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Guitar Classes
7 String
Modern Jazz Guitar – Part II
Going for Baroque
7-String Jazz Guitar for All Levels
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Jazz Phrasing Part 1 (For All Instruments)
Going For Baroque, Part Two (Three-Voice Counterpoint)
Chord Melody
Blues Guitar
Thinking Outside the Box
Bossa Nova Bass-ics
Chord melody arranging & soloing inspired by George Van Eps
Thinking Outside the Box – Part II
Walking Bass and Chords Bass-ics
Chord Melody Playing – Part II
Thinking Outside the Box – Part III
The Art of Bass & Chords For Jazz Guitar
Chord Solos
Tonal Centers Applied to Chord Melody
Walking Chords for Jazz Guitar
Chord Voicings
Applications of Triad Motion Studies Inspired by George Van Eps
Chord Solos
Gettin’ Greasy – Blues Lines and Phrases
Jazz Guitar Harmony Part III
Open String Concepts for Chords and Single Note Lines
The Altered Dominant Matrix System
Useful Voicings
Art of Solo Guitar – Part I
Chord Voicings Primer
Getting Creative With Standard Tunes
Jazz Guitar Harmony Part IV
Open String Voicings for Guitar
Comping
Blues: A Modern Jazz Guitar Approach – Part I
Jazz Guitar Recording Concepts and Philosophy
Rhythmic Techniques for Guitar
Jazz Phrasing Part 1 (For All Instruments)
Comping Concepts Part One: 4/4 swing
Jazz Time Feel
Simplifying Jazz Guitar
Exploring Modern Ideas for Jazz Standards: Pt. 2
Comping on Blues and Rhythm Changes
Lenny Breau Style: How to Comp While Soloing
Soloing and Comping in a Pianistic Style
Composing and Improvising Strong Melodies
Harmony
Bailey’s Boot Camp Basics – Part II
Comping Concepts Part One: 4/4 swing
Fundamentals Checkpoint
Interpretation and Musicality for Guitarists
Making The Changes II – Connecting Tones Through Rhythm Changes
Pedal Points, Part 1: Lower Pedals
Substitution Chords and Parallel Usage
Tonal Centers Applied to Secondary Dominants
Bailey’s Boot Camp Basics – Part III
Comping on Blues and Rhythm Changes
Getting Creative With Standard Tunes
Interpretation and Musicality for Guitarists – II
Jazz Blues
Jazz Blues – Part II – Minor Blues
Swing and Big Band Chordal Riffs and Shout Choruses
The Art of Playing Jazz Blues
Blues-Part I – Call and Response
8 Sets of Jazz Blues Changes
Blues – A Two Speed Approach
Blues and Pentatonics – Part I
Blues and Pentatonics – Part II
Blues Basics – Developing a Linear Approach
Blues: A Modern Jazz Guitar Approach – Part I
Comping on Blues and Rhythm Changes
Gettin’ Greasy – Blues Lines and Phrases
Mindfulness
Time and Space
Time, Tone and Technique
Andy’s Comprehensive Approach – Part 1
Andy’s Comprehensive Approach – Part 2
Developing A Personal Practice Routine
Discover, Develop, Integrate: Techniques Unveiled
Jazz Guitar Recording Concepts and Philosophy
Psychology, Philosophy & Methodology for the Jazz Guitarist – 2
Psychology, Philosophy & Methodology for the Jazz Guitarist – 3
Psychology, Philosophy & Methodology for the Jazz Guitarist – I
Quality Practicing Jazz – Part II
Quality Practicing Jazz – Part I
Modern Jazz Guitar
Guitar and Vocals
Odd Meters
The Diminished Scale: A Modern Jazz Guitar Approach – Part 2
Exploring Modern Ideas for Jazz Standards: Pt. 2
Horizontal Guitar
Pandiatonic Guitar
The Diminished Scale: A Modern Jazz Guitar Approach – Part 3
Exploring Original Creations [Non-Diatonic]
How to Comp: Modern Comping and Beyond
Polyphonic Improvisation
The Diminished Scale: Theory and Practice
Jazz Phrasing Part 5: “Quoting” Bebop Heads and Standard Tunes (For All Instruments)
Practicing
Jazz Phrasing Part 3 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Exploring Modern Ideas for Jazz Standards: Pt. 2
Andy’s Comprehensive Approach – Part 2
The Joy of Practicing
All About Technique: How to get Speed and Accuracy
Developing A Personal Practice Routine
Fundamentals Checkpoint
Getting the Most Out of Practicing
How To Practice
Practicing and Memorizing Tunes
Quality Practicing Jazz – Part I
Recently Enhanced Class
A Guitarist’s Approach to the Harmony of Bill Evans
Counterpoint Concepts
Guide Tones for Jazz Lines, Comping and Chord Melody
