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Guitar Classes
7 String
Going for Baroque
7-String Jazz Guitar for All Levels
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Jazz Phrasing Part 1 (For All Instruments)
Modern Jazz Guitar – Part II
Chord Melody
“Naima” – Exploring Modern Dominant 7ths
Green Dolphin Street – Changes, Voicings and Lines
The String Trio Approach for Chord Melody & Accompaniment
A Guitarist’s Approach to the Harmony of Bill Evans
Guide Tones for Jazz Lines, Comping and Chord Melody
Exploring Modern Ideas for Jazz Standards: Pt. 1
Applications of Triad Motion Studies Inspired by George Van Eps
Heads, You Win!
Exploring Modern Ideas for Jazz Standards: Pt. 2
Art of Solo Guitar – Part I
How to Play Solo Jazz Guitar:from Simple to Complex
“It Could Happen to You” Masterclass
Chord Voicings
Chord-Melody 101/201
Bailey’s Boot Camp Basics
Comping Concepts Part One: 4/4 swing
Guide Tones for Jazz Lines, Comping and Chord Melody
Comping Concepts Part Two: Ballads and Jazz Waltz
Refreshing Your Chord Vocabulary on Simple ii-V-I’s
The Chromatic Line Game
Exploring Modern Ideas for Jazz Standards: Pt. 2
Chordal Solo Choruses
Fun With 10ths
Comping on Blues and Rhythm Changes
Triads and Seventh Chords of the Melodic Minor Scale
Comping
Comping Concepts Part Two: Ballads and Jazz Waltz
Double Stops for Jazz Guitar
Modern Jazz Guitar – Part II
The Art of the Duo w/ Guitarist Mimi Fox
8 Sets of Jazz Blues Changes
Electric Fingerstyle Guitar
Modern Jazz Guitar – Part III
The Art of Walking Bass Lines
A Guide to Practical Comping – Part 1
Expand Your Comping Concepts
Modern Jazz Guitar – Part IV
The Nine Essential Chord Forms and How to Use Them
Harmony
A Guide to Practical Comping – Part 1
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
Contrapuntal Triad Pairs part 2: Open-Voiced Triads
Guide Tone Lines: Soloing on a “Bird” Blues
Jazz Guitar Harmony Part I
Melodic Minor Madness
Psychology, Philosophy & Methodology for the Jazz Guitarist – I
Style and Song Analysis
Walking Bass and Soloing Line Construction
A Guide to Practical Comping – Part II
Blues – A Two Speed Approach
Counterpoint Concepts
Jazz Blues
8 Sets of Jazz Blues Changes
Blues – A Two Speed Approach
Blues and Pentatonics – Part I
Blues and Pentatonics – Part II
Blues Basics – Developing a Linear Approach
Blues: A Modern Jazz Guitar Approach – Part I
Comping on Blues and Rhythm Changes
Gettin’ Greasy – Blues Lines and Phrases
Guide Tones for Jazz Lines, Comping and Chord Melody
Jazz Blues
Jazz Blues – Part II – Minor Blues
Swing and Big Band Chordal Riffs and Shout Choruses
Mindfulness
Developing A Personal Practice Routine
Discover, Develop, Integrate: Techniques Unveiled
Jazz Guitar Recording Concepts and Philosophy
Psychology, Philosophy & Methodology for the Jazz Guitarist – 2
Psychology, Philosophy & Methodology for the Jazz Guitarist – 3
Psychology, Philosophy & Methodology for the Jazz Guitarist – I
Quality Practicing Jazz – Part II
Quality Practicing Jazz – Part I
Orchestral Repertoire – Methodology, Philosophy, Auditions
The Importance of Scat
The Joy of Practicing
Time and Space
Modern Jazz Guitar
A New Model In Viewing Improvisation – Lesson V
Jazz Guitar Harmony Part III
Quintal Arpeggios
Thinking Outside the Box – Part II
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Jazz Guitar Harmony Part IV
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Thinking Outside the Box – Part III
Advanced Jazz Guitar Harmony: 4-Part-4ths
Jazz Guitar Harmony Part V
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Twelve Tone Row in Improvisation
Practicing
All About Technique: How to get Speed and Accuracy
Developing A Personal Practice Routine
Fundamentals Checkpoint
Getting the Most Out of Practicing
How To Practice
Practicing and Memorizing Tunes
Quality Practicing Jazz – Part I
Quality Practicing Jazz – Part II
“Have You Met Miss Jones?” – Masterclass
Jazz Phrasing Part 3 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Exploring Modern Ideas for Jazz Standards: Pt. 2
Rhythm
Jazz Phrasing Part 2 (For All Instruments)
Odd Meters
Bass and Guitar – A Balance of Forces
Rhythm Workshop
Beautiful Love
Rhythm, Comping and How to Play Chords Like a Pro!
