Harmony Masterclass
Psychology, Philosophy & Methodology for the Jazz Guitarist - 3
About this masterclass
Jay Umble's third class on the psychological, philosophical, and methodological side of jazz guitar, drawing on his 30 years in the music arena. Rather than the standard masterclass approach (put this finger here, play this chord), this series is a discussion about the artistic side of music, covering topics that are rarely, if ever, discussed.
Topics include
- Balancing energy
- One of the big secrets to improvisation
- Polarity
- Giant Steps
- Go to school without going to school
- Hearing, and expanding your awareness
- Improv substitutions
- The most important thing
For guitarists who want perspective on how to think, listen, and grow as a musician — the kind of class that leaves you thinking "why didn't I know this 20 years ago!"
Lessons in this masterclass
Lessons
- 1Psychology, Philosophy & Methodology for the Jazz Guitarist - 31h 50m
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About the instructor
Jay Umble →
Jay Umble has studied with world-renowned guitarists Pat Martino and Joe Diorio and has released two recordings which incorporate straight ahead and modern jazz styles. He is currently finishing a recording project with international percussionist, Jamey Haddad from the Paul Simon Group. Jay is on the faculty of Bucknell University and Susquehanna University where he teaches guitar mechanics, harmony, theory and fretboard integration in addition to general guitar playing. He has several instructional books published through Mel Bay Publications with endorsements from such jazz greats as Steve Kahn, Pat Martino, Paul Bollenback, Joe Diorio, Barry Greene, Sid Jacobs and Rene Stefano. Jay's latest book, "Payin' Your Dues With The Blues", is due out in the Fall of 2007. He serves as a jazz guitar clinician for the Central Pennsylvania Friends of Jazz organization and also writes a monthly guitar column for their newsletter. Jay performs throughout Central Pennsylvania with his Jazz Standards Trio, Duo and his modern trio, STRING THEORY. Latest Class Psychology, Philosophy & Methodology for the Jazz Guitarist - I

