Student Reviews: Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3

All of Tom's courses are fantastically thorough; all the information is laid out logically, with plenty of examples given so the music can be heard, not just read. His library, including the advanced harmony course is amazing in that it sets you up for a lifetime of exploration. He knows how the interaction between jazz as a common practice and academic harmony and rhythm works; his insights are completely functional. Thanks Tom...

An excellent and thoughtful class on the "other" drop chords. I have been using voicing from this class in my own playing for a few months now and they have really expanded my voicing library. Highly recommended!

I have written a fair number of reviews here, only because I have seldom been disappointed in Mike's Classes, and never once by Tom Lippincott's. I was reluctant to get this one as it seemed like a somewhat limited topic. I'm glad I got it and you will be too. Though focused, it is not about subbing the Mixodorkian 47th for the Flatulent 8th, but creating voicings for chords you already know is a way I have not seen elsewhere. Much is said about close, "piano" voicings, but not much about this idea. His audio and video is also improved, and his teaching ways are great. If you want to get into the ways that the "modern", "cutting-edge" players are doing things, this class, though not a wide-ranging subject, is pointing right that way. I'm glad I have this class. Very glad.