Guide Tone Lines

Howard Alden·
3.5 (2 reviews)
·INTERMEDIATE·Segment Enhanced·12 lessons
If you had to play solo, unaccompanied - could someone hear all the chord changes of the song you’re playing? Jazz musicians are often measured by how well they are able to hear, play and state the harmony of any song in their repertoire. Besides playing the melody of the song, guide tone lines are the key to all this. But do you know how to REALLY play guide tones lines convincingly? Join master Howard Alden as he dissects his personal approach to guide tone lines. This simple and straightforward take will give you the tools to conquer this important jazz guitar concept. If you’ve ever dabbled with guide tone lines, this could very well be the video to help you finally master guide tones. Howard demonstrates this over Victor Young’s Stella By Starlight, using both the melody and guide tone lines to elegantly navigate through the changes. Watch as he develops a simple melody into a ornamented jazzy line that fits like a glove. In addition to outlining the changes, Howard shows how to create interesting variations including how to sound like a whole orchestra. This concept alone is very powerful and can change how you look at playing solo guitar. As with all of Howard’s classes, these concepts will empower you and enable you to improvise with more confidence over any jazz standard of your choice.
  • 2 pages of PDF written material notated in standard notation, TAB (with Howard’s personal fretting hand fingerings indicated)
  • Soundsliced versions of the transcription (standard notation and TAB with adjustable tempo, looping for effective practice and study)
  • Running time: 14 minutes

Course Content

Lessons

  • Guide Tone Lines Full Class + Download887
  • How to Sound Like a Whole Orchestra87
  • Introduction76
  • Ornamenting the Resolution83
  • Play with Howard [Soundslice]59
  • Practice with Midi [Soundslice]85
  • Stella - Melody with Fills74
  • Stella - Paraphrased Melody Example139
  • Stella - Sustained vs Non-Sustained Textures131
  • Stella - Written Example As Is - Played Twice141
  • Understanding The Chord Progression156
  • 5. Approaching 2nd note from half step below44

Reviews & Ratings

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John Duncan
Verified Purchase
7/5/2019

"Excellent course"

Thank you, Howard, for putting this information in such a clear, concise, and useful manner. You are an incredible teacher and an amazing guitarist and also possess the gift of making concepts easily understandable. I was able to take this lesson and put these concepts to work in many of the standards that I have played for years. it added a dimension that I had not previously known to my lines.

Doug Eisenstark
Verified Purchase
3/21/2020

"Not a class or instruction"

Maybe I'm missing something but there was no instruction or lesson here at all.

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About the instructor

Howard Alden
"He may be the best of his generation” – Owen Cordle, JazzTimes. "...one of the very finest young guitarists working today.” – Chip Deffaa, New York Post "If there is such a thing as a complete jazz guitarist, then Alden is it.” - The London Observer “The most impressive and creative member of a new generation of jazz guitarists.” – George Kanzler, Newark Star Ledger From playing all the guitar solos and coaching Sean Penn for the 1999 Woody Allen movie "Sweet and Lowdown” to being a Concord Jazz recording artist since the late ‘80s, Howard Alden has led an amazing career! Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Armstrong, Basie and Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt and George Van Eps. Soon he was working professionally around Los Angeles playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east, for a summer in Atlantic City with Red Norvo, and continued to perform with him frequently for several years. Upon moving to New York City in 1982, Alden's skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache` and Woody Herman. He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits. Howard Alden was voted "Best Emerging Talent-Guitar" in the first annual JazzTimes critics' poll, 1990, and "Talent Deserving Wider Recognition" in the 1996, 1992, 1993 and 1995 Downbeat critics' poll. In 1991, Alden recorded with one of his all-time heroes, seven-string guitar master George Van Eps on the album Thirteen Strings. As a result of his associating with - and inspiration from - George Van Eps, Alden has been playing the seven-string guitar since 1992. Some highlights since picking up the seven-string guitar include the three remarkable follow-up albums with Van Eps, his duo recordings with saxophonist/clarinetist Ken Peplowski, and the stunning interplay between Alden and special guest Frank Wess on Your Story - The Music of Bill Evans. Alden also teamed up with fellow guitarists Jimmy Bruno and Frank Vignola to record a three guitar outing entitled The Concord Jazz Guitar Collective, which was quickly called by some critics "an instant classic!" Alden's recording from 1996 Take Your Pick serves to underline Howard's wide scope of knowledge of jazz literature. Released in honor of Concord's 25th anniversary was a duo recording with Jimmy Bruno, Full Circle teamed with the very first Concord recording Jazz/ Concord featuring Herb Ellis and Joe Pass. His 2009 recording, “I REMEMBER DJANGO”, once again features his distinctive acoustic sound, developing and expanding the warm and elegant spirit of his performance in “Sweet and Low Down”. In 2018, in addition to his solo guitar work, Howard has been asked to join multi-genre violin star Nigel Kennedy in recordings and concerts.