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  • Diatonic Triads Complete pt. 5 – Clusters
    0( 0 REVIEWS )
    36 STUDENTS

    Simply stated, a three-note cluster consists of any three consecutive notes from a seven-note scale.

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    Tom Lippincott
  • Diatonic Triads Complete pt. 4 – 7th no 3rd
    0( 0 REVIEWS )
    32 STUDENTS

    This fascinating structure creates a sound that is both traditional and tonal due to its derivation from 7th chords, and…

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    Tom Lippincott
  • Diatonic Triads Complete pt. 3 – 7th no 5th
    0( 0 REVIEWS )
    33 STUDENTS

    In this third class, we will explore 7th no 5th triads. This structure is simply a 7th chord with its…

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    Tom Lippincott
  • Diatonic Triads Complete pt. 2 – Suspended Triads
    Array( 1 REVIEWS )
    34 STUDENTS
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    Tom Lippincott
  • Diatonic Triads Complete pt. 1 – Traditional Triads
    5( 1 REVIEWS )
    36 STUDENTS

    Mastering the basic major, minor, diminished, and augmented triads is widely acknowledged as a crucial step in the development of…

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    Tom Lippincott
  • Mas Que Nada: Solo Jazz Guitar Lesson
    0( 0 REVIEWS )
    5 STUDENTS

    In this lesson, Jake Reichbart takes on this classic Brazilian tune and adapts it to the solo jazz guitar format.

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    Jake Reichbart
  • Beyond Melodic Minor
    0( 0 REVIEWS )
    19 STUDENTS

    Genil’s latest lesson expands on the melodic minor to get some different scales and sounds for improvising.

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    Genil Castro
  • Quartal Harmony
    5( 1 REVIEWS )
    21 STUDENTS

    In this video lesson we will cover Quartal theory, triads, tetrads, inversions, drop 2, quintal chords, and how to use…

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    Juampy Juarez
  • Rhythm Changes Strategies Part III
    0( 0 REVIEWS )
    17 STUDENTS

    Randy takes you through 8 different variations of how to play the bridge of “Rhythm Changes”, both comping and soloing,…

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    Randy Johnston
  • The Gravity Concept: Acquiring Relative Pitch for the Bandstand
    5( 1 REVIEWS )
    68 STUDENTS

    The particular focus of this session is the acquisition of relative pitch, and how this can help you identify the…

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    Jamie Taylor
  • Developing a Personal Approach to Chords 2 – 5 – 1
    5( 1 REVIEWS )
    17 STUDENTS

    After completing this course, you should expect to look at building chords in a different way.

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    Dan Arcamone
  • Connecting Your Ears, Mind and Fingers (Complete 3 Recorded Sessions)
    5( 1 REVIEWS )
    13 STUDENTS
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    Paul Bollenback
  • Rhythm Changes Strategies Part II
    5( 1 REVIEWS )
    32 STUDENTS

    If you are looking to have more material to use in becoming improvisationally more varied and freer on “I Got…

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    Randy Johnston
  • Chord Soloing: Session III – Advanced Harmonic Concepts [3 Weeks]
    0( 0 REVIEWS )
    3 STUDENTS
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    Ben Sher
  • Chord Soloing: Session II – Chord Soloing Brazilian Style [3 Weeks]
    0( 0 REVIEWS )
    3 STUDENTS
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    Ben Sher
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  • james seaberry - Diatonic Triads Complete pt. 1 – Traditional Triads

    Diatonic Triads pt.1 5

  • Hans Hoexer - Connecting Your Ears, Mind and Fingers (Complete 3 Recorded Sessions)

    A must have 5

  • james seaberry - Quartal Harmony

    Quartal Harmony 5

  • George Cole - Single Note Melody Part 1: Making The Melody Sing

    Single Note Melody Part 1: Making The Melody Sing 5

  • Ray Bartlet - The Gravity Concept: Acquiring Relative Pitch for the Bandstand

    Unmissable and essential. Clear and applicable. 5

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  • Video Review: “Contrapuntal Triad Pairs Part 2: Open-Voiced Triads”

  • Video Review: “Contrapuntal Triad Pairs Part 1: Close-Voiced Triads” – Steve Herberman

  • Video Review: Review of “Counterpoint Concepts” by Sid Jacobs

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  • Video Review: Paul Bollenback, Pat Bianchi and Byron “Wookie” Landham perform and offer in-depth insights into playing as a high level organ trio by Az Samad
  • Video Review: “Contrapuntal Triad Pairs Part 2: Open-Voiced Triads”
  • Video Review: “Contrapuntal Triad Pairs Part 1: Close-Voiced Triads” – Steve Herberman
  • Video Review: Review of “Counterpoint Concepts” by Sid Jacobs
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