0
About
Free Classes
All Classes
Guitar Classes
Bass Classes
Masters
Membership Account
Pricing – Mike’s Member Benefits
Top Sellers
Home
About
Pricing – MMC Membership
Live Master Sessions
What’s New
Request or Vote For a New Class
FAQ
MMC Shirts
Guitar Classes
7 String
Modern Jazz Guitar – Part II
Going for Baroque
7-String Jazz Guitar for All Levels
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Jazz Phrasing Part 1 (For All Instruments)
Going For Baroque, Part Two (Three-Voice Counterpoint)
Chord Melody
Artful Intros
Reharmonization – Part I – “Exploring Stella”
Christmas Tunes Vol. II & The Beatles
Auto-Comping
Solo Guitar Concepts
8 Christmas Tunes Improvised by Sid
Beautiful Love
Stella by Starllight – Changes, Voicings and Lines
“Santa Claus is Coming to Town” [Improvised Tune]
Fun With 10ths
The Making of a Solo Guitar Arrangement
“Georgia” Melody Support by 4/4 Rhythm
Chord Voicings
Advanced Harmony for the Jazz Guitarist
Blues: A Modern Jazz Guitar Approach – Part I
Electric Fingerstyle Guitar
Jazz Blues
Modern Jazz Guitar – Part V
Solo Guitar Concepts
Thinking Outside the Box
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Chord Construction Workshop
Expand Your Comping Concepts
Jazz Blues – Part II – Minor Blues
Motion and Chord Voicings – Part I
Comping
Beautiful Love
Guide Tones for Jazz Lines, Comping and Chord Melody
Refreshing Your Chord Vocabulary on Simple ii-V-I’s
Soloing Using Chord Shapes – “Speak Low”
Blues – A Two Speed Approach
Guitar and Vocals
Rhythm Changes – A Two Speed Approach
“Have You Met Miss Jones?” – Masterclass
Blues: A Modern Jazz Guitar Approach – Part II
Harmonic Rhythm
Rhythm Workshop
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Harmony
Anatomy of a Tune – Be-bop Style
Chord melody arranging & soloing inspired by George Van Eps
Expanding Your Chord Vocabulary
How to Improvise with Major Triads
Comping Concepts Part Two: Ballads and Jazz Waltz
Modern Jazz Guitar – Part IV
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Thinking Outside the Box
Applications of Triad Motion Studies Inspired by George Van Eps
Chord Melody Playing – Part II
Exploring the Chord/Single Note Line Connection
Hybrids – A New Approach to Reharmonization – Lesson I
Jazz Blues
Comping on Blues and Rhythm Changes
Gettin’ Greasy – Blues Lines and Phrases
Guide Tones for Jazz Lines, Comping and Chord Melody
Jazz Blues
Jazz Blues – Part II – Minor Blues
Swing and Big Band Chordal Riffs and Shout Choruses
The Art of Playing Jazz Blues
Blues-Part I – Call and Response
8 Sets of Jazz Blues Changes
Blues – A Two Speed Approach
Blues and Pentatonics – Part I
Blues and Pentatonics – Part II
Mindfulness
Quality Practicing Jazz – Part I
Orchestral Repertoire – Methodology, Philosophy, Auditions
The Importance of Scat
The Joy of Practicing
Time and Space
Time, Tone and Technique
Andy’s Comprehensive Approach – Part 1
Andy’s Comprehensive Approach – Part 2
Developing A Personal Practice Routine
Discover, Develop, Integrate: Techniques Unveiled
Jazz Guitar Recording Concepts and Philosophy
Psychology, Philosophy & Methodology for the Jazz Guitarist – 2
Modern Jazz Guitar
Blues: A Modern Jazz Guitar Approach – Part I
Modern Jazz Guitar – Part IV
Soloing and Comping in a Pianistic Style
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
“Naima” – Exploring Modern Dominant 7ths
Modern Jazz Guitar – Part V
The Altered Dominant Matrix System
Jazz Phrasing Part 1 (For All Instruments)
Extending Your Harmonic Reach
Modern Jazz Improvisation-Part 2
The Art of Takin’ It Out
Exploring Modern Ideas for Jazz Standards: Pt. 1
Practicing
Quality Practicing Jazz – Part I
Quality Practicing Jazz – Part II
Andy’s Comprehensive Approach – Part 1
“Have You Met Miss Jones?” – Masterclass
Jazz Phrasing Part 3 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Exploring Modern Ideas for Jazz Standards: Pt. 2
Andy’s Comprehensive Approach – Part 2
The Joy of Practicing
All About Technique: How to get Speed and Accuracy
Developing A Personal Practice Routine
Fundamentals Checkpoint
Recently Enhanced Class
A Guitarist’s Approach to the Harmony of Bill Evans
Counterpoint Concepts
Guide Tones for Jazz Lines, Comping and Chord Melody
Soloing and Comping in a Pianistic Style
Clusters! Sounds of B. Evans/H. Hancock in Your Hands
The Joy of Practicing
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
Rhythm
Concepts & Ideas for Guitar Duo Playing
“Have You Met Miss Jones?” – Masterclass
Concert/Clinic
Jazz Phrasing Part 4: Articulation & Rhythmic Variety (For All Instruments)
Further Phrasing Concepts
Jazz Phrasing Part 5: “Quoting” Bebop Heads and Standard Tunes (For All Instruments)
Green Dolphin Street – Changes, Voicings and Lines
“Georgia” Melody Support by 4/4 Rhythm