Blues Guitar
Rhythmic Techniques for Guitar
Blues: A Modern Jazz Guitar Approach – Part I
The Art of the Duo
Comping Concepts Part One: 4/4 swing
Time and Space
Rhythm Changes
Making The Changes II – Connecting Tones Through Rhythm Changes
Rhythm Changes – A Two Speed Approach
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Single Note Soloing Concepts on Rhythm Changes
Comping on Blues and Rhythm Changes
Soloing
Lenny Breau-Style Comping/Soloing (Part 2)
Blues Basics – Developing a Linear Approach
Gettin’ Greasy – Blues Lines and Phrases
Jazz Blues – Part II – Minor Blues
Melodic Minor Applications
Pandiatonic Guitar
Seven Improvisations: Modes of Expression
The Art of Playing Melody
The Symmetrical Augmented Scale
Jazz Phrasing Part 1 (For All Instruments)
Composing and Improvising Strong Melodies
Blues: A Modern Jazz Guitar Approach – Part I
Standards
Beautiful Love
Exploring Modern Ideas for Jazz Standards: Pt. 2
Concert/Clinic
“It Could Happen to You” Masterclass
Getting Creative With Standard Tunes
Anatomy of a Standard – “Giant Steps”
Green Dolphin Street – Changes, Voicings and Lines
Heads, You Win!
Art of Solo Guitar – Part I
Art of Solo Guitar – Part II
Art of Solo Guitar – Part III
“Naima” – Exploring Modern Dominant 7ths
Technique
David Gage Workshop
Strategic Picking and the Improvised Line
7-String Jazz Guitar for All Levels
The Art of Fusion 4 – Scales and Speed Development
A New World of Sounds
Time, Tone and Technique
All About Harmonics
Pedal Points Part 3: Inner-Voice Fretted Pedals
All About Technique: How to get Speed and Accuracy
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Applications of Triad Motion Studies Inspired by George Van Eps
Exploring Modern Ideas for Jazz Standards: Pt. 1
Theory
Jazz Phrasing Part 2 (For All Instruments)
Bailey’s Boot Camp Basics – Part III
Triads and Seventh Chords of the Melodic Minor Scale
Melodic Minor Modes
The Art of Fusion 5 – Chords and CAGED System
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
Jazz Theory 101 and 201
Bottomlands Architecture
How to Harmonically Analyze a Tune
Modern Harmony & Harmonic Concepts – Part II
The Diminished Chord – How to Alter and Apply
Jazz Phrasing Part 4: Articulation & Rhythmic Variety (For All Instruments)
eBooks
Jazz Guitar Licks and Etudes [eBook]
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Jazz Guitar Licks and Etudes [eBook] 2
Jazz Improvisation Uncovered [eBook]
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Jay Umble
Jazz Guitar Master
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Jay Umble Live Q&A: May 23, 2018 @ 8pm EDT
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Soloing Over Major ii, V7, I Progressions
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Minor Line Concepts
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Giant Steps
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Psychology, Philosophy & Methodology for the Jazz Guitarist - 3
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Psychology, Philosophy & Methodology for the Jazz Guitarist - 2
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Psychology, Philosophy & Methodology for the Jazz Guitarist - I
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Composition Techniques
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Major Linear Concepts
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Modern Harmony & Harmonic Concepts - Part II
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Dominant Line Concepts
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The Altered Dominant Matrix System
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Modern Harmony & Harmonic Concepts
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