Lenny Breau-Style Comping/Soloing (Part 2)

Student Reviews: Lenny Breau-Style Comping/Soloing (Part 2)

by Steve Herberman

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Navdeep Jhaj
Verified Purchase
8/30/2018

Lenny Breau Pt 2

Just as an aside, staring at one of Steve’s big 5 note voicings (example one again, the C7 ALT), the last three notes form a quatral voicing (note, P4, P4) but also represent the #9, #5 AND b9. So therefore, any three note quatral voicing represents the juicy ALT sounds of a dominant. Those are the kind of mental connections I try to make when working with this stuff. Nor just practicing by rote, but seeing what else I can find. The guitarist Sid Jacobs one said you can go on any page of Bach’s partitas for solo violin or Charlie Parkers omnibook and take a few measures and spend an entire lifetime learning and working with them. So many diamonds are there to be found on every page . I would never compare anybody to Bach or Bird, But Steve’s material as the same sort of quality: you can take a few measurements and you think about it and it can give you a whole bunch of material for entire lifetime . That’s the hallmark of a really good teacher and good instruction .

james seaberry
Verified Purchase
8/28/2018

Lenny Breau pt. 2

Fantastic class, covering material I have never seen anywhere else either on the Web or in in-person lessons. Steve is a master of so many styles, but his knowledge of the history of jazz really comes through in this one.