The Joy of Practicing

Tom Lippincott·
5.0 (9 reviews)
·BEGINNER·Mindfulness·58 lessons
"Practice makes perfect," so the saying goes.  However, many musicians view practice as a necessary but tedious and grueling task that's full of drudgery.  Or even worse, some musicians approach practicing with a sense of fearful urgency, feeling overwhelmed by the amount of work that they must complete in order to reach their goal of being a "great" player. These same people are often uncertain how to organize their practice time, not sure what they should practice, or how much time they should to devote to each subject.  Even accomplished musicians can sometimes experience a lack of inspiration or feel unsure about how to structure a practice session. If any of this sounds familiar, then this class can help get your practicing back on track and assist you with achieving more fulfillment from your guitar practice sessions. Practicing should be approached with joyful anticipation and savored instead of undertaken with reluctance or dread.  The Joy of Practicing explores ideas and recommendations with an eye toward making practice enjoyable and productive rather than tiresome and dull.  The class covers a suggested practice routine broken down into nine categories with examples from each. While the list of items presented may not be perfect for everyone, students can use the guide as a starting point to build a custom practice plan tailored specifically for their own needs and goals.

The Joy of Practicing covers:

  • Ideas for making practice sessions more fun and approaching music and musical development with a positive attitude
  • Breakdown of three types of musicians with a discussion of the differences in goals for each
  • Discussion of technique practice with examples of right and left hand exercises, as well as scale and chord exercises to improve technical proficiency
  • Note-recognition exercises for help with learning note names on the neck, as well as reading notation and rhythmic notation reading exercises
  • Devoting separate practice time to rhythmic development, with multiple examples
  • Discussion of listening to music, both "actively" and "passively," and its importance in a musician's development
  • Step-by-step breakdown of suggested routine for learning a new tune accurately and thoroughly
  • Concise but complete list of what to practice to develop harmony, chords, and comping, with multiple examples
  • Exploration of single-note improvisation with examples of applying concepts of voice leading, guide tones, approach and target notes, chord tone versus chord scale approach, development of intervallic patterns, reharmonization techniques, and motivic development
  • Discussion of composition and its importance to musical development, with suggestions and tips
  • Running time: 126 minutes
  • Includes 25 pages of written examples and exercises
  • All musical examples from the video are provided in music notation, tablature, and chord grid form.
  • Each example performance in the video is titled and numbered for easy navigation.
  • MP3 backing tracks for written examples and solos

Course Content

Lessons

  • The Joy of Practicing127
  • 10 Three Octave Scales For Technique Practice - Ex 4A to 4J217
  • A Systematic Approach to Harmony149
  • Active Listening55
  • Chordal Things - Ex 5 and Ex 6121
  • Click on the and of 2109
  • Closing Thoughts and Outro Performance123
  • Defining Practice108
  • Ear Training Exercises 1 to 4128
  • Ear Training Exercises 5 to 7130
  • Ex 1 - Eighth Note in 4/4 missing h in eighth68
  • Ex 1 - Left Hand Slurs and Variations71
  • Ex 1 - Note Row123
  • Ex 2 - 8th Note Triplets155
  • Ex 2 - Finger Independence133
  • Ex 2 - Note Row on High E String92
  • Ex 2a - Note Row in 5th Position114
  • Ex 3 - Eighth Note Reading791
  • Ex 3 - Giuliani Right Hand Study39
  • Ex 3b Sixteenth Note Reading150
  • Giuliani Exercises110
  • Goals For the Hobbyist32
  • Goals For the Professional102
  • Goals For the Semi-Professional60
  • Harmony Ex 1 to 5336
  • Harmony Ex 6 to 10450
  • How Kenny Werner Practices51
  • Improvisation Ex 1 and 2127
  • Improvisation Ex 11 and 12212
  • Improvisation Ex 3 and 494
  • Improvisation Ex 5 to 7A200
  • Improvisation Ex 8126
  • Improvisation Ex 9 and 10215
  • Intro Song100
  • Intro to Rhythm Practice39
  • Introduction & About My Guitar (Tuning and Fanned Frets)121
  • My Practice List and Practice Time Organisation143
  • One Small Subject In Great Detail113
  • Practicing Guitar, Video Games, and Life179
  • Repertoire Ex 1 to 4168
  • Repertoire Ex 10 - Chord Melody84
  • Repertoire Ex 5 and 6132
  • Repertoire Ex 7 and 894
  • Repertoire Ex 9 - Alternate Changes and Color Tones108
  • Repertoire List Guidelines34
  • Slow Scales and Meditation121
  • Staying Relaxed84
  • Stop Trying To Get Better42
  • The Importance of Listening150
  • The Importance of Repertoire106
  • The Lifetime Master List and The Short Term Master List90
  • The Surprisingly Most Successful Way To Practice52
  • Tom's Personal Approach to Composition256
  • Transcribe! Software Tutorial683
  • Two Approaches to Transcription189
  • Variations with Improvisation110
  • Warming Up Like Scott Tennant31
  • Why Learn to Read88

