The String Trio Approach for Chord Melody & Accompaniment

Howard Alden·
4.0 (2 reviews)
·BEGINNER·Chord Melody·20 lessons
In this brand new master class by Howard Alden, you will find out how to breathe life into common jazz chord voicings. Discover how Howard embellishes these staple chord grips into a string trio for the fretboard. You will learn how to use these techniques on diatonic 7th chords to create more interesting movement over standard chord progressions. Howard begins with 4 note voicings and then demonstrates more practical 3 note voicings for this string trio approach. In addition to seeing Howard demonstrate the examples, you will also get to watch our very own Mike (yes, Mike) try out the concepts. Mike gets first hand tips (on technique, fingering and practice) from Howard. This adds another interesting element to this video! Taking inspiration from his teacher Jimmy Wyble, you will also see how Howard creates movement that adds a chromatic flavor to chord progressions. Even basic voicings sound fresh with this technique. This is one you have to try out and experience! Howard will also share a technique to create the impression of using a 7 string guitar (even without the extra string or tuning down). When applied to your favorite jazz standards, the concepts in this video will breathe new life to both your chord melody and accompaniments. Get ready for your new string trio, right on your fretboard now!
  • 6 Pages of PDFs Included
  • Running Time: 38 min

Course Content

Lessons

  • 1. Turning your fingerboard into a 3 string trio!85
  • 2. Leave out the 5th74
  • 3. Double the 3rd43
  • 4. 7th to 6th motion88
  • 5. Approaching 2nd note from half step below.44
  • 6. Django run inside chord scale.36
  • 7. Applying movement to Chord Melody; Days of Wine and Roses143
  • 8. Lower voicings / Freddie Green Style120
  • 9. What’s New? in Lower Voicings44
  • 10. Moving 5th up to 6th93
  • 11. Variations 5th to 6th
  • 12. Minor chords 5th to 6th63
  • 13. Minor chords 5th to 7th78
  • 14. Put movement in the bass48
  • 15. Applying to Diminished Chords99
  • 16. Exercises by student Mike498
  • 17. Jimmy Wyble variations214
  • 18. Adding 5th to bottom50
  • 19. Follow-up with Mike’s progress after a week of practice456
  • The String Trio Approach for Chord Melody & Accompaniment2292

Reviews & Ratings

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Julio Sánchez
Verified Purchase
7/7/2021

"Class match"

This class matches with the Steve Herberman "Fun with 10th's" because if you take away the 7th of the chord you end up with a 10th interval, so I think they complement each other. Both are wonderful classes

Robert Minchin
Verified Purchase
12/29/2018

"Good beginning course in inner chord movement"

Howard, of course is a master guitarist, and here he shows how to move the inner voices of the chords to add more interest to your playing. The information and presentation is very good. Howard is quite clear and concise in explaining the material. The last part of the course is Howard instructing Mike and we watch Mike applying these concepts. I could have done without that part and would have preferred if Howard would have presented more information and played more.

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About the instructor

Howard Alden
"He may be the best of his generation” – Owen Cordle, JazzTimes. "...one of the very finest young guitarists working today.” – Chip Deffaa, New York Post "If there is such a thing as a complete jazz guitarist, then Alden is it.” - The London Observer “The most impressive and creative member of a new generation of jazz guitarists.” – George Kanzler, Newark Star Ledger From playing all the guitar solos and coaching Sean Penn for the 1999 Woody Allen movie "Sweet and Lowdown” to being a Concord Jazz recording artist since the late ‘80s, Howard Alden has led an amazing career! Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Armstrong, Basie and Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt and George Van Eps. Soon he was working professionally around Los Angeles playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east, for a summer in Atlantic City with Red Norvo, and continued to perform with him frequently for several years. Upon moving to New York City in 1982, Alden's skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache` and Woody Herman. He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits. Howard Alden was voted "Best Emerging Talent-Guitar" in the first annual JazzTimes critics' poll, 1990, and "Talent Deserving Wider Recognition" in the 1996, 1992, 1993 and 1995 Downbeat critics' poll. In 1991, Alden recorded with one of his all-time heroes, seven-string guitar master George Van Eps on the album Thirteen Strings. As a result of his associating with - and inspiration from - George Van Eps, Alden has been playing the seven-string guitar since 1992. Some highlights since picking up the seven-string guitar include the three remarkable follow-up albums with Van Eps, his duo recordings with saxophonist/clarinetist Ken Peplowski, and the stunning interplay between Alden and special guest Frank Wess on Your Story - The Music of Bill Evans. Alden also teamed up with fellow guitarists Jimmy Bruno and Frank Vignola to record a three guitar outing entitled The Concord Jazz Guitar Collective, which was quickly called by some critics "an instant classic!" Alden's recording from 1996 Take Your Pick serves to underline Howard's wide scope of knowledge of jazz literature. Released in honor of Concord's 25th anniversary was a duo recording with Jimmy Bruno, Full Circle teamed with the very first Concord recording Jazz/ Concord featuring Herb Ellis and Joe Pass. His 2009 recording, “I REMEMBER DJANGO”, once again features his distinctive acoustic sound, developing and expanding the warm and elegant spirit of his performance in “Sweet and Low Down”. In 2018, in addition to his solo guitar work, Howard has been asked to join multi-genre violin star Nigel Kennedy in recordings and concerts.