How to Harmonically Analyze a Tune

David Cohen·
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·BEGINNER·Harmony·1 lesson
In an incredibly detailed 70 minute lesson, David brings you up to speed on chord progressions by presenting harmony principles taught in an introduction music theory class (roman numeral analysis, chord construction, etc) eventually presenting more advanced jazz scale choices and substitutions.  Dave takes you step by step through the process of understanding the function of each chord in a tune - 1.  Each chord is given a roman numeral based on its placement in the home key and any other key which the chord relates to.  2.  Possible extensions and substitutions (including tri-tone substitution, direct substitution, parallel substitution, chromatic fill-in, modal borrowing/interchange ) are noted directly below these.  Some re-harmonization concepts are presented later and applied to a selection of the tunes.  3.  Every chord is classified by its broader function (Tonic, Predominant, or Dominant).  4.  All of the scales which sound best for improvisation are then presented and Dave's preferred scale and chord fingerings based on "mode zones" are shown along with advice on how to practice these.  Dave demonstrates all of these principles with seven standard jazz tunes, some based on modality and the others based on standard tonality.  Modal tunes used are "So What," "All Blues," and "Footprints."  Standards used are "Autumn Leaves," "All The Things You Are," "Blue Bossa", and "Honeysuckle Rose."  References to what the jazz greats would do are presented whenever possible.  Anyone who gets  confused about which scale belongs to which type of chord should see this lesson.  Preparation needed:  Understanding of intervals, major and minor scales, and basic jazz chord construction; in other words, there will be lots of talk about "root, third, fifth, and sevenths."  26 pages of material are prepared in TAB and standard notation. View clips from David's class.

Course Content

Lessons

  • How to Harmonically Analyze a Tune68

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About the instructor

David Cohen
Baltimore-based Composer/Guitarist/Drummer/Educator David E. Cohen is featured in a number of groups including No Signal, a modern classical and jazz ensemble, the Banana Channel which performs his progressive rock, jazz-fusion, and classic rock pieces, the No Land Band in which he is the lead guitarist and a contributing songwriter. Mr. Cohen has composed a number of jazz and classical works, including pieces for big band, four-guitar ensemble, chorus with electric guitar, solo double bass, full orchestra, chamber orchestra and soprano, brass quintet, solo percussion, amongst many others. His musical influences are diverse, including John Coltrane, Wayne Shorter, Herbie Hancock, Jean-Luc Ponty, Return to Forever, Billy Cobham, Mahavishnu Orchestra, Tony Williams, Charlie Christian, Pat Martino, Kenny Burrell, Joe Pass, George Benson, Jimmy Smith, The Brecker Brothers, Larry Coryell, Bartok, Stravinsky, Debussy, Messaien, Shostakovich, Prokofiev, Steve Reich, The Beatles, Stevie Wonder, Yes, Emerson Lake and Palmer, Kansas, Rush, Soundgarden, Led Zeppelin, David Bowie, Mastodon, and others. As an educator, Dave offers a unique view in his teaching methods. Trained at the world-class Peabody Conservatory by Paul Bollenback, Tim Murphy, Chris Theofanidies, Kevin Puts, Nicholas Maw, Shafer Mahoney, Paul Mathews, and Libby Larsen, he has many timeless compositional and jazz ideas to share. His instruction style is a fully comprehendible, step-by-step approach which emphasizes the understanding of music theory through an incredibly thorough system of guitar fingerings and visualization methods. Dave has many years of teaching experience and shares them week after week with his 25-student studio. David will present basic classes for the entry-level jazz guitarist.