Odd Meters

Steve Herberman·
5.0 (2 reviews)
·INTERMEDIATE·Comping·1 lesson
Although utilized for many years in jazz and other styles, odd meters has become an essential part of today’s jazz. The uses of odd meters are many: As a phrasing device enabling a player to solo and comp over the bar line in 4/4 time. As an effect to utilize in one’s original compositions and to create fresh arrangements of standards and much more! Once the 5/4 and 7/4 common rhythmic patterns are examined and practiced, soloing and comping can feel as natural as it does in 4/4. In this masterclass we’ll be looking at the many useful rhythmic patterns in odd meters and applying them to 4/4 tunes as well as standards arranged in 5/4 and 7/4.  Pairing these rhythmic concepts with melodic/harmonic concepts will be stressed to enable the musician to more rapidly integrate odd meters on their instrument. An example of this would be arpeggiating diatonic 9th chords in an even stream of 8th notes. The 9th chords contain 5 notes that will give a 5/8 phrasing to the line. Take one triad and its neighboring diatonic7th chord and you have 7 notes that will yield 7/8 phrasing. This is one of many exercises that will be in the written examples accompanying the class. Other examples will include: Applying odd meters to solo guitar, arranging standards in odd meter, pattern picking odd meters, comping and soloing with odd meters and more. Take your playing into the future with rhythmic assuredness and confidence! View clip from this class

Course Content

Lessons

  • Odd Meters96

Reviews & Ratings

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Nakarin Teerapenun
5/22/2017

<br /> Excellent. Easy to follow. Very well-thought out. The examples given are very good and doable.<br /> <br /> N.Teerapenun [ Bangkok, Thailand ]

james seaberry
Verified Purchase
3/31/2008

I was not able to attend live, but it did not matter; so well organized and clearly explained, I missed nothing and had no questions. Now, just get to work!!!!

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About the instructor

Steve Herberman
Steve Herberman is an exceptional guitarist…known for his deft counterpoint" –Downbeat Magazine. "The clarity and balance Steve gets with his right hand is amazing". – Jim Hall. "Steve’s improvising is uniquely fresh with melodic ideas that twist and turn and perk your interest with occasional elements of humor as well. There is a constant groove in his solo lines. He shows prowess harmonically and linearly with an abundance of chops and with an exceptional clarity to it all." – Gene Bertoncini Steve Herberman taught jazz guitar on the faculty of Towson University near Baltimore MD for 14 years and is presently teaching guitar at Sidwell Friends School, Washington Conservatory and is an ensemble coach for the Jazz Band Masterclass. He has presented guitar masterclasses in Italy and the U.K. and at many universities across the U.S. Steve has written instructional material for Downbeat magazine, Mel Bay’s Guitar Sessions, Just Jazz Guitar, Fingerstyle Guitar Journal and Fingerstyle 360 webzines. Steve Herberman is a graduate of Berklee College Of Music and has performed with renowned musicians such as Keter Betts, Buster Williams, Gary Bartz, Drew Gress, Chuck Berghofer, Harvie S, Mark Ferber, Jim Snidero, Ali Ryerson, Steve Williams, Steve LaSpina, Jeff Hirshfield, John Pisano and many more. Steve Herberman has recorded three CDs as a leader; Thoughtlines (2001) Action:Reaction (2006) and Ideals (2008.) In 2014 Steve recorded a live duo album with fellow guitarist Steve Abshire titled "Between Friends.” In 2017 Steve recorded a duo CD with award-winning vocalist Lena Seikaly, set for a Feb. 2018 release.