Howard Alden's Techniques for Harmonizing Melodies with Thirds
Single note lines! Octaves! Chord Melodies! These are some of the most common sounds that we hear in jazz guitar. But what about something in between? Harmonizing in thirds is something that many guitarists may have done for other styles but perhaps not so much in jazz. Learn from master jazz guitarist Howard Alden as he breaks down his process for harmonizing melodies in thirds. You'll study the classic, Out of Nowhere, as a vehicle to learn both his fingerings and the concept. To support your development, Howard has included exercises using the diminished scale and whole tone scale. These exercises are beautiful and are great workout for the fretting hand. Along with the PDF handouts, you'll get to study the ideas in standard notation and tablature with Howard’s personal fretting hand fingerings indicated. Howard also plays slowed down examples to help you see and hear the ideas more clearly. For any challenging part you may encounter, you can also use the built-in video speed control to help learn the examples by slowing it down while keeping the concert pitch. With logical fingerings, you’ll be more comfortable to incorporate thirds into your arranging and improvisational language. After going through these great systematic workouts, you'll also get to see Howard demonstrate the concept over Blue Monk and If I Had You. To wrap it up, you’ll learn an etude on All of Me to help level up your playing even more. Included in this masterclass is a special BONUS duo performance of Howard Alden and Mike’s Master Classes founder, Mike Gellar performing Out of Nowhere as well as some candid behind the scenes footage.
Sub-topics:
- Harmonizing melodies with thirds
- Diminished Scale with thirds
- Whole Tone Scale with thirds
- Out of Nowhere
- Etude on All of Me
Expected Outcome:
- Add color and variety to melodies by adding harmonies using thirds.
- Develop more confidence and technical facility in this technique.
- Understand how to use this concept for your own arrangements and improvisations.
- 9 pages of PDF written material notated in standard notation, TAB (with Howard’s personal fretting hand fingerings indicated)
- Running time: 35 minutes (with 7 mins of BONUS content)
Course Content
Lessons
- Technique's for Harmonizing Melodies with Thirds Full Class + Download2562
- 1: Harmonizing the Melody Intro454
- 2: Song and Harmonizing in Thirds [Exercise]399
- 3: Whole Tone Scale Thirds [Exercise]137
- 4: "Out of Nowhere" - Playing the Whole Song181
- 5: When to Use Your Third Harmonization59
- 6: "Blue Monk" & "If I Had You" - Examples88
- 7: "All of Me" - Howard's Etude - Examples644
- 8: "All of Me" - Slower Example184
- Bonus: "Out of Nowhere" Duo with Howard Alden & Mike Gellar327
- Bonus: Behind The Scenes90
- Out of Nowhere in Thirds - Soundsliced3
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About the instructor
Howard Alden →
"He may be the best of his generation” – Owen Cordle, JazzTimes. "...one of the very finest young guitarists working today.” – Chip Deffaa, New York Post "If there is such a thing as a complete jazz guitarist, then Alden is it.” - The London Observer “The most impressive and creative member of a new generation of jazz guitarists.” – George Kanzler, Newark Star Ledger From playing all the guitar solos and coaching Sean Penn for the 1999 Woody Allen movie "Sweet and Lowdown” to being a Concord Jazz recording artist since the late ‘80s, Howard Alden has led an amazing career! Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Armstrong, Basie and Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt and George Van Eps. Soon he was working professionally around Los Angeles playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east, for a summer in Atlantic City with Red Norvo, and continued to perform with him frequently for several years. Upon moving to New York City in 1982, Alden's skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache` and Woody Herman. He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits. Howard Alden was voted "Best Emerging Talent-Guitar" in the first annual JazzTimes critics' poll, 1990, and "Talent Deserving Wider Recognition" in the 1996, 1992, 1993 and 1995 Downbeat critics' poll. In 1991, Alden recorded with one of his all-time heroes, seven-string guitar master George Van Eps on the album Thirteen Strings. As a result of his associating with - and inspiration from - George Van Eps, Alden has been playing the seven-string guitar since 1992. Some highlights since picking up the seven-string guitar include the three remarkable follow-up albums with Van Eps, his duo recordings with saxophonist/clarinetist Ken Peplowski, and the stunning interplay between Alden and special guest Frank Wess on Your Story - The Music of Bill Evans. Alden also teamed up with fellow guitarists Jimmy Bruno and Frank Vignola to record a three guitar outing entitled The Concord Jazz Guitar Collective, which was quickly called by some critics "an instant classic!" Alden's recording from 1996 Take Your Pick serves to underline Howard's wide scope of knowledge of jazz literature. Released in honor of Concord's 25th anniversary was a duo recording with Jimmy Bruno, Full Circle teamed with the very first Concord recording Jazz/ Concord featuring Herb Ellis and Joe Pass. His 2009 recording, “I REMEMBER DJANGO”, once again features his distinctive acoustic sound, developing and expanding the warm and elegant spirit of his performance in “Sweet and Low Down”. In 2018, in addition to his solo guitar work, Howard has been asked to join multi-genre violin star Nigel Kennedy in recordings and concerts.
