Soloing Masterclass

2-Note Melodic Patterns

Andy Fite·
0.0 (0 reviews)
·INTERMEDIATE·5 lessons·40m 31s of video

About this masterclass

Andy Fite continues his logical, comprehensive exploration of the fretboard with a masterclass on melodic patterns built from their smallest unit: two notes. If your improvised solos tend to sound like scales going up and down, this systematic approach — working through ascending and descending 2nds, 3rds, 4ths, 5ths, 6ths, and 7ths through major scales in multiple keys — fills that gap in a focused, musical way.

What's covered

  • Each interval pattern in three forms: the pattern itself (2 notes), the palindrome (3 notes), and the pattern reversed on the second step (4 notes)
  • Two ways to practice every pattern: as separate groups and as one long flowing line
  • A speed concept borrowed from Lennie Tristano — the smallest unit of speed is two notes, practiced relaxed and unhurried
  • Phrasing choices on guitar: notes on one string vs. across a string crossing, and finding sweet-sounding diagonal fingerings
  • Staying relaxed, breathing, and keeping the work musical rather than mechanical
"The purpose of the thing is to develop greater freedom, flexibility and focus in one's melodic improvising." — Andy Fite

You'll also receive Andy's composition "Song for the Fifth of April", notated in both TAB and standard notation, which shows how he uses these melodic patterns to build a melodically strong solo guitar piece. Full video is 37 minutes, with 3 pages of PDF materials in standard notation and TAB. Soundslice Enhanced.

Lessons in this masterclass

Lessons

  • 12-Note Melodic Patterns 112m 28s
  • 22-Note Melodic Patterns 211m
  • 32-Note Melodic Patterns 314m 18s
  • 4Song for the 5th of April Performance Video1m 48s
  • 5Song for the 5th of April Soundslice57s

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About the instructor

Andy Fite
Andy Fite is a jazz guitarist, singer, and songwriter currently living in Stockholm, Sweden, having lived and worked in New York City for many years. As a guitarist it's fair to say he sounds like no one else, joyous and spontaneous, with influences ranging from Charlie Parker and Lennie Tristano to Bach, Brahms and Chopin. (And the rhythm guitarists of the 1930s!) As a singer he's been compared to Frank Sinatra and Michael Bublé, with a warm sound and a natural phrasing coming from his strong focus on the words, and the thoughts and the feeling they communicate. He's written about 650 songs, extending the tradition of the "Great American Songbook" into the contemporary era, with what is often a comedic approach to the agonies of life and love, and performs across northern Europe under the title ”Jazz Comic Philosopher”. He has also recorded a lot. 44 albums are currently available for download or streaming at iTunes, Spotify, CD Baby, Amazon and other sites. These include pure jazz recordings in duo, trio and quartet, and solo; multi-tracked jazz transformations on Bach and other classic composers, compositions for solo guitar, many albums of original songs, and several albums in a new genre of his own which he calls the Talking Kaleidoscope. Andy has played with some of the all-time greats, including Red Mitchell, Kenny Clarke, Billy Eckstine, Kazzrie Jaxen (formerly Liz Gorrill) Connie Crothers, Bob Casanova, Sheila Jordan, Jan Allan, and many others. He is a teacher too. He works in his own private studio and at Sollentuna Jazz Workshop in Stockholm, and has guest-lectured at the Royal Academy of Music and several other schools in Sweden, and in Finland, Norway, Denmark and Germany, and also in New York City. He has also worked a bit on the comedy stages in Stockholm and elsewhere, and for a while there even had a spot on a Swedish children’s television show.