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7 String
Going for Baroque
7-String Jazz Guitar for All Levels
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Jazz Phrasing Part 1 (For All Instruments)
Modern Jazz Guitar – Part II
Chord Melody
Applications of Triad Motion Studies Inspired by George Van Eps
Heads, You Win!
Exploring Modern Ideas for Jazz Standards: Pt. 2
Art of Solo Guitar – Part I
How to Play Solo Jazz Guitar:from Simple to Complex
“It Could Happen to You” Masterclass
Art of Solo Guitar – Part II
Lenny Breau Style: How to Comp While Soloing
Exploring Original Compositions, pt 2
Art of Solo Guitar – Part III
Playing Lines and Chords at the Same Time
Chord-Melody 101/201
Chord Voicings
Exploring Modern Ideas for Jazz Standards: Pt. 1
Bebop Flow Part 2: Combining Families for Altered II V’s
Counterpoint Concepts
Hybrids – A New Approach to Reharmonization – Lesson I
Modern Jazz Guitar – Part I
Rhythm Changes – Modern Jazz Guitar Approach – Part II
The Harmonic and Melodic Minor Scales: Chord and Scale Fingering
8 Sets of Jazz Blues Changes
Blues – A Two Speed Approach
Diminished Sounds with Major Triads
Hybrids – A New Approach to Reharmonization – Lesson II
Modern Jazz Guitar – Part II
Comping
Comping Concepts Part Two: Ballads and Jazz Waltz
Double Stops for Jazz Guitar
Modern Jazz Guitar – Part II
The Art of the Duo w/ Guitarist Mimi Fox
8 Sets of Jazz Blues Changes
Electric Fingerstyle Guitar
Modern Jazz Guitar – Part III
The Art of Walking Bass Lines
A Guide to Practical Comping – Part 1
Expand Your Comping Concepts
Modern Jazz Guitar – Part IV
The Nine Essential Chord Forms and How to Use Them
Harmony
A New Model In Viewing the Art of Improvisation – 2-1/2 Hours
Blues: A Modern Jazz Guitar Approach – Part II
Dodecafonismo en la Improvisacion
Harmonic Rhythm
Jazz Guitar Harmony Part V
Modern Harmony & Harmonic Concepts
Quartal Harmony and Intervallic Soloing
The Art of Fusion Guitar 2 – Arpeggios
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
A New World of Sounds
Blues: A Modern Jazz Guitar Approach – Part I
Dodecafonismo en la Improvisacion: Parte II
Jazz Blues
Blues and Pentatonics – Part I
Blues and Pentatonics – Part II
Blues Basics – Developing a Linear Approach
Blues: A Modern Jazz Guitar Approach – Part I
Comping on Blues and Rhythm Changes
Gettin’ Greasy – Blues Lines and Phrases
Guide Tones for Jazz Lines, Comping and Chord Melody
Jazz Blues
Jazz Blues – Part II – Minor Blues
Swing and Big Band Chordal Riffs and Shout Choruses
The Art of Playing Jazz Blues
Blues-Part I – Call and Response
Mindfulness
Psychology, Philosophy & Methodology for the Jazz Guitarist – 2
Psychology, Philosophy & Methodology for the Jazz Guitarist – 3
Psychology, Philosophy & Methodology for the Jazz Guitarist – I
Quality Practicing Jazz – Part II
Quality Practicing Jazz – Part I
Orchestral Repertoire – Methodology, Philosophy, Auditions
The Importance of Scat
The Joy of Practicing
Time and Space
Time, Tone and Technique
Andy’s Comprehensive Approach – Part 1
Andy’s Comprehensive Approach – Part 2
Modern Jazz Guitar
Advanced Jazz Guitar Harmony: 4-Part-4ths
Jazz Guitar Harmony Part V
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Twelve Tone Row in Improvisation
All About Harmonics
Modern Jazz Guitar – Part I
Rhythm Workshop
Jazz Phrasing Part 2 (For All Instruments)
Augmented Tonality I – The Whole Tone Scale
Modern Jazz Guitar – Part II
The Harmonic Major Scale
Soloing Using Chord Shapes – “Speak Low”
Practicing
Fundamentals Checkpoint
Getting the Most Out of Practicing
How To Practice
Practicing and Memorizing Tunes
Quality Practicing Jazz – Part I
Quality Practicing Jazz – Part II
Andy’s Comprehensive Approach – Part 1
“Have You Met Miss Jones?” – Masterclass
Jazz Phrasing Part 3 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Exploring Modern Ideas for Jazz Standards: Pt. 2
Andy’s Comprehensive Approach – Part 2
Recently Enhanced Class
Soloing and Comping in a Pianistic Style
Clusters! Sounds of B. Evans/H. Hancock in Your Hands
The Joy of Practicing
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
A Guitarist’s Approach to the Harmony of Bill Evans
Counterpoint Concepts
Guide Tones for Jazz Lines, Comping and Chord Melody
Rhythm
Beautiful Love
Rhythm, Comping and How to Play Chords Like a Pro!
