How to Invert ANY Voicing on the Guitar

Jake Reichbart·
1.0 (1 review)
·INTERMEDIATE·Solo Jazz Guitar·1 lesson

In this lesson Jake Reichbart demonstrates in the clearest of terms how to invert ANY voicing on the guitar. And why do we use the words "any voicing" rather than "any chord"? Because not any group of notes necessarily spell a chord. A stack of fourths E, A, D and G, for example, played against a C might reasonably be called a C 6/9. But the same exact group of notes can also be played against an F creating an F Major 13, or a G 6/9, or an A7 SUS... Similarly the notes E, Bb, D# and G against a C indeed sound like a C7#9 but can also sound like many other chords if related to different roots.

Nevertheless, the precise system demonstrated in this lesson applies to any group of notes, and the lesson progressively moves from the simplest closed voicing triads to open voicing triads to 4 note "drop" chords, on to quartal voicings and beyond.

Why invert chords at all?

  1. If you found a group of notes (i.e. a voicing) that sound good against a chord symbol you read in a chart and were told you could quadruple your options to express the same notes, every time offering a differently nuanced version, and also making it so you didn't have to play the same voicing over and over, wouldn't you jump at the opportunity?

  2. Inversions offer you the opportunity to rotate all the notes in the chord at the top of the voicing, a must have skill if you attempt any chord melodies at all

Course Content

Lessons

  • How to Invert ANY Voicing on the Guitar1267

Reviews & Ratings

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Cristian Alonso Palma
Verified Purchase
1/7/2022

"Not worth the price of admission"

If you know what a chord inversion is, you don’t need this video. I thought that it would provide ‘something else’ other than explaining how to invert chords and showing some examples, but I was wrong. I have other Jake’s masterclasses and really love them, but this one… I feel stupid for having paid 20 bucks for it. Probably it’s my bad for not having understood who this video was aimed for, because it does exactly what its title says, but nothing else.

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About the instructor

Jake Reichbart
Jake Reichbart won WEMU-FM’s Emily Remler scholarship for best jazz guitarist in 1991. Since then, he has been among the busiest guitarists in the greater Detroit region. As a sideman, he appears on countless recordings and jingles and has performed alongside Motown legends and jazz greats alike, logging over 4,600 live gigs. Reichbart’s passion, though, has always been solo guitar, citing Joe Pass, Tuck Andress and Tommy Emmanuel as his main influences, while creating a unique voice of his own. He can arrange for the guitar nearly any tune imaginable, drawing from any and every musical style. His CDs 16 Songs and Long Ago and Far Away have received nominations for best jazz recording at the Detroit Music Awards and have garnered rave reviews from such prestigious publications as All Music Guide, Just Jazz Guitar, and Cadence, as well as from numerous radio stations across the US and abroad. He has performed for two US presidents, the Michigan Governor's Inaugural Ball three times, and for countless other similar events. His instructional DVDs are distributed by the largest publisher in the world, Hal Leonard Corporation and he was featured on the front cover of the May 2012 issue of Just Jazz Guitar magazine, which included a lengthy interview and a transcription of one of his arrangements. Jake cites his most enjoyable solo work as being the “restaurant guitarist,” creating long-term relationships and enjoying a loyal following. For the past 20 years, he has been performing on Wednesday evenings at Ann Arbor’s most famous restaurant, The Earle.