Technique Masterclass
Simple Substitution Building Chords and Using Pentatonics to Improvise
About this masterclass
Dom Minasi explains and demonstrates how to use pentatonic scales to sound like a modern jazz guitarist — and the chord-building and simple-substitution groundwork you need before the pentatonics will make sense.
Working over a I-VI-II-V progression in C, Dom builds each chord up with extensions, shows the substitution rules that connect them, and then picks the pentatonic scales that fit each chord.
What's covered
- Building 7th chords and extensions on each chord of the I-VI-II-V: Cmaj7, Am7, Dm7, G13 — with inversions across the neck
- The "third minor 7" rule for simple substitution (count up a third, make it a minor 7 — Em7 over Cmaj7), plus related-minor substitutions
- Why Am7 and C6 are the same notes, and how that shapes voicing choices
- Choosing pentatonics for each chord — C, E minor, A minor, and G pentatonic over the progression, and how to adapt when a chord has an altered note like the F# in A6
- Sounding modern by stressing notes other than the root, in the manner of John Abercrombie and Bill Evans
- Practicing the progression in all keys — C, F, G, Bb and beyond
A practical class for players who want an inside-the-changes route into modern-sounding lines. Video is 25 minutes, with 19 pages of materials included — chord sheets, substitution rules, pentatonic lists for the progression, and an MP3 play-along track.
Lessons in this masterclass
Lessons
- 1Simple Substitution Building Chords and Using Pentatonics to Improvise25m 17s
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