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Most students first starting out on guitar will become familiar with the names of the six open strings right away.  After learning a few “cowboy chords” and simple melodies, the player usually abandons open strings in favor of the higher positions.

While this process is a natural and necessary part of a beginning guitarist’s development, it tends to result in a sense that the open strings are only for novices.  However, this class shows that creative combinations of open strings and fretted notes can be used to generate a whole musical universe of harmonic and melodic possibilities that would otherwise be difficult or impossible using conventional approaches.

Guitarists who play classical, country, blues, or rock have always combined fretted notes and open strings, but this technique has remained relatively unused by many jazz guitarists.

This class presents interesting and exciting ways to incorporate open strings not only for chord voicings but also for single-note lines which is an area that remains virtually unexplored in jazz guitar circles.  This class offers numerous specific examples, and students are encouraged to use these ideas as inspiration for creating their own unique open-string techniques and concepts.

Open String Concepts for Chords and Single-Note Lines covers:

  • Exercises and suggestions for matching the tone, volume, and duration of fretted notes and open strings
  • Brief overview of common jazz chord/scale concepts
  • Large-font reference sheets clearly showing open strings available in all twelve keys for all commonly used scales
  • Systematic exploration of finding chords containing open strings that are difficult or impossible to play using conventional techniques
  • Multiple examples of many different chord types with common color tones voiced imaginatively with various open strings
  • Various voicings of augmented major seventh chords using open strings and the use of these voicings to imply melodic minor-based harmonies
  • Various chord voicings incorporating open strings based on scales such as major, harmonic minor, melodic minor, diminished, harmonic major, whole-tone, and augmented
  • Finding different uses for an open-string voicing with examples
  • Examples of comping over standard chord progressions using open string voicings
  • Multiple single-note line exercises and melodic phrases combining fretted notes and open strings using various scales and harmonies
  • Exercises and examples of contrapuntal movement for chordal phrases juxtaposing moving lines with static open strings
  • Running time: 114 minutes
  • Includes 25 pages of written examples and exercises

 

  • All musical examples from the video are provided in music notation, tablature, and chord grid form.
  • Each example performance in the video is titled and numbered for easy navigation.
  • Backing tracks for written examples and solos are included.

Class Content

Open String Concepts for Chords and Single Note Lines
Open String Concepts for Chords and Single Note Lines 01:54:00

Course Reviews

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  1. Profile photo of David Tardio

    Really Eye Opening

    5

    I always enjoy Tom’s lessons. They are packed full of information (that you will be able to go back to again and again) but still everything is very well explained. I’ve already utilized several of the ideas he presents here in live situations and it has definitely made my comping much more interesting. I highly recommend this course.

    ~ DAVID TARDIO (June 22, 2018)

  2. Profile photo of denis boutrais

    5

    This lesson is not just about how to build chords or phrasing with open strings : it’s a window to new harmonic horizons, from Debussy-esque impressionism to the flavors of brazilian guitarists like Toninho Horta or Joao Bosco. Thanks Mr Lippincott.

    ~ Denis Boutrais (December 30, 2017)

  3. Profile photo of Glenn Betcher

    5

    Another thorough dive into a too often overlooked aspect of guitar possibilities. Not done with it yet, but it’s a very full and interesting package. Thanks again, Tom, for presenting a useful view of the instrument.

    ~ Glenn Betcher (June 13, 2017)

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