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7 String
Modern Jazz Guitar – Part II
Going for Baroque
7-String Jazz Guitar for All Levels
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Jazz Phrasing Part 1 (For All Instruments)
Chord Melody
Artful Intros
Reharmonization – Part I – “Exploring Stella”
Auto-Comping
Solo Guitar Concepts
Beautiful Love
Stella by Starllight – Changes, Voicings and Lines
Fun With 10ths
The Making of a Solo Guitar Arrangement
Blues Guitar
Thinking Outside the Box
Chord melody arranging & soloing inspired by George Van Eps
Thinking Outside the Box – Part II
Chord Voicings
Advanced Harmony for the Jazz Guitarist
Blues: A Modern Jazz Guitar Approach – Part I
Electric Fingerstyle Guitar
Jazz Blues
Modern Jazz Guitar – Part V
Solo Guitar Concepts
Thinking Outside the Box
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Chord Construction Workshop
Expand Your Comping Concepts
Jazz Blues – Part II – Minor Blues
Motion and Chord Voicings – Part I
Comping
Beautiful Love
Guide Tones for Jazz Lines, Comping and Chord Melody
Refreshing Your Chord Vocabulary on Simple ii-V-I’s
Soloing Using Chord Shapes – “Speak Low”
Blues – A Two Speed Approach
Guitar and Vocals
Rhythm Changes – A Two Speed Approach
“Have You Met Miss Jones?” – Masterclass
Blues: A Modern Jazz Guitar Approach – Part II
Harmonic Rhythm
Rhythm Workshop
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Harmony
Anatomy of a Tune – Be-bop Style
Chord melody arranging & soloing inspired by George Van Eps
Expanding Your Chord Vocabulary
How to Improvise with Major Triads
Comping Concepts Part Two: Ballads and Jazz Waltz
Modern Jazz Guitar – Part IV
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Thinking Outside the Box
Applications of Triad Motion Studies Inspired by George Van Eps
Chord Melody Playing – Part II
Exploring the Chord/Single Note Line Connection
Hybrids – A New Approach to Reharmonization – Lesson I
Jazz Blues
Comping on Blues and Rhythm Changes
Gettin’ Greasy – Blues Lines and Phrases
Guide Tones for Jazz Lines, Comping and Chord Melody
Jazz Blues
Jazz Blues – Part II – Minor Blues
Swing and Big Band Chordal Riffs and Shout Choruses
The Art of Playing Jazz Blues
Blues-Part I – Call and Response
8 Sets of Jazz Blues Changes
Blues – A Two Speed Approach
Blues and Pentatonics – Part I
Blues and Pentatonics – Part II
Mindfulness
Quality Practicing Jazz – Part I
Orchestral Repertoire – Methodology, Philosophy, Auditions
The Importance of Scat
The Joy of Practicing
Time and Space
Time, Tone and Technique
Developing A Personal Practice Routine
Discover, Develop, Integrate: Techniques Unveiled
Jazz Guitar Recording Concepts and Philosophy
Psychology, Philosophy & Methodology for the Jazz Guitarist – 2
Psychology, Philosophy & Methodology for the Jazz Guitarist – 3
Psychology, Philosophy & Methodology for the Jazz Guitarist – I
Modern Jazz Guitar
Blues: A Modern Jazz Guitar Approach – Part I
Modern Jazz Guitar – Part IV
Soloing and Comping in a Pianistic Style
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
“Naima” – Exploring Modern Dominant 7ths
Modern Jazz Guitar – Part V
The Altered Dominant Matrix System
Jazz Phrasing Part 1 (For All Instruments)
Extending Your Harmonic Reach
Modern Jazz Improvisation-Part 2
The Art of Takin’ It Out
Exploring Modern Ideas for Jazz Standards: Pt. 1
Practicing
Quality Practicing Jazz – Part I
Quality Practicing Jazz – Part II
“Have You Met Miss Jones?” – Masterclass
Jazz Phrasing Part 3 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Exploring Modern Ideas for Jazz Standards: Pt. 2
The Joy of Practicing
All About Technique: How to get Speed and Accuracy
Developing A Personal Practice Routine
Fundamentals Checkpoint
Getting the Most Out of Practicing
How To Practice
Rhythm
Concepts & Ideas for Guitar Duo Playing
“Have You Met Miss Jones?” – Masterclass
Concert/Clinic
Jazz Phrasing Part 4: Articulation & Rhythmic Variety (For All Instruments)
Further Phrasing Concepts