Guitar and Vocals
Jazz Time Feel
Modern Jazz Guitar – Part I
Modern Jazz Guitar – Part III
Rhythm Changes
Comping on Blues and Rhythm Changes
Making The Changes II – Connecting Tones Through Rhythm Changes
Rhythm Changes – A Two Speed Approach
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Single Note Soloing Concepts on Rhythm Changes
Segment Enhanced
Exploring Original Compositions, pt 2
Counterpoint Concepts
A Guitarist’s Approach to the Harmony of Bill Evans
Guide Tones for Jazz Lines, Comping and Chord Melody
Clusters! Sounds of B. Evans/H. Hancock in Your Hands
Soloing and Comping in a Pianistic Style
The Joy of Practicing
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
Jazz Phrasing Part 5: “Quoting” Bebop Heads and Standard Tunes (For All Instruments)
“It Could Happen to You” Masterclass
“Georgia” Melody Support by 4/4 Rhythm
Andy’s Comprehensive Approach – Part 2
Soloing
Anatomy of a Tune – Be-bop Style
Contrapuntal Improvisation
Guitar and Vocals
Making the Changes – Jamie Taylor’s approach
Modern Harmony & Harmonic Concepts
Psychology, Philosophy & Methodology for the Jazz Guitarist – 3
Stella by Starllight – Changes, Voicings and Lines
The Diminished Scale: A Modern Jazz Guitar Approach – Part 1
Tonal Centers for Jazz Improvisation
Intervallic Soloing Using 4ths
Arco Techniques for Jazz Bass
Contrapuntal Improvisation
Soundsliced
“Georgia” Melody Support by 4/4 Rhythm
Guide Tone Lines
A Guitarist’s Approach to the Harmony of Bill Evans
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Anatomy of a Standard – “Giant Steps”
“White Christmas” Howard’s Rendition
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
Going For Baroque, Part Two (Three-Voice Counterpoint)
Intervallic Soloing Using 4ths
Standards
Art of Solo Guitar – Part II
Art of Solo Guitar – Part III
“Naima” – Exploring Modern Dominant 7ths
Practicing and Memorizing Tunes
Stella by Starllight – Changes, Voicings and Lines
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Anatomy of a Standard – “I’ve Never Been in Love Before”
“Have You Met Miss Jones?” – Masterclass
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
Jazz Phrasing Part 2 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Beautiful Love
Technique
Arco Techniques for Jazz Bass
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
Auto-Comping
Exploring Modern Ideas for Jazz Standards: Pt. 2
Bass Technique
Gypsy Style Arpeggio Picking
Bass-ics
Andy’s Comprehensive Approach – Part 1
Electric Fingerstyle Guitar
Andy’s Comprehensive Approach – Part 2
“Naima” – Exploring Modern Dominant 7ths
Harmonics
Theory
Augmented Tonality I – The Whole Tone Scale
Dominant Line Concepts
Jazz Guitar Harmony Part II
Rhythm Changes – A Two Speed Approach
The Inner Line
Beautiful Love
Drop 2 and Drop 3 Voicings
Jazz Guitar Harmony Part III
Rhythm Changes – Modern Jazz Guitar Approach – Part I
The Magic Scale and Symmetry
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
Expand Your Comping Concepts
Upcoming Release
Expanding Guitar’s Harmonic Vocabulary with Artificial Harmonics p. I
Into Tonal Beauty: Escaping Chord Grips
Jimmy Wyble’s Etude #1
Jimmy Wyble’s Etude #2
Expanding Guitar’s Harmonic Vocabulary with Artificial Harmonics p. II
Tetrachord Scales – Part 1
eBooks
Jazz Improvisation Uncovered [eBook]
Jazz Guitar Licks and Etudes [eBook]
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
Bass Classes
Masters
Classes
Bundles
Top Sellers
Upcoming Releases
Table of Contents
Class Reviews
My Subscription
My Orders
Free
LOGIN
No products in the cart.
LOGIN
Forgot Password
Remember Me
Sign Up
View Paul Bollenback profile
Paul Bollenback
Jazz Guitar Master
878
# Students in Courses
3
Average Rating
Soloing Using Chord Shapes - "Speak Low"
$
14.95
–
$
29.95
39
5
Paul Bollenback Live Q&A 4/5/18 at 8pm EST [Free for Members]
$
9.95
129
Useful Voicings
$
14.95
–
$
29.95
72
5
Introductions and Endings
$
14.95
–
$
29.95
88
5
Art of Solo Guitar - Part III
$
14.95
–
$
29.95
38
Art of Solo Guitar - Part II
$
14.95
–
$
29.95
59
5
Art of Solo Guitar - Part I
$
14.95
–
$
29.95
125
5
The Art of Playing Jazz Blues
$
14.95
–
$
29.95
94
5
Refreshing Your Chord Vocabulary on Simple ii-V-I's
$
9.95
–
$
19.95
26
Comping on Blues and Rhythm Changes
$
14.95
–
$
29.95
38
Guitar and Vocals
$
9.95
–
$
19.95
22
Comping
$
14.95
–
$
29.95
58
Time, Tone and Technique
$
11.95
–
$
24.95
49
3
The Chromatic Line Game
$
7.95
–
$
17.95
41
Courses
Categories
Article
Musician Reviews
News
Thoughts on a Class
$
17.95
Unlimited Time + Download
All Class Materials Included
Add to Cart
$
7.95
per 10 days
1 week, 3 days - Streaming Only
All Class Materials Included
Add to Cart
Are you sure you want to buy it with
0
?
Click to Use 0
