Gypsy Style Arpeggio Picking

Howard Alden·
5.0 (1 review)
·INTERMEDIATE·Technique·21 lessons
Fluid right hand picking technique is important for the expressive jazz guitarist. With great technique, you will be able to articulate your music with clarity, conviction and confidence. In this master class, you will learn how Howard Alden uses gypsy style arpeggio picking in jazz standards. Although most often associated with the music of Django Reinhardt, this picking technique is useful even in swing and modern jazz settings. Even if you’ve never tried this picking style before, you will discover how to incorporate this useful tool into your music. Howard shares the basics, including the kinds of picks that he now uses as well as a simple exercise that will give you the foundation of this technique. Gypsy Style Arpeggio Picking is a focused masterclass that is designed to help you develop your playing technically and musically. In addition to the basics, Howard also shares powerful variations that will be useful for more experienced guitarists. Besides getting practical technique tips from Howard, you will also be able to see how he applies this technique on two songs, Prelude to a Kiss and Mood Indigo. Seeing the approach used in context will be helpful for more advanced guitarists who want to immediately use this technique on their next gig. This is a unique masterclass that you can watch again and again as your skills develop.
  • 4 pages of PDF written material notated in standard notation, TAB (with Howard’s personal fretting hand fingerings indicated)
  • Soundsliced versions of the transcription (standard notation and TAB with adjustable tempo, looping for effective practice and study)
  • Running time: 28 minutes

Course Content

Lessons

  • A More Swinging Phrasing58
  • A Simple Exercise70
  • Adding Moving Lines110
  • Arpeggio Example 1145
  • Arpeggio Example 2400
  • Arpeggio Example 2A28
  • Arpeggio Example 2B45
  • Arpeggio Example 2B 225
  • Arpeggio Example 2C22
  • Diminished Scale - Variations and Suspensions194
  • Dominant 7th Chord Application53
  • Exercise based on Prelude to a Kiss62
  • Gypsy Style Arpeggio Picking1312
  • Introduction98
  • Little Four Note Chords and Song Performance200
  • Mood Indigo - Basic Song Performance97
  • Prelude to a Kiss - Performance Example137
  • The Diminished Triad Exercise86
  • The Picks I Use51
  • When I Played the Tenor Banjo40
  • Where to Play the Upstroke58

Reviews & Ratings

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Robert Minchin
Verified Purchase
1/28/2019

"Another great mechanism for guitar"

This class revealed another part of the guitar playing puzzle. Howard was clear and concise and presented the material in nice bite size chunks. I find Howards videos to be great resources to improve my playing.

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About the instructor

Howard Alden
"He may be the best of his generation” – Owen Cordle, JazzTimes. "...one of the very finest young guitarists working today.” – Chip Deffaa, New York Post "If there is such a thing as a complete jazz guitarist, then Alden is it.” - The London Observer “The most impressive and creative member of a new generation of jazz guitarists.” – George Kanzler, Newark Star Ledger From playing all the guitar solos and coaching Sean Penn for the 1999 Woody Allen movie "Sweet and Lowdown” to being a Concord Jazz recording artist since the late ‘80s, Howard Alden has led an amazing career! Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Armstrong, Basie and Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt and George Van Eps. Soon he was working professionally around Los Angeles playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east, for a summer in Atlantic City with Red Norvo, and continued to perform with him frequently for several years. Upon moving to New York City in 1982, Alden's skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache` and Woody Herman. He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits. Howard Alden was voted "Best Emerging Talent-Guitar" in the first annual JazzTimes critics' poll, 1990, and "Talent Deserving Wider Recognition" in the 1996, 1992, 1993 and 1995 Downbeat critics' poll. In 1991, Alden recorded with one of his all-time heroes, seven-string guitar master George Van Eps on the album Thirteen Strings. As a result of his associating with - and inspiration from - George Van Eps, Alden has been playing the seven-string guitar since 1992. Some highlights since picking up the seven-string guitar include the three remarkable follow-up albums with Van Eps, his duo recordings with saxophonist/clarinetist Ken Peplowski, and the stunning interplay between Alden and special guest Frank Wess on Your Story - The Music of Bill Evans. Alden also teamed up with fellow guitarists Jimmy Bruno and Frank Vignola to record a three guitar outing entitled The Concord Jazz Guitar Collective, which was quickly called by some critics "an instant classic!" Alden's recording from 1996 Take Your Pick serves to underline Howard's wide scope of knowledge of jazz literature. Released in honor of Concord's 25th anniversary was a duo recording with Jimmy Bruno, Full Circle teamed with the very first Concord recording Jazz/ Concord featuring Herb Ellis and Joe Pass. His 2009 recording, “I REMEMBER DJANGO”, once again features his distinctive acoustic sound, developing and expanding the warm and elegant spirit of his performance in “Sweet and Low Down”. In 2018, in addition to his solo guitar work, Howard has been asked to join multi-genre violin star Nigel Kennedy in recordings and concerts.