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Modern Jazz Guitar – Part II
Going for Baroque
7-String Jazz Guitar for All Levels
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Jazz Phrasing Part 1 (For All Instruments)
Chord Melody
Blues Guitar
Thinking Outside the Box
Chord melody arranging & soloing inspired by George Van Eps
Thinking Outside the Box – Part II
Chord Melody Playing – Part II
Thinking Outside the Box – Part III
Chord Solos
Tonal Centers Applied to Chord Melody
Double Stops for Jazz Guitar
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Chordal Solo Choruses
Electric Fingerstyle Guitar
Chord Voicings
Applications of Triad Motion Studies Inspired by George Van Eps
Chord Solos
Gettin’ Greasy – Blues Lines and Phrases
Jazz Guitar Harmony Part III
Open String Concepts for Chords and Single Note Lines
The Altered Dominant Matrix System
Useful Voicings
Art of Solo Guitar – Part I
Chord Voicings Primer
Getting Creative With Standard Tunes
Jazz Guitar Harmony Part IV
Open String Voicings for Guitar
Comping
Blues: A Modern Jazz Guitar Approach – Part I
Jazz Guitar Recording Concepts and Philosophy
Rhythmic Techniques for Guitar
Jazz Phrasing Part 1 (For All Instruments)
Comping Concepts Part One: 4/4 swing
Jazz Time Feel
Simplifying Jazz Guitar
Exploring Modern Ideas for Jazz Standards: Pt. 2
Comping on Blues and Rhythm Changes
Lenny Breau Style: How to Comp While Soloing
Soloing and Comping in a Pianistic Style
Composing and Improvising Strong Melodies
Harmony
Bailey’s Boot Camp Basics – Part II
Comping Concepts Part One: 4/4 swing
Fundamentals Checkpoint
Interpretation and Musicality for Guitarists
Making The Changes II – Connecting Tones Through Rhythm Changes
Pedal Points, Part 1: Lower Pedals
Substitution Chords and Parallel Usage
Tonal Centers Applied to Secondary Dominants
Bailey’s Boot Camp Basics – Part III
Comping on Blues and Rhythm Changes
Getting Creative With Standard Tunes
Interpretation and Musicality for Guitarists – II
Jazz Blues
Jazz Blues – Part II – Minor Blues
Swing and Big Band Chordal Riffs and Shout Choruses
The Art of Playing Jazz Blues
Blues-Part I – Call and Response
8 Sets of Jazz Blues Changes
Blues – A Two Speed Approach
Blues and Pentatonics – Part I
Blues and Pentatonics – Part II
Blues Basics – Developing a Linear Approach
Blues: A Modern Jazz Guitar Approach – Part I
Comping on Blues and Rhythm Changes
Gettin’ Greasy – Blues Lines and Phrases
Mindfulness
Time and Space
Time, Tone and Technique
Developing A Personal Practice Routine
Discover, Develop, Integrate: Techniques Unveiled
Jazz Guitar Recording Concepts and Philosophy
Psychology, Philosophy & Methodology for the Jazz Guitarist – 2
Psychology, Philosophy & Methodology for the Jazz Guitarist – 3
Psychology, Philosophy & Methodology for the Jazz Guitarist – I
Quality Practicing Jazz – Part II
Quality Practicing Jazz – Part I
Orchestral Repertoire – Methodology, Philosophy, Auditions
The Importance of Scat
Modern Jazz Guitar
Guitar and Vocals
Odd Meters
The Diminished Scale: A Modern Jazz Guitar Approach – Part 2
Exploring Modern Ideas for Jazz Standards: Pt. 2
Horizontal Guitar
Pandiatonic Guitar
The Diminished Scale: A Modern Jazz Guitar Approach – Part 3
Exploring Original Creations [Non-Diatonic]
How to Comp: Modern Comping and Beyond
Polyphonic Improvisation
The Diminished Scale: Theory and Practice
Jazz Phrasing Part 5: “Quoting” Bebop Heads and Standard Tunes (For All Instruments)
Practicing
Exploring Modern Ideas for Jazz Standards: Pt. 1
Exploring Modern Ideas for Jazz Standards: Pt. 2
The Joy of Practicing
All About Technique: How to get Speed and Accuracy
Developing A Personal Practice Routine
Fundamentals Checkpoint
Getting the Most Out of Practicing
How To Practice
Practicing and Memorizing Tunes
Quality Practicing Jazz – Part I
Quality Practicing Jazz – Part II
“Have You Met Miss Jones?” – Masterclass
Rhythm
Guitar and Vocals
Jazz Time Feel
Modern Jazz Guitar – Part I
Modern Jazz Guitar – Part III
Modern Jazz Guitar – Part IV
Jazz Phrasing Part 3 (For All Instruments)
Modern Jazz Guitar – Part V
Jazz Phrasing Part 2 (For All Instruments)
Odd Meters
Bass and Guitar – A Balance of Forces
Rhythm Workshop
Beautiful Love
Rhythm Changes
Comping on Blues and Rhythm Changes
Making The Changes II – Connecting Tones Through Rhythm Changes
Rhythm Changes – A Two Speed Approach
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Single Note Soloing Concepts on Rhythm Changes
Soloing
Bass and Guitar – A Balance of Forces
Dominant Line Concepts
How to Improvise with Major Triads
Blues-Part I – Call and Response
Modern Jazz Guitar – Part V
Quartal Harmony and Intervallic Soloing
The Altered Dominant Matrix System
The Half Diminished Sound
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
Bassist Avishai Cohen Workshop
Exploring the Chord/Single Note Line Connection
Improvisation & Composition: Two Sides of the Same Coin
Standards
Stella by Starllight – Changes, Voicings and Lines
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Anatomy of a Standard – “I’ve Never Been in Love Before”
“Have You Met Miss Jones?” – Masterclass
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
Jazz Phrasing Part 2 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Beautiful Love
Exploring Modern Ideas for Jazz Standards: Pt. 2
Concert/Clinic
“It Could Happen to You” Masterclass
Getting Creative With Standard Tunes
Technique
Electric Fingerstyle Guitar
“Naima” – Exploring Modern Dominant 7ths
Harmonics
Injury Prevention for the Double Bassist
Introduction to The New Technique and The Art of The Bow
Jazz Guitar Finger-Style Technique
Learning The Other Bow
David Gage Workshop
Strategic Picking and the Improvised Line
7-String Jazz Guitar for All Levels
The Art of Fusion 4 – Scales and Speed Development
A New World of Sounds
Theory
Blues Basics – Developing a Linear Approach
Extending Your Harmonic Reach
Making The Changes – Translating the Jazz Language on Guitar
Solo Guitar Concepts
Tonal Centers Applied to Chord Melody
Blues: A Modern Jazz Guitar Approach – Part I
Giant Steps
Making The Changes II – Connecting Tones Through Rhythm Changes
Steve Giordano – Soli for Guitar
Tonal Centers for Jazz Improv Part II
Chord Construction Workshop
Green Dolphin Street – Changes, Voicings and Lines
eBooks
Jazz Improvisation Uncovered [eBook]
Jazz Guitar Licks and Etudes [eBook]
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
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Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook] | by Az Samad
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Az Samad
Guitarist Composer Educator
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