Newly Released Classes
Mapping a Tune with Bebop Scales (Chroma Zone 02)
It is a study on exploring Bebop Scales through mapping harmonically and scale-wise a tune, in this case, the standard Stella by Starlight, following up on the first Chroma Zone lesson that was an introduction to bebop scales, this one is a study on how to practice and integrate bebop scales into ...
$19.95
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"Staff Only" - A Guide To Practical Reading
Outcome - Improve reading from the treble staff. Q: What do you call two guitarists reading the same line? A: Counterpoint. Q: How do you get a guitarist to turn down? A: Give them the sheet music. …and so on! We’ve all heard the jokes, and it’s true that the guitar can be a difficult ...
$24.95
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Out of Nowhere: Solo Guitar, Harmonic, and Melodic Approaches
John Stowell and Tom Lippincott play and discuss their approaches to the standard "Out of Nowhere" in a Zoom conversation. Gain a better understanding of applying melodic and harmonic ideas to the song Out of Nowhere which can also be applied to other standards and jazz tunes. Some of the topic...
$7.95
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Strategies for Reharmonizations and Solo Guitar Techniques
Find new ways to negotiate progressions and internalize re-harmonization ideas. In this class, John and Sean initially trade choruses on “Alone Together”, demonstrating pedal points, voice leading, double stops, open string voicings, and re-harmonization ideas on common cadences and turnaroun...
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How to Invert ANY Voicing on the Guitar
In this lesson Jake Reichbart demonstrates in the clearest of terms how to invert ANY voicing on the guitar. And why do we use the words "any voicing" rather than "any chord"? Because not any group of notes necessarily spell a chord. A stack of fourths E, A, D and G, for example, played against a ...
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Paul Bollenback, Pat Bianchi and Byron "Wookie" Landham perform and offer in-depth insights into playing as a high level organ trio
Covered topics: Specific insights and wide ranging observations from each member of this working organ Trio. What to think about and pay attention to when playing in a group. Importance of listening, and how to listen, both on stage and in the practice room. Some sources to draw from...
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