Paul's Picking Power Secrets
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Sign InWhat You'll Learn
Exercises include
- Alternate picking with both down and upstrokes
- How to avoid getting stuck with any single picking style
- Fixed number of attacks per note (2,3,4 etc), with different stroke combinations
- Combining different note groupings
- Single vs. double time picking
- Four finger combinations without repeating
- the different feels involved with pickling / slurring / hammer-on and pull-offs.
- Playing scales in different harmonies: E.g. 3rds,
- Playing all adjacent string pairs
- Two strings exercises
- Things to be aware of left hand form
- Economy / sweep picking with different down / up strokes
- How to play fast
- Why three notes on a string is his favored approach
- string plucking borrowed from classical techniques
- Lots of pattern ideas
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Sign InCourse Content
Main Content
1. Picking
45m 23sSection I
2. Introduction
2m 11s3. Mechanics
1m 31s4. Single String Chromatic Exercise
3m 38s5. Alternate Picking Exercise Variations
4m 41s6. Alternate Picking Variation Used on Solo
2m 11s7. String Crossing Picking Hand Options
1m 49sSection II
8. Left Hand Form on 2 Strings
2m 44s9. Different String Combinations
2m 58s10. Correlation to Improvising
1m 16s11. Using Different Numbers of Attack
3m 17s12. Application on Arpeggios - BbMaj7 Arpeggio
2m 3s13. Number of Notes Per Strings
2m 29s14. Adding Hammer-Ons and Pull-Offs
1m 26sSection III
15. Economy Picking and Sweep Picking
2m 4s16. Back To 2 Notes Per Strings
2m 6s17. Right Hand Picking Movement Details
6m 11s18. Application on Autumn Leaves and Closing Tips
3m 11sSoundslice
19. Picking F Major Scale - Soundslice
3m 55sReviews & Ratings
"Paul’s Picking Extravaganza! "
Excellent course specifically for the picking hand! I hope there is follow up on this course as far as tempos how to handle them, articulation, slurring, sliding, hammering: when to do (for speed, effect). Thx Paul!
"You should have showed us the stove in Let's Burn One!"
I had the good fortune of attending a jazz camp in Maryland a few years ago and Paul was the guitar guru. He commented that my picking was very stiff, and I never got the chance to ask him for advice on how to make things better. I am therefore very glad that put out these two picking courses to help me improve my picking.
"Very useful"
I found this course very useful and helpful in my own playing and have incorporated much of Paul’s suggestions into my daily practice. Developing and maintaining good picking technique is an ongoing process and requires a regular return to basics. Thanks a Paul!

