0
About
Free Classes
All Classes
Masters
Membership Account
Pricing – Mike’s Member Benefits
Top Sellers
Home
About
Pricing – MMC Membership
Live Master Sessions
What’s New
Request or Vote For a New Class
FAQ
Guitar Classes
7 String
7-String Jazz Guitar for All Levels
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Jazz Phrasing Part 1 (For All Instruments)
Modern Jazz Guitar – Part II
Going for Baroque
Chord Melody
A Guitarist’s Approach to the Harmony of Bill Evans
Guide Tones for Jazz Lines, Comping and Chord Melody
Exploring Modern Ideas for Jazz Standards: Pt. 1
Applications of Triad Motion Studies Inspired by George Van Eps
Heads, You Win!
Exploring Modern Ideas for Jazz Standards: Pt. 2
Art of Solo Guitar – Part I
How to Play Solo Jazz Guitar:from Simple to Complex
“It Could Happen to You” Masterclass
Art of Solo Guitar – Part II
Lenny Breau Style: How to Comp While Soloing
Exploring Original Compositions, pt 2
Chord Voicings
Contrapuntal Triad Pairs part 2: Open-Voiced Triads
Beautiful Love
Contrapuntal Triad Pairs part 1: Close-Voiced Triads
How to Play Solo Jazz Guitar:from Simple to Complex
Modern Harmony & Harmonic Concepts – Part II
Rhythm Changes – Modern Jazz Guitar Approach – Part I
The Half Diminished Sound
Exploring Modern Ideas for Jazz Standards: Pt. 1
Bebop Flow Part 2: Combining Families for Altered II V’s
Counterpoint Concepts
Hybrids – A New Approach to Reharmonization – Lesson I
Modern Jazz Guitar – Part I
Comping
8 Sets of Jazz Blues Changes
Electric Fingerstyle Guitar
Modern Jazz Guitar – Part III
The Art of Walking Bass Lines
A Guide to Practical Comping – Part 1
Expand Your Comping Concepts
Modern Jazz Guitar – Part IV
The Nine Essential Chord Forms and How to Use Them
A Guide to Practical Comping – Part II
Fundamentals Checkpoint
Modern Jazz Guitar – Part V
Thinking Outside the Box
Harmony
A Guide to Practical Comping – Part II
Blues Basics – Developing a Linear Approach
Diminished Sounds with Major Triads
Guitar and Vocals
Jazz Guitar Harmony Part IV
Modern Harmony & Harmonic Concepts – Part II
Quality Practicing Jazz – Part II
The Art of Fusion 5 – Chords and CAGED System
“Have You Met Miss Jones?” – Masterclass
A New Model In Viewing the Art of Improvisation – 2-1/2 Hours
Blues: A Modern Jazz Guitar Approach – Part II
Dodecafonismo en la Improvisacion
Jazz Blues
Blues – A Two Speed Approach
Blues and Pentatonics – Part I
Blues and Pentatonics – Part II
Blues Basics – Developing a Linear Approach
Blues: A Modern Jazz Guitar Approach – Part I
Comping on Blues and Rhythm Changes
Gettin’ Greasy – Blues Lines and Phrases
Guide Tones for Jazz Lines, Comping and Chord Melody
Jazz Blues
Jazz Blues – Part II – Minor Blues
Swing and Big Band Chordal Riffs and Shout Choruses
The Art of Playing Jazz Blues
Mindfulness
Discover, Develop, Integrate: Techniques Unveiled
Jazz Guitar Recording Concepts and Philosophy
Psychology, Philosophy & Methodology for the Jazz Guitarist – 2
Psychology, Philosophy & Methodology for the Jazz Guitarist – 3
Psychology, Philosophy & Methodology for the Jazz Guitarist – I
Quality Practicing Jazz – Part II
Quality Practicing Jazz – Part I
Orchestral Repertoire – Methodology, Philosophy, Auditions
The Importance of Scat
The Joy of Practicing
Time and Space
Time, Tone and Technique
Modern Jazz Guitar
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Jazz Guitar Harmony Part IV
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Thinking Outside the Box – Part III
Advanced Jazz Guitar Harmony: 4-Part-4ths
Jazz Guitar Harmony Part V
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Twelve Tone Row in Improvisation
All About Harmonics
Modern Jazz Guitar – Part I
Rhythm Workshop
Jazz Phrasing Part 2 (For All Instruments)
Practicing
Developing A Personal Practice Routine
Fundamentals Checkpoint
Getting the Most Out of Practicing
How To Practice
Practicing and Memorizing Tunes
Quality Practicing Jazz – Part I
Quality Practicing Jazz – Part II
“Have You Met Miss Jones?” – Masterclass
Jazz Phrasing Part 3 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Exploring Modern Ideas for Jazz Standards: Pt. 2
The Joy of Practicing
Rhythm
Bass and Guitar – A Balance of Forces
Rhythm Workshop
Beautiful Love
Rhythm, Comping and How to Play Chords Like a Pro!
