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Modern Jazz Guitar – Part II
Going for Baroque
7-String Jazz Guitar for All Levels
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Jazz Phrasing Part 1 (For All Instruments)
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Chord Solos
Tonal Centers Applied to Chord Melody
Double Stops for Jazz Guitar
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Chordal Solo Choruses
Electric Fingerstyle Guitar
“Have You Met Miss Jones?” – Masterclass
“Naima” – Exploring Modern Dominant 7ths
Green Dolphin Street – Changes, Voicings and Lines
The String Trio Approach for Chord Melody & Accompaniment
A Guitarist’s Approach to the Harmony of Bill Evans
Guide Tones for Jazz Lines, Comping and Chord Melody
Chord Voicings
Art of Solo Guitar – Part III
Comping
Pedal Points Part 4: Upper Pedals
“Have You Met Miss Jones?” – Masterclass
Post Bebop Comping: Contemporary Sound with Clusters and 4ths
The Art of Playing Jazz Blues
“It Could Happen to You” Masterclass
Bailey’s Boot Camp Basics
Comping Concepts Part One: 4/4 swing
Guide Tones for Jazz Lines, Comping and Chord Melody
Comping Concepts Part Two: Ballads and Jazz Waltz
Refreshing Your Chord Vocabulary on Simple ii-V-I’s
Comping
Composing and Improvising Strong Melodies
Lenny Breau-Style Comping/Soloing (Part 2)
Stella by Starllight – Changes, Voicings and Lines
Concepts & Ideas for Guitar Duo Playing
Melodic Comping
The Art of Playing Jazz Blues
Comping Concepts Part 3: Rootless Voicings & Chord Substitutions
Concert/Clinic
Modern Jazz Guitar – Part I
The Art of the Duo
Comping Concepts Part Two: Ballads and Jazz Waltz
Double Stops for Jazz Guitar
Harmony
Bassist Avishai Cohen Workshop
Confirmation
Going for Baroque
Jazz Blues – Part II – Minor Blues
Melodic Minor Complete – Part I: Theory
Psychology, Philosophy & Methodology for the Jazz Guitarist – 2
Soloing and Comping in a Pianistic Style
Twelve Tone Row in Improvisation
Beautiful Love
Contrapuntal Triad Pairs part 1: Close-Voiced Triads
Green Dolphin Street – Changes, Voicings and Lines
Jazz Guitar Harmony Part II
Jazz Blues
Blues-Part I – Call and Response
8 Sets of Jazz Blues Changes
Blues – A Two Speed Approach
Blues and Pentatonics – Part I
Blues and Pentatonics – Part II
Blues Basics – Developing a Linear Approach
Blues: A Modern Jazz Guitar Approach – Part I
Comping on Blues and Rhythm Changes
Gettin’ Greasy – Blues Lines and Phrases
Guide Tones for Jazz Lines, Comping and Chord Melody
Jazz Blues
Jazz Blues – Part II – Minor Blues
Mindfulness
Andy’s Comprehensive Approach – Part 2
Developing A Personal Practice Routine
Discover, Develop, Integrate: Techniques Unveiled
Jazz Guitar Recording Concepts and Philosophy
Psychology, Philosophy & Methodology for the Jazz Guitarist – 2
Psychology, Philosophy & Methodology for the Jazz Guitarist – 3
Psychology, Philosophy & Methodology for the Jazz Guitarist – I
Quality Practicing Jazz – Part II
Quality Practicing Jazz – Part I
Orchestral Repertoire – Methodology, Philosophy, Auditions
The Importance of Scat
The Joy of Practicing
Modern Jazz Guitar
How to Improvise with Major Triads
Post Be-Bop Improv
The Half Diminished Sound
Exploring Original Compositions, pt 2
Jazz Guitar Harmony Part II
Post Bebop Comping: Contemporary Sound with Clusters and 4ths
The Symmetrical Augmented Scale
Jazz Phrasing Part 3 (For All Instruments)
Jazz Guitar Harmony Part I
Quartal Harmony and Intervallic Soloing
Thinking Outside the Box
A New Model In Viewing Improvisation – Lesson V
Practicing
Andy’s Comprehensive Approach – Part 2
The Joy of Practicing
All About Technique: How to get Speed and Accuracy
Developing A Personal Practice Routine
Fundamentals Checkpoint
Getting the Most Out of Practicing
How To Practice
Practicing and Memorizing Tunes
Quality Practicing Jazz – Part I
Quality Practicing Jazz – Part II
Andy’s Comprehensive Approach – Part 1
“Have You Met Miss Jones?” – Masterclass
Recently Enhanced Class
A Guitarist’s Approach to the Harmony of Bill Evans
Counterpoint Concepts
Guide Tones for Jazz Lines, Comping and Chord Melody
Soloing and Comping in a Pianistic Style
Clusters! Sounds of B. Evans/H. Hancock in Your Hands
The Joy of Practicing
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
Rhythm
Modern Jazz Guitar – Part III
Modern Jazz Guitar – Part IV
Jazz Phrasing Part 3 (For All Instruments)
Modern Jazz Guitar – Part V
Jazz Phrasing Part 2 (For All Instruments)
Odd Meters
Bass and Guitar – A Balance of Forces
Rhythm Workshop
Beautiful Love
Rhythm, Comping and How to Play Chords Like a Pro!
