Chord Melody Masterclass
The String Trio Approach for Chord Melody & Accompaniment
“This class matches with the Steve Herberman "Fun with 10th's" because if you take away the 7th of the chord you end up with a 10th interval, so I think they complement each other.…”
About this masterclass
Howard Alden shows how to breathe life into common jazz chord voicings by treating the fretboard like a little string trio — adding inner motion to staple chord grips instead of playing blocked chords. Starting from classic drop-2 (1-5-7-3) voicings, he trims them to practical 3-note shapes and shows how to create movement through diatonic 7th chords over standard progressions.
What's covered
- Leaving out the 5th and doubling the 3rd for clearer, more flexible 3-note voicings — with a free first finger for melodic moves
- 7th-to-6th motion, approaching notes from a half step below, and a Django-style run inside the chord scale
- Applying the movement to chord melody on Days of Wine and Roses, plus an ending idea from What's New?
- Lower-string voicings for Freddie Green-style rhythm guitar
- Moving the 5th up to the 6th and 7th, on major, minor, and diminished chords, and putting movement in the bass
- Chromatic two-line ideas inspired by Howard's teacher Jimmy Wyble
- Adding a 5th below the root to suggest a 7-string guitar sound — without the extra string or tuning down
You'll also see Mike, the site's own student, try out the concepts and get firsthand tips from Howard on technique, fingering, and practice — including a follow-up after a week of five-minutes-a-day practice. Applied to your favorite standards, these ideas will freshen up both your chord melody and your accompaniment.
- 6 pages of PDFs included
- Running time: 38 min
Lessons in this masterclass
Lessons
- 11. Turning your fingerboard into a 3 string trio!1m 25s
- 22. Leave out the 5th1m 14s
- 33. Double the 3rd43s
- 44. 7th to 6th motion1m 28s
- 55. Approaching 2nd note from half step below.44s
- 66. Django run inside chord scale.36s
- 77. Applying movement to Chord Melody; Days of Wine and Roses2m 23s
- 88. Lower voicings / Freddie Green Style2m
- 99. What’s New? in Lower Voicings44s
- 1010. Moving 5th up to 6th1m 33s
- 1111. Variations 5th to 6th
- 1212. Minor chords 5th to 6th1m 3s
- 1313. Minor chords 5th to 7th1m 18s
- 1414. Put movement in the bass48s
- 1515. Applying to Diminished Chords1m 39s
- 1616. Exercises by student Mike8m 18s
- 1717. Jimmy Wyble variations3m 34s
- 1818. Adding 5th to bottom50s
- 1919. Follow-up with Mike’s progress after a week of practice7m 36s
- 20The String Trio Approach for Chord Melody & Accompaniment38m 12s
Reviews & Ratings
"Class match"
This class matches with the Steve Herberman "Fun with 10th's" because if you take away the 7th of the chord you end up with a 10th interval, so I think they complement each other. Both are wonderful classes
"Good beginning course in inner chord movement"
Howard, of course is a master guitarist, and here he shows how to move the inner voices of the chords to add more interest to your playing. The information and presentation is very good. Howard is quite clear and concise in explaining the material. The last part of the course is Howard instructing Mike and we watch Mike applying these concepts. I could have done without that part and would have preferred if Howard would have presented more information and played more.