Jazz Phrasing Part 5: “Quoting” Bebop Heads and Standard Tunes (For All Instruments)
Green Dolphin Street – Changes, Voicings and Lines
Guitar and Vocals
Jazz Time Feel
Modern Jazz Guitar – Part I
Modern Jazz Guitar – Part III
Modern Jazz Guitar – Part IV
Rhythm Changes
Comping on Blues and Rhythm Changes
Making The Changes II – Connecting Tones Through Rhythm Changes
Rhythm Changes – A Two Speed Approach
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Single Note Soloing Concepts on Rhythm Changes
Soloing
Anatomy of a Tune – Be-bop Style
Contrapuntal Improvisation
Guitar and Vocals
Making the Changes – Jamie Taylor’s approach
Modern Harmony & Harmonic Concepts
Psychology, Philosophy & Methodology for the Jazz Guitarist – 3
Stella by Starllight – Changes, Voicings and Lines
The Diminished Scale: A Modern Jazz Guitar Approach – Part 1
Tonal Centers for Jazz Improvisation
Arco Techniques for Jazz Bass
Contrapuntal Improvisation
Harmonics
Standards
Art of Solo Guitar – Part II
Art of Solo Guitar – Part III
“Naima” – Exploring Modern Dominant 7ths
Practicing and Memorizing Tunes
Stella by Starllight – Changes, Voicings and Lines
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Anatomy of a Standard – “I’ve Never Been in Love Before”
“Have You Met Miss Jones?” – Masterclass
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
Jazz Phrasing Part 2 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Beautiful Love
Technique
Arco Techniques for Jazz Bass
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
Auto-Comping
Exploring Modern Ideas for Jazz Standards: Pt. 2
Bass Technique
Bass-ics
Electric Fingerstyle Guitar
“Naima” – Exploring Modern Dominant 7ths
Harmonics
Injury Prevention for the Double Bassist
Introduction to The New Technique and The Art of The Bow
Jazz Guitar Finger-Style Technique
Theory
Augmented Tonality I – The Whole Tone Scale
Dominant Line Concepts
Jazz Guitar Harmony Part II
Rhythm Changes – A Two Speed Approach
The Inner Line
Beautiful Love
Drop 2 and Drop 3 Voicings
Jazz Guitar Harmony Part III
Rhythm Changes – Modern Jazz Guitar Approach – Part I
The Magic Scale and Symmetry
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
Expand Your Comping Concepts
eBooks
Jazz Improvisation Uncovered [eBook]
Jazz Guitar Licks and Etudes [eBook]
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
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View Paul Bollenback profile
Paul Bollenback
Jazz Guitar Master
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Soloing Using Chord Shapes - "Speak Low"
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5
Paul Bollenback Live Q&A 4/5/18 at 8pm EST [Free for Members]
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9.95
116
Useful Voicings
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29.95
68
Introductions and Endings
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85
5
Art of Solo Guitar - Part III
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Art of Solo Guitar - Part II
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5
Art of Solo Guitar - Part I
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122
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The Art of Playing Jazz Blues
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94
5
Refreshing Your Chord Vocabulary on Simple ii-V-I's
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19.95
26
Comping on Blues and Rhythm Changes
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14.95
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38
Guitar and Vocals
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9.95
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Comping
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58
Time, Tone and Technique
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24.95
49
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The Chromatic Line Game
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40
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