Anatomy of a Solo: Oscar Moore on "Body & Soul"

Jamie Taylor·
5.0 (1 review)
·BEGINNER·Soloing·2 lessons

Class Aims:

  • Learn to play an iconic solo from one of the early greats, on an essential standard selection.
  • Develop technique, time, and aural awareness in so doing.
  • Increase our improvisational vocabulary and awareness of jazz guitar styles.
  • Learn how great players modify and/or elaborate standard song progressions.

Mike suggested I take a look at this solo, and I’m very glad he did, as I’ve learned a huge amount in the process. The combination of one of the most iconic jazz standards (“Body & Soul”) and one of the electric guitar’s greatest early pioneers (Oscar Moore of the King Cole Trio), makes for an absolutely fascinating study. In the class, I share my findings, and also some tips I’ve picked up down the years with regard to examining the great recordings. The focus is mostly on this particular solo, so this isn’t a “how to transcribe” class as such, but I have tried to share a few ideas on the subject along the way.

In the full 46m class:

  • We set the scene with a brief discussion of early electric guitar styles in context.
  • I play the solo along with the original recording, now using two different camera angles, to help you see as much as possible.
  • We then go through it phrase by phrase, analyzing various aspects of harmony, rhythm, reference to the original melody, and articulation.
  • In the process, we see how Oscar and the trio find unusual alternative chord pathways through this familiar song, and even include some really adventurous “outside” playing.
  • After we deal with the solo itself, we move on to a discussion of transcription in general, its potential benefits and some of the pitfalls to avoid.
  • Synchronised ‘Soundslice’ notation/tab ensures that you know exactly where you are in the transcription at all times.
  • A lead sheet of the standard song is also included.

In terms of difficulty, nothing in the solo is likely to prove prohibitive to most players, so this should be a fairly accessible class. Having said that, though, even the most advanced student should find plenty here to enjoy – this really is a fantastic passage of playing, which demonstrates how incredibly advanced the early electric guitarists were.

Course Content

Lessons

  • Anatomy of a Solo Full Class + Download2810
  • Soundsliced Body & Soul101

Reviews & Ratings

5.0
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Robert Gannon
Verified Purchase
11/7/2019

"Oscar Moore, Body and Soul"

I'm stumped for words in reviewing this. It will sound trite if I go on about "how much I like the course." The fact is I do love it. I love the way Jamie presents it, and plays it beautifully! A great way to learn and enjoy a great tune. Thanks!

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About the instructor

Jamie Taylor
Jamie Taylor is one of Great Britain's finest jazz guitarists. His clear methodology is highly unique and highly innovative; truly one of jazz's finest minds. Jamie’s playing has drawn praise from top critics like The Guardian’s John Fordham and Jazzwise’s Robert Shore, and he has been heard with leading jazz musicians from both sides of the Atlantic such as Sheryl Bailey, John Stowell, Roni Ben-Hur, Sebastiaan DeKrom, Wayne Escoffery, Dave O’Higgins, Baptiste Herbin, Bart DeFoort, Steve Fishwick, Jeremy Brown, Steve Watts, Kate Williams, Pete Whittaker, Laura Jurd, Tori Freestone, Alan Barnes, and Jim Mullen. He appears regularly at top London venues such as Ronnie Scott’s and The Troubadour, and has also been featured on recordings for the jazz labels Candid and GLP. Jamie is currently a Principal Lecturer in Jazz Guitar at Leeds Conservatoire, whose full-time jazz degree course is one of the oldest in Europe (having started in 1967). He also held the post of Course Leader for this program between 2007-2009. For more information about Jamie, visit http://www.jamie-taylor.com/ PRESS: “An uncanny ability…always grooving.” Matt Warnock, Just Jazz Guitar“ “Taylor is a name to watch out for.” Stephen Graham, Marlbank “An alternative perspective on the blues legacy, taking in elements of swing, bop, and funk. It’s clever, engaging stuff.” Robert Shore, Jazzwise “(Jamil Sheriff) gives the soloists in a fine northern orchestra their cues; Jamie Taylor’s edgy guitar burns through.” John Fordham, The Guardian