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7 String
Modern Jazz Guitar – Part II
Going for Baroque
7-String Jazz Guitar for All Levels
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Jazz Phrasing Part 1 (For All Instruments)
Going For Baroque, Part Two (Three-Voice Counterpoint)
Chord Melody
Double Stops for Jazz Guitar
Tools for Improvising – “Autumn Leaves”: 3-part Lecture Series
Chordal Solo Choruses
Electric Fingerstyle Guitar
“Have You Met Miss Jones?” – Masterclass
“Naima” – Exploring Modern Dominant 7ths
Green Dolphin Street – Changes, Voicings and Lines
The String Trio Approach for Chord Melody & Accompaniment
A Guitarist’s Approach to the Harmony of Bill Evans
Guide Tones for Jazz Lines, Comping and Chord Melody
Exploring Modern Ideas for Jazz Standards: Pt. 1
Applications of Triad Motion Studies Inspired by George Van Eps
Chord Voicings
Bailey’s Boot Camp Basics
Comping Concepts Part One: 4/4 swing
Guide Tones for Jazz Lines, Comping and Chord Melody
Comping Concepts Part Two: Ballads and Jazz Waltz
Refreshing Your Chord Vocabulary on Simple ii-V-I’s
The Chromatic Line Game
Exploring Modern Ideas for Jazz Standards: Pt. 2
“Naima” – Exploring Modern Dominant 7ths
Fun With 10ths
Comping on Blues and Rhythm Changes
Triads and Seventh Chords of the Melodic Minor Scale
Mastering Chord Movement
Comping
Concepts & Ideas for Guitar Duo Playing
Melodic Comping
The Art of Playing Jazz Blues
Comping Concepts Part 3: Rootless Voicings & Chord Substitutions
Concert/Clinic
Modern Jazz Guitar – Part I
The Art of the Duo
Comping Concepts Part Two: Ballads and Jazz Waltz
Double Stops for Jazz Guitar
Modern Jazz Guitar – Part II
The Art of the Duo w/ Guitarist Mimi Fox
8 Sets of Jazz Blues Changes
Harmony
Beautiful Love
Contrapuntal Triad Pairs part 1: Close-Voiced Triads
Green Dolphin Street – Changes, Voicings and Lines
Jazz Guitar Harmony Part II
Melodic Minor Complete – Part II: Practical Application
Psychology, Philosophy & Methodology for the Jazz Guitarist – 3
Stella by Starllight – Changes, Voicings and Lines
Upper Structure Triads
A Fresh Approach to Compositional Ideas
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
Contrapuntal Triad Pairs part 2: Open-Voiced Triads
Guide Tone Lines: Soloing on a “Bird” Blues
Jazz Blues
Blues-Part I – Call and Response
8 Sets of Jazz Blues Changes
Blues – A Two Speed Approach
Blues and Pentatonics – Part I
Blues and Pentatonics – Part II
Blues Basics – Developing a Linear Approach
Blues: A Modern Jazz Guitar Approach – Part I
Comping on Blues and Rhythm Changes
Gettin’ Greasy – Blues Lines and Phrases
Guide Tones for Jazz Lines, Comping and Chord Melody
Jazz Blues
Jazz Blues – Part II – Minor Blues
Mindfulness
Developing A Personal Practice Routine
Discover, Develop, Integrate: Techniques Unveiled
Jazz Guitar Recording Concepts and Philosophy
Psychology, Philosophy & Methodology for the Jazz Guitarist – 2
Psychology, Philosophy & Methodology for the Jazz Guitarist – 3
Psychology, Philosophy & Methodology for the Jazz Guitarist – I
Quality Practicing Jazz – Part II
Quality Practicing Jazz – Part I
Orchestral Repertoire – Methodology, Philosophy, Auditions
The Importance of Scat
The Joy of Practicing
Time and Space
Modern Jazz Guitar
Jazz Phrasing Part 3 (For All Instruments)
Jazz Guitar Harmony Part I
Quartal Harmony and Intervallic Soloing
Thinking Outside the Box
The Art of Bass & Chords For Jazz Guitar
A New Model In Viewing Improvisation – Lesson V
Jazz Guitar Harmony Part III
Quintal Arpeggios
Thinking Outside the Box – Part II
Walking Chords for Jazz Guitar
Advanced Jazz Guitar Harmony: Drop 2 and 4, Drop 2 and 3
Jazz Guitar Harmony Part IV
Practicing
The Joy of Practicing
All About Technique: How to get Speed and Accuracy
Developing A Personal Practice Routine
Fundamentals Checkpoint
Getting the Most Out of Practicing
How To Practice
Practicing and Memorizing Tunes
Quality Practicing Jazz – Part I
Quality Practicing Jazz – Part II
Andy’s Comprehensive Approach – Part 1
“Have You Met Miss Jones?” – Masterclass
Jazz Phrasing Part 3 (For All Instruments)
Recently Enhanced Class
A Guitarist’s Approach to the Harmony of Bill Evans
Counterpoint Concepts
Guide Tones for Jazz Lines, Comping and Chord Melody
Soloing and Comping in a Pianistic Style
Clusters! Sounds of B. Evans/H. Hancock in Your Hands
The Joy of Practicing
Bebop Flow: Connecting Harmonic Concepts with the Family of 4
Rhythm
Jazz Phrasing Part 3 (For All Instruments)
Modern Jazz Guitar – Part V
Jazz Phrasing Part 2 (For All Instruments)
Odd Meters
Bass and Guitar – A Balance of Forces
Rhythm Workshop
Beautiful Love
Rhythm, Comping and How to Play Chords Like a Pro!
