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Modern Jazz Guitar – Part II
Going for Baroque
7-String Jazz Guitar for All Levels
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Jazz Phrasing Part 1 (For All Instruments)
Chord Melody
Beautiful Love
Stella by Starllight – Changes, Voicings and Lines
Fun With 10ths
The Making of a Solo Guitar Arrangement
Blues Guitar
Thinking Outside the Box
Chord melody arranging & soloing inspired by George Van Eps
Thinking Outside the Box – Part II
Chord Melody Playing – Part II
Thinking Outside the Box – Part III
Chord Solos
Tonal Centers Applied to Chord Melody
Chord Voicings
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Chord Construction Workshop
Expand Your Comping Concepts
Jazz Blues – Part II – Minor Blues
Motion and Chord Voicings – Part I
Soloing and Comping in a Pianistic Style
Thinking Outside the Box – Part II
Advanced Jazz Guitar Harmony: 4-Part-4ths
Chord melody arranging & soloing inspired by George Van Eps
Expanding Your Chord Vocabulary
Jazz Guitar Harmony Part II
Motion and Chord Voicings – Part II
Comping
Blues: A Modern Jazz Guitar Approach – Part II
Harmonic Rhythm
Rhythm Workshop
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
“On the Road”
How to Comp: Modern Comping and Beyond
Rhythm, Comping and How to Play Chords Like a Pro!
Exploring Modern Ideas for Jazz Standards: Pt. 1
Blues: A Modern Jazz Guitar Approach – Part I
Jazz Guitar Recording Concepts and Philosophy
Rhythmic Techniques for Guitar
Jazz Phrasing Part 1 (For All Instruments)
Harmony
Applications of Triad Motion Studies Inspired by George Van Eps
Chord Melody Playing – Part II
Exploring the Chord/Single Note Line Connection
Hybrids – A New Approach to Reharmonization – Lesson I
Pedal Points Part 4: Upper Pedals
Modern Jazz Guitar – Part V
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Thinking Outside the Box – Part II
Artful Intros
Chord Solos
Extending Your Harmonic Reach
Hybrids – A New Approach to Reharmonization – Lesson II
Jazz Blues
Guide Tones for Jazz Lines, Comping and Chord Melody
Jazz Blues
Jazz Blues – Part II – Minor Blues
Swing and Big Band Chordal Riffs and Shout Choruses
The Art of Playing Jazz Blues
Blues-Part I – Call and Response
8 Sets of Jazz Blues Changes
Blues – A Two Speed Approach
Blues and Pentatonics – Part I
Blues and Pentatonics – Part II
Blues Basics – Developing a Linear Approach
Blues: A Modern Jazz Guitar Approach – Part I
Mindfulness
Orchestral Repertoire – Methodology, Philosophy, Auditions
The Importance of Scat
The Joy of Practicing
Time and Space
Time, Tone and Technique
Connecting Deeply, Seeing Clearly
Developing A Personal Practice Routine
Discover, Develop, Integrate: Techniques Unveiled
Jazz Guitar Recording Concepts and Philosophy
Psychology, Philosophy & Methodology for the Jazz Guitarist – 2
Psychology, Philosophy & Methodology for the Jazz Guitarist – 3
Psychology, Philosophy & Methodology for the Jazz Guitarist – I
Modern Jazz Guitar
Extending Your Harmonic Reach
Modern Jazz Improvisation-Part 2
The Art of Takin’ It Out
Exploring Modern Ideas for Jazz Standards: Pt. 1
Pedal Points Part 4: Upper Pedals
Modern Jazz Improvisation-Part 1
The Diminished Scale: A Modern Jazz Guitar Approach – Part 1
Jazz Phrasing Part 4: Articulation & Rhythmic Variety (For All Instruments)
Guitar and Vocals
Odd Meters
The Diminished Scale: A Modern Jazz Guitar Approach – Part 2
Exploring Modern Ideas for Jazz Standards: Pt. 2
Practicing
“Have You Met Miss Jones?” – Masterclass
Jazz Phrasing Part 3 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Exploring Modern Ideas for Jazz Standards: Pt. 2
The Joy of Practicing
All About Technique: How to get Speed and Accuracy
Developing A Personal Practice Routine
Fundamentals Checkpoint
Getting the Most Out of Practicing
How To Practice
Practicing and Memorizing Tunes
Quality Practicing Jazz – Part I
Rhythm
Further Phrasing Concepts
Jazz Phrasing Part 5: “Quoting” Bebop Heads and Standard Tunes (For All Instruments)
Green Dolphin Street – Changes, Voicings and Lines
Guitar and Vocals
Jazz Time Feel
Modern Jazz Guitar – Part I
Modern Jazz Guitar – Part III
Modern Jazz Guitar – Part IV
Jazz Phrasing Part 3 (For All Instruments)
Modern Jazz Guitar – Part V
Jazz Phrasing Part 2 (For All Instruments)
Odd Meters
Rhythm Changes
Comping on Blues and Rhythm Changes
Making The Changes II – Connecting Tones Through Rhythm Changes
Rhythm Changes – A Two Speed Approach
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Single Note Soloing Concepts on Rhythm Changes
Soloing
Augmented Tonality I – The Whole Tone Scale
Dodecafonismo en la Improvisacion
Heads, You Win!
Art of Solo Guitar – Part II
Modern Jazz Guitar – Part II
Quality Practicing Jazz – Part I
Strategic Picking and the Improvised Line
The Diminished Scale: A Modern Jazz Guitar Approach – Part 3
Walking Bass and Soloing Line Construction
Bailey’s Boot Camp Basics – Part III
Dodecafonismo en la Improvisacion: Parte II
Horizontal Guitar
Standards
“Naima” – Exploring Modern Dominant 7ths
Practicing and Memorizing Tunes
Stella by Starllight – Changes, Voicings and Lines
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Anatomy of a Standard – “I’ve Never Been in Love Before”
“Have You Met Miss Jones?” – Masterclass
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
Jazz Phrasing Part 2 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Beautiful Love
Exploring Modern Ideas for Jazz Standards: Pt. 2
Concert/Clinic
Technique
Bass Technique
Bass-ics
Electric Fingerstyle Guitar
“Naima” – Exploring Modern Dominant 7ths
Harmonics
Injury Prevention for the Double Bassist
Introduction to The New Technique and The Art of The Bow
Jazz Guitar Finger-Style Technique
Learning The Other Bow
David Gage Workshop
Strategic Picking and the Improvised Line
7-String Jazz Guitar for All Levels
Theory
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
Expand Your Comping Concepts
Making the Changes – Jamie Taylor’s approach
Set Theory Improvisation
“Naima” – Exploring Modern Dominant 7ths
Blues – A Two Speed Approach
Expanding Your Chord Vocabulary
Making the Changes – Jamie Taylor’s approach – Part 2
Substitution Chords and Parallel Usage
The Nine Essential Chord Forms and How to Use Them
Blues Basics – Developing a Linear Approach
Extending Your Harmonic Reach
eBooks
Jazz Improvisation Uncovered [eBook]
Jazz Guitar Licks and Etudes [eBook]
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
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Course
Soloing
Jazz Blues
Chord Voicings
Blues
Gettin' Greasy - Blues Lines and Phrases
Gettin' Greasy - Blues Lines and Phrases | by Jake Langley
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Jake Langley
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Gettin’ Greasy – Blues Lines and Phrases
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