Blues Guitar
Rhythmic Techniques for Guitar
Rhythm Changes
Comping on Blues and Rhythm Changes
Making The Changes II – Connecting Tones Through Rhythm Changes
Rhythm Changes – A Two Speed Approach
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Single Note Soloing Concepts on Rhythm Changes
Segment Enhanced
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
Jazz Phrasing Part 5: “Quoting” Bebop Heads and Standard Tunes (For All Instruments)
“It Could Happen to You” Masterclass
“Georgia” Melody Support by 4/4 Rhythm
Andy’s Comprehensive Approach – Part 2
Andy’s Comprehensive Approach – Part 1
“West Coast Blues” [Guitar Masterclass]
Christmas Tunes Vol. II & The Beatles
8 Christmas Tunes Improvised by Sid
“White Christmas” Howard’s Rendition
Exploring Original Compositions, pt 2
Counterpoint Concepts
Soloing
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
“Naima” – Exploring Modern Dominant 7ths
Interpretation and Musicality for Guitarists – II
Making The Changes II – Connecting Tones Through Rhythm Changes
Music For Solo Bass
Rhythm Changes – Modern Jazz Guitar Approach – Part II
The Art of Fusion 6
The Inner Line
“Have You Met Miss Jones?” – Masterclass
Blues and Pentatonics – Part I
Fundamentals Checkpoint
Introduction to The New Technique and The Art of The Bow
Soundsliced
A Guitarist’s Approach to the Harmony of Bill Evans
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Anatomy of a Standard – “Giant Steps”
“White Christmas” Howard’s Rendition
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
“Georgia” Melody Support by 4/4 Rhythm
Standards
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Anatomy of a Standard – “I’ve Never Been in Love Before”
“Have You Met Miss Jones?” – Masterclass
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
Jazz Phrasing Part 2 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Beautiful Love
Exploring Modern Ideas for Jazz Standards: Pt. 2
Concert/Clinic
“It Could Happen to You” Masterclass
Getting Creative With Standard Tunes
“West Coast Blues” [Guitar Masterclass]
Technique
“Naima” – Exploring Modern Dominant 7ths
Harmonics
Injury Prevention for the Double Bassist
Introduction to The New Technique and The Art of The Bow
Jazz Guitar Finger-Style Technique
Learning The Other Bow
David Gage Workshop
Strategic Picking and the Improvised Line
7-String Jazz Guitar for All Levels
The Art of Fusion 4 – Scales and Speed Development
A New World of Sounds
Time, Tone and Technique
Theory
Blues: A Modern Jazz Guitar Approach – Part II
Guide Tones for Jazz Lines, Comping and Chord Melody
Melodic Minor Complete – Part I: Theory
The Art of Fusion 3 – Improv and 251
Jazz Phrasing Part 1 (For All Instruments)
Comping Concepts Part 3: Rootless Voicings & Chord Substitutions
Harmonic Rhythm
Melodic Minor Complete – Part II: Practical Application
The Art of Fusion 4 – Scales and Speed Development
Exploring Modern Ideas for Jazz Standards: Pt. 1
Jazz Phrasing Part 3 (For All Instruments)
Bailey’s Boot Camp Basics – Part III
Upcoming Release
Guide Tone Lines
Gypsy Style Arpeggio Picking
Going For Baroque, Part Two (Three-Voice Counterpoint)
Intervallic Soloing Using 4ths
Walking Chords for Jazz Guitar
Intervallic Soloing Using Triads
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Jazz Improvisation Uncovered [eBook]
Jazz Guitar Licks and Etudes [eBook]
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
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Soloing
Jazz Blues
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Gettin' Greasy - Blues Lines and Phrases
Gettin' Greasy - Blues Lines and Phrases | by Jake Langley
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