Solo Guitar Arranging Techniques
- Bass and melody only - making sure to play the melody as it needs to be played (or an improvised line) while also playing a credible/sufficient bass line to create the foundation for the arrangement. Performing these two lines, each with its own rhythm is at the core of solo guitar arranging.
- Chord arpeggiation - once the melody and bass have been established and chord notes added, playing arpegiated chord notes in spaces where there is is no melody, or a long sustained melody note, in order to create an audible rhythmic grid, helping the listener along to hear the rhythm as well as helping the player to keep time.
- The famous "backbeat stroke" - a signature sound from Mr. Reichbart, explained in detail.
Course Content
Lessons
- Part I: Melody and Bass Only662
- Part II: Chord Arpeggiation737
- Part III: Backbeat on 2 and 4843
Reviews & Ratings
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Miguel Burgueno
10/20/2020
Very poor class
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About the instructor
Jake Reichbart →
Jake Reichbart won WEMU-FM’s Emily Remler scholarship for best jazz guitarist in 1991. Since then, he has been among the busiest guitarists in the greater Detroit region. As a sideman, he appears on countless recordings and jingles and has performed alongside Motown legends and jazz greats alike, logging over 4,600 live gigs. Reichbart’s passion, though, has always been solo guitar, citing Joe Pass, Tuck Andress and Tommy Emmanuel as his main influences, while creating a unique voice of his own. He can arrange for the guitar nearly any tune imaginable, drawing from any and every musical style. His CDs 16 Songs and Long Ago and Far Away have received nominations for best jazz recording at the Detroit Music Awards and have garnered rave reviews from such prestigious publications as All Music Guide, Just Jazz Guitar, and Cadence, as well as from numerous radio stations across the US and abroad. He has performed for two US presidents, the Michigan Governor's Inaugural Ball three times, and for countless other similar events. His instructional DVDs are distributed by the largest publisher in the world, Hal Leonard Corporation and he was featured on the front cover of the May 2012 issue of Just Jazz Guitar magazine, which included a lengthy interview and a transcription of one of his arrangements. Jake cites his most enjoyable solo work as being the “restaurant guitarist,” creating long-term relationships and enjoying a loyal following. For the past 20 years, he has been performing on Wednesday evenings at Ann Arbor’s most famous restaurant, The Earle.
