[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
- “Little Owl”
- “Song For The Listener”
- “Lost Hearts”
- “Wednesday’s Child”
Course Content
Lessons
- Discussion on How Jamie Composes Music616
- Four Original Creations Downloadable PDF418
- "Little Owl" - Performance & Mp3 Download126
- "Lost Hearts" - Performance & Mp3 Download77
- "Song for the Listener" - Performance & Mp3 Download107
- "Wednesday's Child" - Video Performance & Mp3 Download106
- Little Owl - Soundsliced130
- Lost Hearts - Soundsliced117
- Song for the Listener - Soundsliced107
- Wednesday's Child - Soundsliced103
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About the instructor
Jamie Taylor →
Jamie Taylor is one of Great Britain's finest jazz guitarists. His clear methodology is highly unique and highly innovative; truly one of jazz's finest minds. Jamie’s playing has drawn praise from top critics like The Guardian’s John Fordham and Jazzwise’s Robert Shore, and he has been heard with leading jazz musicians from both sides of the Atlantic such as Sheryl Bailey, John Stowell, Roni Ben-Hur, Sebastiaan DeKrom, Wayne Escoffery, Dave O’Higgins, Baptiste Herbin, Bart DeFoort, Steve Fishwick, Jeremy Brown, Steve Watts, Kate Williams, Pete Whittaker, Laura Jurd, Tori Freestone, Alan Barnes, and Jim Mullen. He appears regularly at top London venues such as Ronnie Scott’s and The Troubadour, and has also been featured on recordings for the jazz labels Candid and GLP. Jamie is currently a Principal Lecturer in Jazz Guitar at Leeds Conservatoire, whose full-time jazz degree course is one of the oldest in Europe (having started in 1967). He also held the post of Course Leader for this program between 2007-2009. For more information about Jamie, visit http://www.jamie-taylor.com/ PRESS: “An uncanny ability…always grooving.” Matt Warnock, Just Jazz Guitar“ “Taylor is a name to watch out for.” Stephen Graham, Marlbank “An alternative perspective on the blues legacy, taking in elements of swing, bop, and funk. It’s clever, engaging stuff.” Robert Shore, Jazzwise “(Jamil Sheriff) gives the soloists in a fine northern orchestra their cues; Jamie Taylor’s edgy guitar burns through.” John Fordham, The Guardian
