In this class, John and Mike continue their demonstration of the harmonic minor modes, in this case discussing the tensions created over major, minor and diminished chords with harmonic minor chords and arpeggios combined with basic major, minor and diminished (as altered dominant) harmony. Specific references include the lydian #9 major harmony generated by the 6th mode of the harmonic minor, as well as the various tensions created over minor and major chords. Implied V chords using harmonic minor modes are also referenced, reinforcing material covered in previous classes.