Chord Voicings Masterclass

Into Tonal Beauty: Escaping Chord Grips

Andy Fite·
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·INTERMEDIATE·7 lessons·1h of video

About this masterclass

Andy Fite teaches guitarists how to leave the "chord grip" habit behind and connect individual voices fluidly, the way a pianist does. Drawing on the voice-leading appreciation he picked up in secondary piano studies at the University of Pittsburgh, Andy shows how the simple progression I-IV-I-V-I — which he considers the seminal progression defining tonal music — can open up a richer harmonic conception than grips and chord-scale thinking allow.

"The chords of a song, I want to say, are NOT the harmony. The harmony is something more like a road, and the chords merely the signs marking the way." — Andy Fite

What's covered

  • A simple system for playing any chord in every possible place on the fretboard, starting from triads in all inversions
  • I-IV-I-V-I in closed position — moving each voice by step instead of jumping grips, in major and minor
  • I-IV-I-V-I in open position — open voicings, right-hand cleanliness, and playing the progressions as chords and arpeggios
  • Why the major V chord's leading tone gives tonal music its gravitational pull home
  • Prelude No. 1 from Andy's set of 24 preludes (2004), a solo piece that grew directly out of this progression — score included

This is a compact, efficient class — the right wisdom in 28 minutes — for anyone who wants to see the fretboard more clearly and hear harmony as moving voices rather than shapes. Includes 1 page of PDF materials in standard notation and a Soundsliced version of Prelude No. 1. Full video is 28 minutes.

Lessons in this masterclass

Lessons

  • 1Any chord, every place10m 31s
  • 2I-IV-I-V-I closed position7m 54s
  • 3I-IV-I-V-I open position7m 35s
  • 4Into Tonal Beauty: Escaping Chord Grips28m 31s
  • 5Prelude No. 12m 33s
  • 6Prelude No.1 Soundsliced1m 29s
  • 7Connecting Deeply, Seeing Clearly1m 28s

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About the instructor

Andy Fite
Andy Fite is a jazz guitarist, singer, and songwriter currently living in Stockholm, Sweden, having lived and worked in New York City for many years. As a guitarist it's fair to say he sounds like no one else, joyous and spontaneous, with influences ranging from Charlie Parker and Lennie Tristano to Bach, Brahms and Chopin. (And the rhythm guitarists of the 1930s!) As a singer he's been compared to Frank Sinatra and Michael Bublé, with a warm sound and a natural phrasing coming from his strong focus on the words, and the thoughts and the feeling they communicate. He's written about 650 songs, extending the tradition of the "Great American Songbook" into the contemporary era, with what is often a comedic approach to the agonies of life and love, and performs across northern Europe under the title ”Jazz Comic Philosopher”. He has also recorded a lot. 44 albums are currently available for download or streaming at iTunes, Spotify, CD Baby, Amazon and other sites. These include pure jazz recordings in duo, trio and quartet, and solo; multi-tracked jazz transformations on Bach and other classic composers, compositions for solo guitar, many albums of original songs, and several albums in a new genre of his own which he calls the Talking Kaleidoscope. Andy has played with some of the all-time greats, including Red Mitchell, Kenny Clarke, Billy Eckstine, Kazzrie Jaxen (formerly Liz Gorrill) Connie Crothers, Bob Casanova, Sheila Jordan, Jan Allan, and many others. He is a teacher too. He works in his own private studio and at Sollentuna Jazz Workshop in Stockholm, and has guest-lectured at the Royal Academy of Music and several other schools in Sweden, and in Finland, Norway, Denmark and Germany, and also in New York City. He has also worked a bit on the comedy stages in Stockholm and elsewhere, and for a while there even had a spot on a Swedish children’s television show.