Comping Concepts Part One: 4/4 swing

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In this class standards such as Stella By Starlight, In A Mellotone and Confirmation are used to demonstrate a variety of comping concepts

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SKU: Steve Herberman 1/23/08 11:30 AM Category:

Description

In this class standards such as Stella By Starlight, In A Mellotone and Confirmation are used to demonstrate a variety of comping concepts applied to many different group formats a guitarist will find themselves playing in.

Concepts include:

  • Essential tone (shell voicings), guide tone lines, pedal points, muti-use voicings (including rootless voicings), common tone, chromatic and stepwise voice-leading, Freddie Greene style, walking bass/comp, "over the barline"
  • comping thru use of hemiolas, rhythmic "snare drum" comping, leaving space for a soloist while giving the soloist a solid "cushion"and overall techniques to help make a rhythm section swing.

Formats that will be discussed include:

  • Guitar/bass duo
  • guitar/voice
  • and even comping for yourself while you are soloing!

 

Comping Concepts Part One: 4/4 swing Class Content | Steve Herberman

In this class standards such as Stella By Starlight, In A Mellotone and Confirmation are used to demonstrate a variety of comping concepts applied to many different group formats a guitarist will find themselves playing in.

Concepts include:

  • Essential tone (shell voicings), guide tone lines, pedal points, muti-use voicings (including rootless voicings), common tone, chromatic and stepwise voice-leading, Freddie Greene style, walking bass/comp, “over the barline”
  • comping thru use of hemiolas, rhythmic “snare drum” comping, leaving space for a soloist while giving the soloist a solid “cushion”and overall techniques to help make a rhythm section swing.

Formats that will be discussed include:

  • Guitar/bass duo
  • guitar/voice
  • and even comping for yourself while you are soloing!

 

Comping Concepts Part One: 4/4 swing
Comping Concepts Part One: 4/4 swing 01:30:00

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