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Guitar Classes
7 String
7-String Jazz Guitar for All Levels
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Jazz Phrasing Part 1 (For All Instruments)
Going For Baroque, Part Two (Three-Voice Counterpoint)
Modern Jazz Guitar – Part II
Going for Baroque
Chord Melody
A Guitarist’s Approach to the Harmony of Bill Evans
Guide Tones for Jazz Lines, Comping and Chord Melody
Exploring Modern Ideas for Jazz Standards: Pt. 1
Applications of Triad Motion Studies Inspired by George Van Eps
Heads, You Win!
Exploring Modern Ideas for Jazz Standards: Pt. 2
Art of Solo Guitar – Part I
How to Play Solo Jazz Guitar:from Simple to Complex
“It Could Happen to You” Masterclass
Art of Solo Guitar – Part II
Lenny Breau Style: How to Comp While Soloing
Exploring Original Compositions, pt 2
Chord Voicings
Contrapuntal Triad Pairs part 2: Open-Voiced Triads
Beautiful Love
Contrapuntal Triad Pairs part 1: Close-Voiced Triads
How to Play Solo Jazz Guitar:from Simple to Complex
Modern Harmony & Harmonic Concepts – Part II
Rhythm Changes – Modern Jazz Guitar Approach – Part I
The Half Diminished Sound
Walking Bass and Chords Bass-ics
Exploring Modern Ideas for Jazz Standards: Pt. 1
Bebop Flow Part 2: Combining Families for Altered II V’s
Counterpoint Concepts
Hybrids – A New Approach to Reharmonization – Lesson I
Comping
8 Sets of Jazz Blues Changes
Electric Fingerstyle Guitar
Modern Jazz Guitar – Part III
The Art of Walking Bass Lines
A Guide to Practical Comping – Part 1
Expand Your Comping Concepts
Modern Jazz Guitar – Part IV
The Nine Essential Chord Forms and How to Use Them
A Guide to Practical Comping – Part II
Fundamentals Checkpoint
Modern Jazz Guitar – Part V
Thinking Outside the Box
Harmony
A Guide to Practical Comping – Part II
Blues Basics – Developing a Linear Approach
Diminished Sounds with Major Triads
Guitar and Vocals
Jazz Guitar Harmony Part IV
Modern Harmony & Harmonic Concepts – Part II
Quality Practicing Jazz – Part II
The Art of Fusion 5 – Chords and CAGED System
“Have You Met Miss Jones?” – Masterclass
A New Model In Viewing the Art of Improvisation – 2-1/2 Hours
Blues: A Modern Jazz Guitar Approach – Part II
Dodecafonismo en la Improvisacion
Jazz Blues
Blues – A Two Speed Approach
Blues and Pentatonics – Part I
Blues and Pentatonics – Part II
Blues Basics – Developing a Linear Approach
Blues: A Modern Jazz Guitar Approach – Part I
Comping on Blues and Rhythm Changes
Gettin’ Greasy – Blues Lines and Phrases
Guide Tones for Jazz Lines, Comping and Chord Melody
Jazz Blues
Jazz Blues – Part II – Minor Blues
Swing and Big Band Chordal Riffs and Shout Choruses
The Art of Playing Jazz Blues
Mindfulness
Jazz Guitar Recording Concepts and Philosophy
Psychology, Philosophy & Methodology for the Jazz Guitarist – 2
Psychology, Philosophy & Methodology for the Jazz Guitarist – 3
Psychology, Philosophy & Methodology for the Jazz Guitarist – I
Quality Practicing Jazz – Part II
Quality Practicing Jazz – Part I
Orchestral Repertoire – Methodology, Philosophy, Auditions
The Importance of Scat
The Joy of Practicing
Time and Space
Time, Tone and Technique
Andy’s Comprehensive Approach – Part 1
Modern Jazz Guitar
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Jazz Guitar Harmony Part IV
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Thinking Outside the Box – Part III
Bossa Nova Bass-ics
Advanced Jazz Guitar Harmony: 4-Part-4ths
Jazz Guitar Harmony Part V
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Twelve Tone Row in Improvisation
All About Harmonics
Modern Jazz Guitar – Part I
Rhythm Workshop
Practicing
Developing A Personal Practice Routine
Fundamentals Checkpoint
Getting the Most Out of Practicing
How To Practice
Practicing and Memorizing Tunes
Quality Practicing Jazz – Part I
Quality Practicing Jazz – Part II
Andy’s Comprehensive Approach – Part 1
“Have You Met Miss Jones?” – Masterclass
Jazz Phrasing Part 3 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Exploring Modern Ideas for Jazz Standards: Pt. 2
Recently Enhanced Class
Guide Tones for Jazz Lines, Comping and Chord Melody
Soloing and Comping in a Pianistic Style
Clusters! Sounds of B. Evans/H. Hancock in Your Hands
The Joy of Practicing
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
A Guitarist’s Approach to the Harmony of Bill Evans
Counterpoint Concepts
Rhythm
Bass and Guitar – A Balance of Forces
Rhythm Workshop
Beautiful Love
Rhythm, Comping and How to Play Chords Like a Pro!