Blues Guitar
Rhythmic Techniques for Guitar
Blues: A Modern Jazz Guitar Approach – Part I
The Art of the Duo
Rhythm Changes
Comping on Blues and Rhythm Changes
Making The Changes II – Connecting Tones Through Rhythm Changes
Rhythm Changes – A Two Speed Approach
Rhythm Changes – Modern Jazz Guitar Approach – Part I
Rhythm Changes – Modern Jazz Guitar Approach – Part II
Single Note Soloing Concepts on Rhythm Changes
Segment Enhanced
“It Could Happen to You” Masterclass
“Georgia” Melody Support by 4/4 Rhythm
Andy’s Comprehensive Approach – Part 2
Guide Tone Lines
Andy’s Comprehensive Approach – Part 1
“West Coast Blues” [Guitar Masterclass]
Christmas Tunes Vol. II & The Beatles
8 Christmas Tunes Improvised by Sid
“White Christmas” Howard’s Rendition
Exploring Original Compositions, pt 2
Counterpoint Concepts
A Guitarist’s Approach to the Harmony of Bill Evans
Soloing
Jazz Phrasing Part 3 (For All Instruments)
Blues and Pentatonics – Part II
Further Phrasing Concepts
Jazz Blues
Melodic Embellishment 1
Open String Concepts for Chords and Single Note Lines
Set Theory Improvisation
The Art of Playing Jazz Blues
The Major Scale: Chord and Scale Fingering Systems
Exploring Modern Ideas for Jazz Standards: Pt. 1
Lenny Breau-Style Comping/Soloing (Part 2)
Blues Basics – Developing a Linear Approach
Soundsliced
A Guitarist’s Approach to the Harmony of Bill Evans
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Anatomy of a Standard – “Giant Steps”
“White Christmas” Howard’s Rendition
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
Going For Baroque, Part Two (Three-Voice Counterpoint)
Intervallic Soloing Using 4ths
“Georgia” Melody Support by 4/4 Rhythm
Guide Tone Lines
Standards
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
Jazz Phrasing Part 2 (For All Instruments)
Exploring Modern Ideas for Jazz Standards: Pt. 1
Beautiful Love
Exploring Modern Ideas for Jazz Standards: Pt. 2
Concert/Clinic
“It Could Happen to You” Masterclass
Getting Creative With Standard Tunes
“West Coast Blues” [Guitar Masterclass]
Green Dolphin Street – Changes, Voicings and Lines
Anatomy of a Standard – “Giant Steps”
Heads, You Win!
Technique
Introduction to The New Technique and The Art of The Bow
Jazz Guitar Finger-Style Technique
Learning The Other Bow
David Gage Workshop
Strategic Picking and the Improvised Line
7-String Jazz Guitar for All Levels
The Art of Fusion 4 – Scales and Speed Development
A New World of Sounds
Time, Tone and Technique
All About Harmonics
Pedal Points Part 3: Inner-Voice Fretted Pedals
All About Technique: How to get Speed and Accuracy
Theory
Jazz Phrasing Part 3 (For All Instruments)
Bailey’s Boot Camp Basics – Part III
Triads and Seventh Chords of the Melodic Minor Scale
Melodic Minor Modes
The Art of Fusion 5 – Chords and CAGED System
Howard Alden’s Techniques for Harmonizing Melodies with Thirds
Jazz Phrasing Part 2 (For All Instruments)
Bottomlands Architecture
How to Harmonically Analyze a Tune
Modern Harmony & Harmonic Concepts – Part II
The Diminished Chord – How to Alter and Apply
Jazz Phrasing Part 4: Articulation & Rhythmic Variety (For All Instruments)
Upcoming Release
Expanding Guitar’s Harmonic Vocabulary with Artificial Harmonics p. I
Gypsy Style Arpeggio Picking
Into Tonal Beauty: Escaping Chord Grips
Jimmy Wyble’s Etude #1
Jimmy Wyble’s Etude #2
Expanding Guitar’s Harmonic Vocabulary with Artificial Harmonics p. II
eBooks
Jazz Improvisation Uncovered [eBook]
Jazz Guitar Licks and Etudes [eBook]
[Soundsliced] 4 Original Pieces for Acoustic Guitar: Jazz-Influenced Song Sheets Included
Jazz Guitar Licks and Etudes 2 [Soundslice + eBook]
Bass Classes
Masters
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Randy Johnston
Jazz Guitar Master
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Playing Changes in One Octave
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“Santa Claus is Coming to Town” [Improvised Tune]
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"It Could Happen to You" Masterclass
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"Have You Met Miss Jones?" - Masterclass
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Randy Johnston Live Q&A 3/1/18 at 8pm EST [Free for Members]
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Triste
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Beautiful Love
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Stella by Starllight - Changes, Voicings and Lines
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Green Dolphin Street - Changes, Voicings and Lines
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8 Sets of Jazz Blues Changes
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Simplifying Jazz Guitar
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