Comping the Blues part 2: Voicings
Comping the Blues part 2: Voicings covers:
- a few basic common-practice guidelines for adding color tones to the chords on a jazz blues
- exploration of different color tones on shell voicings covered in class 1
- incorporation of both 3-note and 4-note chords with various mixtures of color tones and chord tones
- discussion of altered color tones on dominant chords: when to use which ones
- explanation of the “inner 9th” concept used in Jazz Guitar Harmony, with expanded possibilities
- various chord synonyms that can make learning new voicings easier
- comping etudes on Bb and F blues incorporating the voicings, rhythms, and techniques from class 1
- thorough investigation of various common jazz blues chord substitutions incorporated into examples
- moving the shell voicing to the lower strings to increase the possibilities for tone color on the upper three strings
- final two-chorus comping etude presenting a summation of all techniques and ideas explored in both classes
- 103 minute running time
- includes 20 pages of written examples and exercises
- All example performances are titled and numbered for easy navigation. Examples are shown in close-up view where pertinent.
- MP3 backing tracks are provided for written examples, as well as full-length tracks for comping practice.
Course Content
Lessons
- Comping the Blues part 2: Voicings6184
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About the instructor
Tom Lippincott →
Eight- and six-string guitarist Tom Lippincott was born in New Jersey and grew up in Tulsa, Oklahoma, but has made South Florida his home since 1988. He has a bachelor's degree in jazz studies from the University of North Texas as well as a master's in jazz performance from the University of Miami. Tom teaches jazz guitar at Florida International University, Miami Dade College, and Broward College. He also teaches lessons in person and online, conducts clinics and workshops, and has jazz guitar courses available through Mike’s Master Classes. As a longtime contributor to the South Florida jazz community, Tom has played and recorded extensively with many of the area’s musicians and bands. He has also performed throughout the world as both sideman and leader and has performed and/or recorded with jazz luminaries John Stowell, Jonathan Kreisberg, Ben Monder, Dave Liebman, Don Friedman, and Ed Schuller. In addition to previous recordings such as his 2000 release Painting the Slow Train Brown, Tom has been featured as a performer and composer recently on David Fernandez’s Land, as well as the upcoming release from Rodolfo Zuniga’s band Surfaces with Strings featuring Camila Meza. Tom has a new album of original compositions, Twenty Years Later, available on his website at tomlippincott.com.