Blues Guitar
Rhythmic Techniques for Guitar
Blues: A Modern Jazz Guitar Approach – Part I
The Art of the Duo
Comping Concepts Part One: 4/4 swing
Time and Space
Concepts & Ideas for Guitar Duo Playing
“Have You Met Miss Jones?” – Masterclass
Concert/Clinic
Jazz Phrasing Part 4: Articulation & Rhythmic Variety (For All Instruments)
Rhythm Changes
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Single Note Soloing Concepts on Rhythm Changes
Comping on Blues and Rhythm Changes
Making The Changes II – Connecting Tones Through Rhythm Changes
Rhythm Changes – A Two Speed Approach
Segment Enhanced
“West Coast Blues” [Guitar Masterclass]
Christmas Tunes Vol. II & The Beatles
8 Christmas Tunes Improvised by Sid
“White Christmas” Howard’s Rendition
Exploring Original Compositions, pt 2
Counterpoint Concepts
A Guitarist’s Approach to the Harmony of Bill Evans
Guide Tones for Jazz Lines, Comping and Chord Melody
Clusters! Sounds of B. Evans/H. Hancock in Your Hands
Soloing and Comping in a Pianistic Style
The Joy of Practicing
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
Soloing
8 Sets of Jazz Blues Changes
Bottomlands Architecture
Giant Steps
Jazz Line Construction
Melodic Minor Complete – Part II: Practical Application
Polyphonic Improvisation
Single Note Soloing Concepts on Rhythm Changes
The Art of the Duo
Thinking Outside the Box – Part II
Exploring Modern Ideas for Jazz Standards: Pt. 2
A New Model In Viewing Improvisation – Lesson V
Concepts & Ideas for Guitar Duo Playing
Soundsliced
“White Christmas” Howard’s Rendition
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
“Georgia” Melody Support by 4/4 Rhythm
A Guitarist’s Approach to the Harmony of Bill Evans
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Anatomy of a Standard – “Giant Steps”
Standards
Beautiful Love
Exploring Modern Ideas for Jazz Standards: Pt. 2
Concert/Clinic
“It Could Happen to You” Masterclass
Getting Creative With Standard Tunes
“West Coast Blues” [Guitar Masterclass]
Green Dolphin Street – Changes, Voicings and Lines
Anatomy of a Standard – “Giant Steps”
Heads, You Win!
Art of Solo Guitar – Part I
Art of Solo Guitar – Part II
Art of Solo Guitar – Part III
Technique
David Gage Workshop
Strategic Picking and the Improvised Line
7-String Jazz Guitar for All Levels
The Art of Fusion 4 – Scales and Speed Development
A New World of Sounds
Time, Tone and Technique
All About Harmonics
Pedal Points Part 3: Inner-Voice Fretted Pedals
All About Technique: How to get Speed and Accuracy
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Applications of Triad Motion Studies Inspired by George Van Eps
Exploring Modern Ideas for Jazz Standards: Pt. 1
Theory
Jazz Phrasing Part 2 (For All Instruments)
Bottomlands Architecture
How to Harmonically Analyze a Tune
Modern Harmony & Harmonic Concepts – Part II
The Diminished Chord – How to Alter and Apply
Jazz Phrasing Part 4: Articulation & Rhythmic Variety (For All Instruments)
Jazz Theory 101 and 201
Composing and Improvising Strong Melodies
Hybrids – A New Approach to Reharmonization – Lesson I
Modern Harmony & Harmonic Concepts
The Diminished Scale In Improvisation
Exploring Modern Ideas for Jazz Standards: Pt. 2
Upcoming Release
Gypsy Style Arpeggio Picking
Going For Baroque, Part Two (Three-Voice Counterpoint)
Intervallic Soloing Using 4ths
Walking Chords for Jazz Guitar
Intervallic Soloing Using Triads
Guide Tone Lines
eBooks
Jazz Guitar Licks and Etudes [eBook]
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
Jazz Improvisation Uncovered [eBook]
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