 (For All Instruments)
Odd Meters
Bass and Guitar – A Balance of Forces
Rhythm Workshop
Beautiful Love
Rhythm, Comping and How to Play Chords Like a Pro!
Blues Guitar
Rhythm Changes
Comping on Blues and Rhythm Changes
Making The Changes II – Connecting Tones Through Rhythm Changes
Rhythm Changes – A Two Speed Approach
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Single Note Soloing Concepts on Rhythm Changes
Soloing
Beautiful Love
Freedom Within Function: The Way Out is Through
Interpretation and Musicality for Guitarists
Making The Changes – Translating the Jazz Language on Guitar
Modern Jazz Improvisation-Part 1
Rhythm Changes – A Two Speed Approach
The Art of Fusion 4 – Scales and Speed Development
The Importance of Scat
Soloing Using Chord Shapes – “Speak Low”
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
“Naima” – Exploring Modern Dominant 7ths
Interpretation and Musicality for Guitarists – II
Standards
Anatomy of a Standard – “I’ve Never Been in Love Before”
“Have You Met Miss Jones?” – Masterclass
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
Jazz Phrasing Part 2 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Beautiful Love
Exploring Modern Ideas for Jazz Standards: Pt. 2
Concert/Clinic
“It Could Happen to You” Masterclass
Getting Creative With Standard Tunes
Anatomy of a Standard – “Giant Steps”
Green Dolphin Street – Changes, Voicings and Lines
Technique
Harmonics
Injury Prevention for the Double Bassist
Introduction to The New Technique and The Art of The Bow
Jazz Guitar Finger-Style Technique
Learning The Other Bow
David Gage Workshop
Strategic Picking and the Improvised Line
7-String Jazz Guitar for All Levels
The Art of Fusion 4 – Scales and Speed Development
A New World of Sounds
Time, Tone and Technique
All About Harmonics
Theory
Chord Construction Workshop
Giant Steps
Making The Changes II – Connecting Tones Through Rhythm Changes
Steve Giordano – Soli for Guitar
Tonal Centers for Jazz Improv Part II
Blues: A Modern Jazz Guitar Approach – Part II
Green Dolphin Street – Changes, Voicings and Lines
Mastering Chord Movement
Style and Song Analysis
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Chord-Melody 101/201
Guide Tones for Jazz Lines, Comping and Chord Melody
eBooks
Jazz Improvisation Uncovered [eBook]
Jazz Guitar Licks and Etudes [eBook]
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Jazz Guitar Licks and Etudes [eBook] 2
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View Paul Bollenback profile
Paul Bollenback
Jazz Guitar Master
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Soloing Using Chord Shapes - "Speak Low"
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5
Paul Bollenback Live Q&A 4/5/18 at 8pm EST [Free for Members]
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9.95
110
Useful Voicings
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29.95
68
Introductions and Endings
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Art of Solo Guitar - Part III
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37
Art of Solo Guitar - Part II
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58
5
Art of Solo Guitar - Part I
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120
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The Art of Playing Jazz Blues
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93
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Refreshing Your Chord Vocabulary on Simple ii-V-I's
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Comping on Blues and Rhythm Changes
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Guitar and Vocals
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Comping
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58
Time, Tone and Technique
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24.95
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The Chromatic Line Game
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40
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