Blues Guitar
Rhythmic Techniques for Guitar
Blues: A Modern Jazz Guitar Approach – Part I
The Art of the Duo
Comping Concepts Part One: 4/4 swing
Time and Space
Concepts & Ideas for Guitar Duo Playing
“Have You Met Miss Jones?” – Masterclass
Rhythm Changes
Rhythm Changes – A Two Speed Approach
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Single Note Soloing Concepts on Rhythm Changes
Comping on Blues and Rhythm Changes
Making The Changes II – Connecting Tones Through Rhythm Changes
Soloing
Composing and Improvising Strong Melodies
Blues: A Modern Jazz Guitar Approach – Part I
Getting Creative With Standard Tunes
Jazz Guitar Recording Concepts and Philosophy
Melodic Minor Complete – Part I: Theory
Playing Lines and Chords at the Same Time
Simplifying Jazz Guitar
The Art of Takin’ It Out
Thinking Outside the Box
Jazz Phrasing Part 4: Articulation & Rhythmic Variety (For All Instruments)
8 Sets of Jazz Blues Changes
Bottomlands Architecture
Standards
Concert/Clinic
“It Could Happen to You” Masterclass
Getting Creative With Standard Tunes
Anatomy of a Standard – “Giant Steps”
Green Dolphin Street – Changes, Voicings and Lines
Heads, You Win!
Art of Solo Guitar – Part I
Art of Solo Guitar – Part II
Art of Solo Guitar – Part III
“Naima” – Exploring Modern Dominant 7ths
Practicing and Memorizing Tunes
Stella by Starllight – Changes, Voicings and Lines
Technique
7-String Jazz Guitar for All Levels
The Art of Fusion 4 – Scales and Speed Development
A New World of Sounds
Time, Tone and Technique
All About Harmonics
Pedal Points Part 3: Inner-Voice Fretted Pedals
All About Technique: How to get Speed and Accuracy
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Applications of Triad Motion Studies Inspired by George Van Eps
Exploring Modern Ideas for Jazz Standards: Pt. 1
Arco Techniques for Jazz Bass
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
Theory
Jazz Theory 101 and 201
Composing and Improvising Strong Melodies
Hybrids – A New Approach to Reharmonization – Lesson I
Modern Harmony & Harmonic Concepts
The Diminished Scale In Improvisation
Exploring Modern Ideas for Jazz Standards: Pt. 2
Major Linear Concepts
Composition Techniques
Hybrids – A New Approach to Reharmonization – Lesson II
Modern Jazz Guitar – Part I
The Diminished Scale: A Modern Jazz Guitar Approach – Part 1
Exploring Original Creations [Non-Diatonic]
eBooks
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
Jazz Improvisation Uncovered [eBook]
Jazz Guitar Licks and Etudes [eBook]
Bass Classes
Masters
Classes
Bundles
Top Sellers
Table of Contents
Class Reviews
My Subscription
My Orders
Free
LOGIN
No products in the cart.
LOGIN
Forgot Password
Remember Me
Sign Up
Home
Masters
Masters
Jazz Guitar Master
Steve Herberman
Courses by Instructor
50
Jazz Guitar Master
Tom Lippincott
Courses by Instructor
30
Jazz Guitar Master
Juampy Juarez
Courses by Instructor
27
Jazz Guitar Master
Paul Bollenback
Courses by Instructor
14
Jazz Guitar Master
Jamie Taylor
Courses by Instructor
14
Jazz Guitar Master
Jay Umble
Courses by Instructor
13
Jazz Guitar Master
John Stowell
Courses by Instructor
12
Jazz Guitar Master
Sheryl Bailey
Courses by Instructor
12
Jazz Guitar Master
Frank DiBussolo
Courses by Instructor
10
Jazz Guitar Master
Randy Johnston
Courses by Instructor
9
Jazz Guitar Master
Jake Langley
Courses by Instructor
8
Jazz Guitar Master
Tony DeCaprio
Courses by Instructor
8
Jazz Guitar Master
Steve Giordano
Courses by Instructor
8
Maurice Arenas
Courses by Instructor
6
Jazz Guitar Master
David Cohen
Courses by Instructor
5
Jazz Guitar Master
Roni Ben-Hur
Courses by Instructor
5
Jazz Guitar Master
Lorne Lofsky
Courses by Instructor
5
Jazz Guitar Master
Jack Pezanelli
Courses by Instructor
4
Jazz Guitar Master
Sid Jacobs
Courses by Instructor
4
Jazz Guitar Master
Howard Alden
Courses by Instructor
3
Jazz Bass Master
Harvie S
Courses by Instructor
3
Jazz Bass Master
Drew Gress
Courses by Instructor
3
Jeff Antoniuk
Courses by Instructor
3
Guitarist Composer Educator
Az Samad
Courses by Instructor
3
Jazz Guitar Master
Phil Robson
Courses by Instructor
2
L’Orchestre de Contrebasses
Courses by Instructor
2
Jazz Guitar Master
Vic Juris
Courses by Instructor
2
Master Classes from ISB
Courses by Instructor
2
Jazz Guitar Master
Jack Wilkins
Courses by Instructor
2
Rick Stone
Courses by Instructor
1
Rob Kassinger
Courses by Instructor
1
Randall Kertz
Courses by Instructor
1
Scott Haigh
Courses by Instructor
1
Stephan Crump
Courses by Instructor
1
Jazz Bass Master
Andy Fite
Courses by Instructor
1
Mark Helias
Courses by Instructor
1
Mark Dresser
Courses by Instructor
1
Lynn Seaton
Courses by Instructor
1
Linda McKnight
Courses by Instructor
1
Avishai Cohen
Courses by Instructor
1
Jeff Bradetich
Courses by Instructor
1
Haakon Thelin
Courses by Instructor
1
Francois Rabbath
Courses by Instructor
1
Jazz Guitar Master
Dom Minasi
Courses by Instructor
1
Dennis Trembly
Courses by Instructor
1
Chris McNulty
Courses by Instructor
1
Chris Bergson
Courses by Instructor
1
Carlos Henriquez
Courses by Instructor
1
Ben Wolfe
Courses by Instructor
1
Ben Allison
Courses by Instructor
1
Jazz Guitar Master
Jon Wheatley
Courses by Instructor
1