Reviews & Ratings

5.0
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Roberto Barros
2/4/2018

Tom is genius.<br /> I bought this class. It's amazing!<br /> I have all your class and I recomend.<br /> All of best for you Tom!<br /> Roberto Barros from Brazil!

Andrew Hughes
3/22/2017

Very inspiring course on a subject that some find difficult to deal with. Tom's enthusiasm and love for the instrument are in abundance - offering practical advice and unique insight into the guitar and its nature. My go-to when I need a boost in my practice routine.

Moncef Fadal
12/23/2016

very complete lesson , and at the same time it's pretty open ended ! Tom shares his take on elements that should be adressed during practice brilliantly !

Jo S.
Verified Purchase
10/22/2016

This was my first Course at Mike's Masterclasses. The Content is very inspiring and huge amount of useful material. Tom is a great teacher. Meanwhile I own a few other courses from Tom Lippincott. They are all brilliant!. Jo Savin

Mark Nye
Verified Purchase
9/7/2016

This lesson is great for learning to create thorough practice sessions, the .pdf is invaluable as a jumpstart-checklist, with a few things I'd never thought of... Concision is a virtue with Mr. Lippingcott -great work! - Steve Nye

Marco Escobedo
5/19/2016

Tom Lippincott is a master! I have gone through the first 3 Modern Jazz guitar style classes, and he leaves no stone unturned. A masterful musician and educator with a delicate soul. His classes will take you to new heights with all of his insight. The Joy of Practicing is by far my favorite! I too have graduated to enjoying the process of practice, and was taken back to days when practice was fun! It still is! Thank you Tom for being alive! Your efforts will never be lost!

Levent Unal
12/8/2015

Tom is great and my favorite teacher. This is a very useful class which will open doors...Thanks, Tom for being such a great teacher! L

Carlos Fernandes
8/14/2015

The lesson is very complete! Covers a lot of material to be studied in long term! If you don't know how to structure your practice routine it is the best place to start. All the advice given about ear training and listening skills. Tom made a complete picture of what should be practiced according to your objectives!

james seaberry
Verified Purchase
5/9/2015

I have almost every one of Tom's classes, and I have NEVER regretted a single purchase. I have learned an astronomical amount of new, fresh, interesting, useable ideas from every one of his classes, and this one is no exception. Tremendous class.

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About the instructor

Tom Lippincott
Eight- and six-string guitarist Tom Lippincott was born in New Jersey and grew up in Tulsa, Oklahoma, but has made South Florida his home since 1988. He has a bachelor's degree in jazz studies from the University of North Texas as well as a master's in jazz performance from the University of Miami. Tom teaches jazz guitar at Florida International University, Miami Dade College, and Broward College. He also teaches lessons in person and online, conducts clinics and workshops, and has jazz guitar courses available through Mike’s Master Classes. As a longtime contributor to the South Florida jazz community, Tom has played and recorded extensively with many of the area’s musicians and bands. He has also performed throughout the world as both sideman and leader and has performed and/or recorded with jazz luminaries John Stowell, Jonathan Kreisberg, Ben Monder, Dave Liebman, Don Friedman, and Ed Schuller. In addition to previous recordings such as his 2000 release Painting the Slow Train Brown, Tom has been featured as a performer and composer recently on David Fernandez’s Land, as well as the upcoming release from Rodolfo Zuniga’s band Surfaces with Strings featuring Camila Meza. Tom has a new album of original compositions, Twenty Years Later, available on his website at tomlippincott.com.