Chord Melody Masterclass

The String Trio Approach for Chord Melody & Accompaniment

Howard Alden·
4.0 (2 reviews)
·BEGINNER·20 lessons·1h 16m of video

About this masterclass

Howard Alden shows how to breathe life into common jazz chord voicings by treating the fretboard like a little string trio — adding inner motion to staple chord grips instead of playing blocked chords. Starting from classic drop-2 (1-5-7-3) voicings, he trims them to practical 3-note shapes and shows how to create movement through diatonic 7th chords over standard progressions.

What's covered

  • Leaving out the 5th and doubling the 3rd for clearer, more flexible 3-note voicings — with a free first finger for melodic moves
  • 7th-to-6th motion, approaching notes from a half step below, and a Django-style run inside the chord scale
  • Applying the movement to chord melody on Days of Wine and Roses, plus an ending idea from What's New?
  • Lower-string voicings for Freddie Green-style rhythm guitar
  • Moving the 5th up to the 6th and 7th, on major, minor, and diminished chords, and putting movement in the bass
  • Chromatic two-line ideas inspired by Howard's teacher Jimmy Wyble
  • Adding a 5th below the root to suggest a 7-string guitar sound — without the extra string or tuning down

You'll also see Mike, the site's own student, try out the concepts and get firsthand tips from Howard on technique, fingering, and practice — including a follow-up after a week of five-minutes-a-day practice. Applied to your favorite standards, these ideas will freshen up both your chord melody and your accompaniment.

  • 6 pages of PDFs included
  • Running time: 38 min

Lessons in this masterclass

Lessons

  • 11. Turning your fingerboard into a 3 string trio!1m 25s
  • 22. Leave out the 5th1m 14s
  • 33. Double the 3rd43s
  • 44. 7th to 6th motion1m 28s
  • 55. Approaching 2nd note from half step below.44s
  • 66. Django run inside chord scale.36s
  • 77. Applying movement to Chord Melody; Days of Wine and Roses2m 23s
  • 88. Lower voicings / Freddie Green Style2m
  • 99. What’s New? in Lower Voicings44s
  • 1010. Moving 5th up to 6th1m 33s
  • 1111. Variations 5th to 6th
  • 1212. Minor chords 5th to 6th1m 3s
  • 1313. Minor chords 5th to 7th1m 18s
  • 1414. Put movement in the bass48s
  • 1515. Applying to Diminished Chords1m 39s
  • 1616. Exercises by student Mike8m 18s
  • 1717. Jimmy Wyble variations3m 34s
  • 1818. Adding 5th to bottom50s
  • 1919. Follow-up with Mike’s progress after a week of practice7m 36s
  • 20The String Trio Approach for Chord Melody & Accompaniment38m 12s

Reviews & Ratings

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Julio Sánchez
Verified Purchase
7/7/2021

"Class match"

This class matches with the Steve Herberman "Fun with 10th's" because if you take away the 7th of the chord you end up with a 10th interval, so I think they complement each other. Both are wonderful classes

Robert Minchin
Verified Purchase
12/29/2018

"Good beginning course in inner chord movement"

Howard, of course is a master guitarist, and here he shows how to move the inner voices of the chords to add more interest to your playing. The information and presentation is very good. Howard is quite clear and concise in explaining the material. The last part of the course is Howard instructing Mike and we watch Mike applying these concepts. I could have done without that part and would have preferred if Howard would have presented more information and played more.

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About the instructor

Howard Alden
"He may be the best of his generation” – Owen Cordle, JazzTimes. "...one of the very finest young guitarists working today.” – Chip Deffaa, New York Post "If there is such a thing as a complete jazz guitarist, then Alden is it.” - The London Observer “The most impressive and creative member of a new generation of jazz guitarists.” – George Kanzler, Newark Star Ledger From playing all the guitar solos and coaching Sean Penn for the 1999 Woody Allen movie "Sweet and Lowdown” to being a Concord Jazz recording artist since the late ‘80s, Howard Alden has led an amazing career! Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Armstrong, Basie and Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt and George Van Eps. Soon he was working professionally around Los Angeles playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east, for a summer in Atlantic City with Red Norvo, and continued to perform with him frequently for several years. Upon moving to New York City in 1982, Alden's skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache` and Woody Herman. He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits. Howard Alden was voted "Best Emerging Talent-Guitar" in the first annual JazzTimes critics' poll, 1990, and "Talent Deserving Wider Recognition" in the 1996, 1992, 1993 and 1995 Downbeat critics' poll. In 1991, Alden recorded with one of his all-time heroes, seven-string guitar master George Van Eps on the album Thirteen Strings. As a result of his associating with - and inspiration from - George Van Eps, Alden has been playing the seven-string guitar since 1992. Some highlights since picking up the seven-string guitar include the three remarkable follow-up albums with Van Eps, his duo recordings with saxophonist/clarinetist Ken Peplowski, and the stunning interplay between Alden and special guest Frank Wess on Your Story - The Music of Bill Evans. Alden also teamed up with fellow guitarists Jimmy Bruno and Frank Vignola to record a three guitar outing entitled The Concord Jazz Guitar Collective, which was quickly called by some critics "an instant classic!" Alden's recording from 1996 Take Your Pick serves to underline Howard's wide scope of knowledge of jazz literature. Released in honor of Concord's 25th anniversary was a duo recording with Jimmy Bruno, Full Circle teamed with the very first Concord recording Jazz/ Concord featuring Herb Ellis and Joe Pass. His 2009 recording, “I REMEMBER DJANGO”, once again features his distinctive acoustic sound, developing and expanding the warm and elegant spirit of his performance in “Sweet and Low Down”. In 2018, in addition to his solo guitar work, Howard has been asked to join multi-genre violin star Nigel Kennedy in recordings and concerts.