Chord Voicings Masterclass
Into Tonal Beauty: Escaping Chord Grips
About this masterclass
Andy Fite teaches guitarists how to leave the "chord grip" habit behind and connect individual voices fluidly, the way a pianist does. Drawing on the voice-leading appreciation he picked up in secondary piano studies at the University of Pittsburgh, Andy shows how the simple progression I-IV-I-V-I — which he considers the seminal progression defining tonal music — can open up a richer harmonic conception than grips and chord-scale thinking allow.
"The chords of a song, I want to say, are NOT the harmony. The harmony is something more like a road, and the chords merely the signs marking the way." — Andy Fite
What's covered
- A simple system for playing any chord in every possible place on the fretboard, starting from triads in all inversions
- I-IV-I-V-I in closed position — moving each voice by step instead of jumping grips, in major and minor
- I-IV-I-V-I in open position — open voicings, right-hand cleanliness, and playing the progressions as chords and arpeggios
- Why the major V chord's leading tone gives tonal music its gravitational pull home
- Prelude No. 1 from Andy's set of 24 preludes (2004), a solo piece that grew directly out of this progression — score included
This is a compact, efficient class — the right wisdom in 28 minutes — for anyone who wants to see the fretboard more clearly and hear harmony as moving voices rather than shapes. Includes 1 page of PDF materials in standard notation and a Soundsliced version of Prelude No. 1. Full video is 28 minutes.
Lessons in this masterclass
Lessons
- 1Any chord, every place10m 31s
- 2I-IV-I-V-I closed position7m 54s
- 3I-IV-I-V-I open position7m 35s
- 4Into Tonal Beauty: Escaping Chord Grips28m 31s
- 5Prelude No. 12m 33s
- 6Prelude No.1 Soundsliced1m 29s
- 7Connecting Deeply, Seeing Clearly1m 28s
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