The Symmetrical Augmented Scale

Juampy Juarez teaches the symmetrical augmented scale — a six-note, hexatonic scale (C, D#, E, G, G#, B) sometimes called the magic scale for its reharmonization possibilities. Introduced by 20th-century classical composers and adopted by jazz players from the late fifties on, it was used heavily by Wayne Shorter (hear Juju), John Coltrane, Bill Evans, Herbie Hancock, and Chick Corea, and its augmented sound is central to the modern jazz language.

What's covered

• How the scale is built from two augmented triads, and why its symmetry lets you move any lick by major thirds and keep the same notes
• Positions and fingerings across the neck, with licks and phrases for improvising
• Main applications: over minor chords (minor, minor 7, minor-major 7) and over dominant 7 chords, where it adds the #5 and b9
• Harmonizing the scale: derived chords, polychords, and major and minor triads moving in major thirds
• "Triadic vision" — building post-bebop lines from triads instead of scale runs, plus vamps over a pedal
• Rhythmic tips for understanding the post-bebop language, and ideas for intros, outros, and composition

Written materials in standard notation and TAB are included. A serious, professional look at an augmented tonality that's a must for the contemporary improviser.