Soloing and Comping in a Pianistic Style
Clusters! Sounds of B. Evans/H. Hancock in Your Hands
The Joy of Practicing
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
Rhythm
Guitar and Vocals
Jazz Time Feel
Modern Jazz Guitar – Part I
Modern Jazz Guitar – Part III
Modern Jazz Guitar – Part IV
Jazz Phrasing Part 3 (For All Instruments)
Modern Jazz Guitar – Part V
Jazz Phrasing Part 2 (For All Instruments)
Odd Meters
Bass and Guitar – A Balance of Forces
Rhythm Workshop
Beautiful Love
Rhythm Changes
Comping on Blues and Rhythm Changes
Making The Changes II – Connecting Tones Through Rhythm Changes
Rhythm Changes – A Two Speed Approach
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Single Note Soloing Concepts on Rhythm Changes
Segment Enhanced
Clusters! Sounds of B. Evans/H. Hancock in Your Hands
Soloing and Comping in a Pianistic Style
The Joy of Practicing
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
Jazz Phrasing Part 5: “Quoting” Bebop Heads and Standard Tunes (For All Instruments)
“It Could Happen to You” Masterclass
“Georgia” Melody Support by 4/4 Rhythm
Andy’s Comprehensive Approach – Part 2
Guide Tone Lines
Andy’s Comprehensive Approach – Part 1
“West Coast Blues” [Guitar Masterclass]
Christmas Tunes Vol. II & The Beatles
Soloing
Bass and Guitar – A Balance of Forces
Dominant Line Concepts
How to Improvise with Major Triads
Blues-Part I – Call and Response
Modern Jazz Guitar – Part V
Quartal Harmony and Intervallic Soloing
The Altered Dominant Matrix System
The Half Diminished Sound
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
Bassist Avishai Cohen Workshop
Exploring the Chord/Single Note Line Connection
Improvisation & Composition: Two Sides of the Same Coin
Soundsliced
A Guitarist’s Approach to the Harmony of Bill Evans
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Anatomy of a Standard – “Giant Steps”
“White Christmas” Howard’s Rendition
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
Going For Baroque, Part Two (Three-Voice Counterpoint)
Intervallic Soloing Using 4ths
“Georgia” Melody Support by 4/4 Rhythm
Guide Tone Lines
Standards
Practicing and Memorizing Tunes
Stella by Starllight – Changes, Voicings and Lines
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Anatomy of a Standard – “I’ve Never Been in Love Before”
“Have You Met Miss Jones?” – Masterclass
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
Jazz Phrasing Part 2 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Beautiful Love
Exploring Modern Ideas for Jazz Standards: Pt. 2
Concert/Clinic
“It Could Happen to You” Masterclass
Technique
Bass-ics
Andy’s Comprehensive Approach – Part 2
Electric Fingerstyle Guitar
“Naima” – Exploring Modern Dominant 7ths
Harmonics
Injury Prevention for the Double Bassist
Introduction to The New Technique and The Art of The Bow
Jazz Guitar Finger-Style Technique
Learning The Other Bow
David Gage Workshop
Strategic Picking and the Improvised Line
7-String Jazz Guitar for All Levels
Theory
Blues Basics – Developing a Linear Approach
Extending Your Harmonic Reach
Making The Changes – Translating the Jazz Language on Guitar
Solo Guitar Concepts
Tonal Centers Applied to Chord Melody
Blues: A Modern Jazz Guitar Approach – Part I
Giant Steps
Making The Changes II – Connecting Tones Through Rhythm Changes
Steve Giordano – Soli for Guitar
Tonal Centers for Jazz Improv Part II
Chord Construction Workshop
Green Dolphin Street – Changes, Voicings and Lines
Upcoming Release
Expanding Guitar’s Harmonic Vocabulary with Artificial Harmonics p. I
Gypsy Style Arpeggio Picking
Into Tonal Beauty: Escaping Chord Grips
Jimmy Wyble’s Etude #1
Jimmy Wyble’s Etude #2
Expanding Guitar’s Harmonic Vocabulary with Artificial Harmonics p. II
eBooks
Jazz Improvisation Uncovered [eBook]
Jazz Guitar Licks and Etudes [eBook]
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
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Masters
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Shawn Loudermilk
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Shawn Loudermilk
