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Mike’s Starter Series

$150.00 $135.00

Mikes Master Classes is loaded with video after video of high quality classes great to study jazz guitar.  Sometimes, the amount of information available can be a bit overwhelming.  This Starter Series is designed to expose you to a variety of types of classes and different Masters to help you decide what is most effective for you.

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Description

Series Includes:

Expanding Your Chord Vocabulary Class Content | Vic Juris

Vic offers a wealth of information as he discusses concepts from his book “Modern Chords”.  He shares techniques for reharmonizing songs with examples on All The Things You Are, Green Dolphin Street and Stella By Starlight.  He covers comping as well as picking techniques and exercises in response to class questions.

View clips of Vic’s class


Vic Juris’s associated book:

Expanding Your Chord Vocabulary
Expanding Your Chord Vocabulary 01:27:00

Art of Solo Guitar – Part I Class Content | Paul Bollenback

Paul holds another information-packed, inspiring class.  This, the first in a series by him on solo guitar playing.  Paul has included 14 pages of study material with this class!

View clips from this class

Art of Solo Guitar - Part I
Art of Solo Guitar – Part I 01:25:00

Going for Baroque Class Content | Steve Herberman

This class is an introduction to Baroque-style counterpoint filled with harmonic resources to aid in the ability to compose and improvise within this style. Focusing on contrary motion and the authentic cadence employing secondary dominants, cycles and modulations, the written exercises are designed to help get strong compositional elements in the ears and hands of the player.

Once the finger mechanics and harmonic concepts have been practiced, two-line improvisation in this style can occur more easily.

We’ll be dealing with quick harmonic rhythms, chords lasting one or two beats and played in cycles resulting in music with forward motion that contain interesting modulations.

Highlights of the class include:

  • Single note Baroque-style etudes,
  • 2-part exercises in contrary motion,
  • melodic embellishments,
  • conversational bass techniques,
  • cycle 4 and cycle 6 target chords using secondary dominants. IV V I
  • cadences in various keys,
  • chromatic counterpoint in contrary motion,
  • an original arrangement of All cadences in various keys
  • chromatic counterpoint in contrary motion,
  • an original arrangement of All The Things You Are written as a Baroque/Jazz hybrid for 6 string guitar with additional pages included for 7 string guitarists.
  • The class comes with 21 pages of written material in standard notation.
  • Any player wishing to get deeper into composing and improvising in the Baroque style will not want to miss this class!
  • 65 Minutes
  • 21 Pages of PDF materials
Going for Baroque
Going for Baroque 01:05:00

Bebop Flow: Connecting Harmonic Concepts with the Family of 4 Class Content | Sheryl Bailey

Learn how to play in any harmonic situation and create long, fluid lines with this concept of applying the Dom7 Be-bop Scale with a group of chord substitutions called “The Family of 4”

Read a review of this class in Guitar International Magazine

Full Video + Download
Bebop Flow: Connecting Harmonic Concepts with the Family of 4 01:22:00
MMC Study Suggestion by Az 00:00:00
FLOW BASICS
1: Intro 00:01:23
2. Just Friends – Intro Solo 00:02:50
3. What is the Flow? Dominant 7 Bebop Scale Example 00:03:44
4. F7 Bebop Scale Fingerings From All Chord Tones (3 and 2 octaves) 00:02:03
5. How to Use The Flow 00:00:29
THE MICRO-COSMIC BEBOP LINE
6. The Micro-Cosmic Bebop Line – Intro 00:02:08
7. The Micro-Cosmic Bebop Line – The Line 00:00:38
8. The Micro-Cosmic Bebop Line – Analysis 00:01:58
THE FAMILY OF 4
9. The Family of 4 – Intro 00:01:04
10. The James Brown Chord and Pluralities 00:02:22
11. Am7b5 and Cm6 00:02:30
12. The Bebop Scales 00:04:38
13. Nice Fingerings for Ebmaj7 and Am7b5 Arpeggios 00:00:50
14. How to get a Lydian Sound 00:01:01
15. The Flow on Vamps 00:01:01
16. Major II-Vs 00:00:41
THE FIFTH SOUND
17. Minor II-Vs and The Altered Sound 00:02:59
LEARNING TO HEAR
18. Learning to Hear on Major and Minor II-Vs 00:02:45
19. Learning to Hear over Major7 00:01:23
20. II-7 V7 with Dom7 Bebop 00:04:34
21. Minor II V with Dom7 Bebop 00:01:52
22. Family of 4 Bebop Lines 00:07:06
23. All The Possible Sounds – F7 Cmin7 Ebmaj7 Cmin7 F7 Amin7 D7b9 00:03:21
24. Improvised Solo Example 00:02:54
APPLYING THE FLOW - JUST FRIENDS
25. Just Friends Ala Bebop – Explanation 00:06:52
26. Just Friends Ala Bebop – Solo Example and Thoughts 00:04:17
27. Substitute II-Vs 00:03:10
28. Light and Dark on C7 00:04:03
29. Just Friends (Slower Tempo) 00:03:34
THE FLOW UNLEASHED
30. Just Friends – Improvised Outro Solo 00:02:09

The Joy of Practicing Class Content | Tom Lippincott

“Practice makes perfect,” so the saying goes.  However, many musicians view practice as a necessary but tedious and grueling task that’s full of drudgery.  Or even worse, some musicians approach practicing with a sense of fearful urgency, feeling overwhelmed by the amount of work that they must complete in order to reach their goal of being a “great” player.