Blues Guitar
Rhythmic Techniques for Guitar
Blues: A Modern Jazz Guitar Approach – Part I
The Art of the Duo
Comping Concepts Part One: 4/4 swing
Time and Space
Concepts & Ideas for Guitar Duo Playing
“Have You Met Miss Jones?” – Masterclass
Rhythm Changes
Rhythm Changes – A Two Speed Approach
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Single Note Soloing Concepts on Rhythm Changes
Comping on Blues and Rhythm Changes
Making The Changes II – Connecting Tones Through Rhythm Changes
Segment Enhanced
Andy’s Comprehensive Approach – Part 1
“West Coast Blues” [Guitar Masterclass]
Christmas Tunes Vol. II & The Beatles
8 Christmas Tunes Improvised by Sid
“White Christmas” Howard’s Rendition
Exploring Original Compositions, pt 2
Counterpoint Concepts
A Guitarist’s Approach to the Harmony of Bill Evans
Guide Tones for Jazz Lines, Comping and Chord Melody
Clusters! Sounds of B. Evans/H. Hancock in Your Hands
Soloing and Comping in a Pianistic Style
The Joy of Practicing
Soloing
Composing and Improvising Strong Melodies
Blues: A Modern Jazz Guitar Approach – Part I
Getting Creative With Standard Tunes
Jazz Guitar Recording Concepts and Philosophy
Melodic Minor Complete – Part I: Theory
Playing Lines and Chords at the Same Time
Simplifying Jazz Guitar
The Art of Takin’ It Out
Thinking Outside the Box
Jazz Phrasing Part 4: Articulation & Rhythmic Variety (For All Instruments)
8 Sets of Jazz Blues Changes
Bottomlands Architecture
Soundsliced
Anatomy of a Standard – “Giant Steps”
“White Christmas” Howard’s Rendition
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
Going For Baroque, Part Two (Three-Voice Counterpoint)
Intervallic Soloing Using 4ths
“Georgia” Melody Support by 4/4 Rhythm
Guide Tone Lines
A Guitarist’s Approach to the Harmony of Bill Evans
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Standards
Concert/Clinic
“It Could Happen to You” Masterclass
Getting Creative With Standard Tunes
“West Coast Blues” [Guitar Masterclass]
Green Dolphin Street – Changes, Voicings and Lines
Anatomy of a Standard – “Giant Steps”
Heads, You Win!
Art of Solo Guitar – Part I
Art of Solo Guitar – Part II
Art of Solo Guitar – Part III
“Naima” – Exploring Modern Dominant 7ths
Practicing and Memorizing Tunes
Technique
7-String Jazz Guitar for All Levels
The Art of Fusion 4 – Scales and Speed Development
A New World of Sounds
Time, Tone and Technique
All About Harmonics
Pedal Points Part 3: Inner-Voice Fretted Pedals
All About Technique: How to get Speed and Accuracy
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Applications of Triad Motion Studies Inspired by George Van Eps
Exploring Modern Ideas for Jazz Standards: Pt. 1
Arco Techniques for Jazz Bass
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
Theory
Jazz Theory 101 and 201
Composing and Improvising Strong Melodies
Hybrids – A New Approach to Reharmonization – Lesson I
Modern Harmony & Harmonic Concepts
The Diminished Scale In Improvisation
Exploring Modern Ideas for Jazz Standards: Pt. 2
Major Linear Concepts
Composition Techniques
Hybrids – A New Approach to Reharmonization – Lesson II
Modern Jazz Guitar – Part I
The Diminished Scale: A Modern Jazz Guitar Approach – Part 1
Exploring Original Creations [Non-Diatonic]
Upcoming Release
Into Tonal Beauty: Escaping Chord Grips
Jimmy Wyble’s Etude #1
Jimmy Wyble’s Etude #2
Expanding Guitar’s Harmonic Vocabulary with Artificial Harmonics p. II
Expanding Guitar’s Harmonic Vocabulary with Artificial Harmonics p. I
Gypsy Style Arpeggio Picking
eBooks
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
Jazz Improvisation Uncovered [eBook]
Jazz Guitar Licks and Etudes [eBook]
Bass Classes
Masters
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Sid Jacobs
Activity
Profile
View
Courses by Instructor
Jimmy Wyble's Etude #2
$
9.95
–
$
14.95
0
Jimmy Wyble's Etude #1
$
9.95
–
$
14.95
0
Intervallic Soloing Using Triads
$
14.95
–
$
29.95
35
5
Intervallic Soloing Using 4ths
$
14.95
–
$
29.95
34
5
Christmas Tunes Vol. II & The Beatles
$
14.95
–
$
27.95
22
5
8 Christmas Tunes Improvised by Sid
$
14.95
–
$
27.95
29
5
Counterpoint Concepts
$
9.95
–
$
19.95
152
5
A Guitarist's Approach to the Harmony of Bill Evans
$
14.95
–
$
29.95
154
5
The Magic Scale and Symmetry
$
9.95
–
$
19.95
73
5
Guide Tones for Jazz Lines, Comping and Chord Melody
$
9.95
–
$
19.95
122
5
Instructor
Speciality
Jazz Guitar Master
Base
Name
Sid Jacobs
Social Profiles
Website
http://www.sidjacobs.com