These same people are often uncertain how to organize their practice time, not sure what they should practice, or how much time they should to devote to each subject.  Even accomplished musicians can sometimes experience a lack of inspiration or feel unsure about how to structure a practice session.

If any of this sounds familiar, then this class can help get your practicing back on track and assist you with achieving more fulfillment from your guitar practice sessions.

Practicing should be approached with joyful anticipation and savored instead of undertaken with reluctance or dread. 

The Joy of Practicing explores ideas and recommendations with an eye toward making practice enjoyable and productive rather than tiresome and dull.  The class covers a suggested practice routine broken down into nine categories with examples from each.

While the list of items presented may not be perfect for everyone, students can use the guide as a starting point to build a custom practice plan tailored specifically for their own needs and goals.

The Joy of Practicing covers:

  • Ideas for making practice sessions more fun and approaching music and musical development with a positive attitude
  • Breakdown of three types of musicians with a discussion of the differences in goals for each
  • Discussion of technique practice with examples of right and left hand exercises, as well as scale and chord exercises to improve technical proficiency
  • Note-recognition exercises for help with learning note names on the neck, as well as reading notation and rhythmic notation reading exercises
  • Devoting separate practice time to rhythmic development, with multiple examples
  • Discussion of listening to music, both “actively” and “passively,” and its importance in a musician’s development
  • Step-by-step breakdown of suggested routine for learning a new tune accurately and thoroughly
  • Concise but complete list of what to practice to develop harmony, chords, and comping, with multiple examples
  • Exploration of single-note improvisation with examples of applying concepts of voice leading, guide tones, approach and target notes, chord tone versus chord scale approach, development of intervallic patterns, reharmonization techniques, and motivic development
  • Discussion of composition and its importance to musical development, with suggestions and tips
  • Running time: 126 minutes
  • Includes 25 pages of written examples and exercises
  • All musical examples from the video are provided in music notation, tablature, and chord grid form.
  • Each example performance in the video is titled and numbered for easy navigation.
  • MP3 backing tracks for written examples and solos
Full Class + Download
The Joy of Practicing 02:07:00
INTRODUCTION
Intro Song 00:01:40
Introduction & About My Guitar (Tuning and Fanned Frets) 00:02:01
Defining Practice 00:01:48
Goals For the Professional 00:01:42
Goals For the Semi-Professional 00:01:00
Goals For the Hobbyist 00:00:32
The Surprisingly Most Successful Way To Practice 00:00:52
How Kenny Werner Practices 00:00:51
Practicing Guitar, Video Games, and Life 00:02:59
Stop Trying To Get Better 00:00:42
My Practice List and Practice Time Organisation 00:02:23
One Small Subject In Great Detail 00:01:53
The Lifetime Master List and The Short Term Master List 00:01:30
THE 8 AREAS TO COVER
1 TECHNIQUE
Staying Relaxed 00:01:24
Slow Scales and Meditation 00:02:01
Warming Up Like Scott Tennant 00:00:31
Ex 1 – Left Hand Slurs and Variations 00:01:11
Ex 2 – Finger Independence 00:02:13
Giuliani Exercises 00:01:50
Ex 3 – Giuliani Right Hand Study 00:00:39
10 Three Octave Scales For Technique Practice – Ex 4A to 4J 00:03:37
Chordal Things – Ex 5 and Ex 6 00:02:01
2 NOTE RECOGNITION AND READING
Why Learn to Read 00:01:28
Ex 1 – Note Row 00:02:03
Ex 2 – Note Row on High E String 00:01:32
Ex 2a – Note Row in 5th Position 00:01:54
Ex 3 – Eighth Note Reading 00:13:11
Ex 3b Sixteenth Note Reading 00:02:30
3 RHYTHM
Intro to Rhythm Practice 00:00:39
Ex 1 – Eighth Note in 4/4 missing h in eighth 00:01:08
Variations with Improvisation 00:01:50
Click on the and of 2 00:01:49
Ex 2 – 8th Note Triplets 00:02:35
4 EAR TRAINING
Ear Training Exercises 1 to 4 00:02:08
Ear Training Exercises 5 to 7 00:02:10
5 LISTENING AND TRANSCRIPTION
The Importance of Listening 00:02:30
Active Listening 00:00:55
Two Approaches to Transcription 00:03:09
Transcribe! Software Tutorial 00:11:23
6 REPERTOIRE
The Importance of Repertoire 00:01:46
Repertoire Ex 1 to 4 00:02:48
Repertoire Ex 5 and 6 00:02:12
Repertoire Ex 7 and 8 00:01:34
Repertoire Ex 9 – Alternate Changes and Color Tones 00:01:48
Repertoire Ex 10 – Chord Melody 00:01:24
Repertoire List Guidelines 00:00:34
7 HARMONY, CHORDS, AND COMPING
A Systematic Approach to Harmony 00:02:29
Harmony Ex 1 to 5 00:05:36
Harmony Ex 6 to 10 00:07:30
8 IMPROVISATION
Improvisation Ex 1 and 2 00:02:07
Improvisation Ex 3 and 4 00:01:34
Improvisation Ex 5 to 7A 00:03:20
Improvisation Ex 8 00:02:06
Improvisation Ex 9 and 10 00:03:35
Improvisation Ex 11 and 12 00:03:32
9 COMPOSITION
Tom’s Personal Approach to Composition 00:04:16
CONCLUSION
Closing Thoughts and Outro Performance 00:02:03

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